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Please Ouyang Xiu appreciate "Dead Hua Lian" sentence by sentence, sentence by sentence! Urgent!
In the courtyard, deep willows pile up smoke, and the curtains are not counted. Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road.

March storm, closing at dusk, not planning to stay in spring. Tears ask flowers silently, and red flies over the swing.

A butterfly in love with flowers

The title of the original Tang opera is still in tune. This book was adopted by Liang in Yuefu, and its title is Butterfly Lovers, also known as Golden Branches, Queta, Rolling Beads Curtain and A Bucket of Gold. Its use as an inscription began in the Song Dynasty. Two tones, the same tone of the upper and lower films, and rhyme. * * * Sixty words with four rhymes.

(○ Pingsheng ● Pingsheng ⊙ Pinkequ △ Yunping ▲ Yunyun)

How deep is the courtyard,

●●●○○●▲

The willow piles up smoke, but the curtain is not heavy.

●●○○,●●○○▲

Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road.

●●●○○●▲,○○●●○○▲

March storm,

○●○○○●▲

It closes at dusk, and there is no plan to stay in spring.

●○○○,○●○○▲

Tears ask flowers silently, and red flies over the swing.

●●○○○●▲,○○●●○○▲

The courtyard is deep. How deep is it? Willow Yiyi, flying with patches of smoke, a thick curtain with few layers. Luxurious chariots and horses parked in the playground of aristocratic childe. They went upstairs and looked into the distance, but they couldn't see Zhangtai Road.

Spring will pass, it will rain heavily in March, and the scenery at dusk will be covered by heavy doors, so spring can't stay. If you want to spend with tears in your eyes, you can know my mind. The flowers were silent, only the chaotic fallen flowers flew out of the swing bit by bit.

Author Ouyang xiu

(1007- 1072) A writer and historian in the Northern Song Dynasty. The word Yong Shu was born in Jishui, Jizhou (now Jiangxi). Tiansheng Jinshi collated the official pavilion and knew Yiling because of his outspoken views. During the Li Qing period, he served as an admonition officer, supported Fan Zhongyan, demanded political improvement, and was falsely accused of knowing the state. Official to Hanlin bachelor, deputy envoy of the Council and government affairs. When Wang Anshi carried out the new law, he criticized the young crops law. Shi Wenzhong. He advocated that the articles should be Ming Dow and practical, expressed dissatisfaction with the extravagant style of writing since the early Song Dynasty, and actively cultivated backward people. He was the leader of the ancient prose movement in the Northern Song Dynasty. Prose has become one of the "Eight Masters in Tang and Song Dynasties" because of its eloquence and euphemism. Poetry is similar to its prose, and its language is fluent and natural. His words are graceful and graceful, inheriting the lingering wind of the Southern Tang Dynasty. Co-edited the Book of the New Tang Dynasty with Song Qi, and independently wrote the History of the New Five Dynasties. He also liked to collect epigraphy and compiled it into Records of the Historians, which had a great influence on epigraphy in the Song Dynasty. There is Ouyang Wenzhong's collection.

This word describes the feeling that young boudoir women are hurt by spring, and it is quite popular to get married together. The first one was about the loneliness of the boudoir, and it was blocked. I want to meet the right person, but I can't. In the next movie, I wrote about beauty, and I hope that the right person will come back. The feelings of hatred and resentment are self-evident. This word is a model of European words, which is characterized by scenery, modesty, sincerity and profound meaning, especially the psychological description of young women.

The first three sentences of the last part are about "deep courtyard", and "how deep" contains resentment in the question. The silence like "cigarette accumulation" in the courtyard sets off people's loneliness and unhappiness, and "the curtains are not heavy". Writing about secluded boudoir is the imprisonment of beautiful youth and the harm to beautiful life. The "courtyard" is deep, the "curtain" is heavy, and it is also a "willow pile of smoke", which is both thick and dense-living in this gloomy and quiet environment, the heroine is depressed and imprisoned physically and mentally. The three words "deep" overlap, and writing it is banned, which is similar to the pain of being imprisoned. It not only implies the loneliness of the heroine, but also has a deep feeling of resentment. Therefore, Li Qingzhao was greatly praised, and once drafted his language as "Deep Courtyard". Obviously, the heroine's material life is rich. But her mental pain is self-evident.

The next few sentences in "Jade Music Carving Saddle" profoundly show that the reality has ruthlessly ravaged her mind step by step: her lover is unlucky, but she doesn't return, and the only thrill is willful and helpless.

In the first three sentences of the next movie, the storm is used to compare the ruthlessness of feudal ethics, and the flower quilt is used to compare the destruction of one's youth. Yu Shaohua died in vain, but life grows old. Spring goes and spring comes, and time is like water. At the end of the sentence, women's infatuation and despair are written with rich meanings. "Begging for flowers with tears" means asking yourself with tears. "Flowers don't talk" is not to avoid the answer. It's just that girls are suffering the same fate, speechless and sobbing. Didn't "Flying Flowers Over the Swing" show her fate more clearly than words? "Luan Hong" flies over the place where youth plays and disappears, which is exactly "helpless flowers fall". Flowers in tears are like flowers, and people are like flowers. In the end, flowers are inseparable from people, and it is difficult to avoid the fate of being abandoned. The image of "disorderly red" is not only a true copy of the background, but also a symbol of the tragic fate of women. This kind of brushwork, which completely uses the environment to hint and contrast the characters' thoughts, is deep and gentle, full of twists and turns, and truly shows the inner pain of the nobles living in a claustrophobic state.

Of course, tracing back to the source, there is a saying in the article that "a hundred tongues ask flowers for silence" ("Poems of Cherishing Spring"), and Yan Yun also has a saying that "flowers are asked for silence all day" ("Falling Flowers"). Ouyang Xiu's words may be detached from this, but not only the language is more beautiful, the meaning is deeper, the realm is muddy and the charm is long.