1. Poems about Mi Fu
Poems about Mi Fu 1. Mi Fu’s poems and poems about stones
Inscribed on Celestial Palm Stone (Song Dynasty· Mi Fu)
The blue sea emerges from the mirage pavilion, and the summer clouds rise in the blue sky. The strange and strange rocks are strewn with text.
Lingxi Stone (Song Dynasty, Mi Fu)
Changhong dives through the secluded cave, and the green smoke dyes the autumn waves. Don't look at the magical power with ordinary eyes, only look to Lingxi as a spiritual object.
The young immortal led a group of people, and his sincerity spread throughout the mountains. The male and female stand out like jasper with spring ripples.
Zhulan Bizu dominates the foothills, green mist and bright clouds cover the valley. A clear spring can be lifted up from the skin, and spring rain can be seen in front of the peak.
Recently, Ziwei Palace was newly decorated, and Lin Quangkong was searched strangely. The five-color leilei can fill in the gaps, but the third-level ones often end up feeling ashamed.
The purple-robed envoy is willing to teach you the color of green moss. Lingxi flew away from the trace and flew into the sky, looking back at the empty clouds and smoke in the valley.
2. What famous quotes did Mi Fu say?
●Die Lian Hua·Hai Dai Lou Wan Yue Zuo Mi Fu's ripples through the ages clear the ground.
Haidai Tower is high, overlooking the end of Qinhuai. The water is so green that it looks like water every day.
The Guanghan Palace is in the human world. Ai Aochun and Shenghai City.
Ao Dai Sanshan, the turn comes in an instant. When the precious moon is full, there will be more strange energy.
Luminous pearls are worth a thousand pieces of gold. ●Shui Tiao Ge Tou·Mid-Autumn Festival Mifu The sound of the anvil sends the wind rushing, and the crickets miss the high autumn.
I am here to face the scenery, but I don’t want to learn from Song Yu’s way of explaining sorrow. Cleaning up the desolate situation and sharing it with Zunzhong, I feel deeply secluded.
Where there is love, the bright moon hangs on the south tower. The jade flute in my heart is filled with sadness, and its rhyme is long and lingering.
On a good night in the Qing Dynasty, let me pour the golden pot here. The scenery of the day is lovely, with twelve railings all over the place, and the universe is like a floating duck.
Drunk and sleepy, I don’t know how to wake up. I lie on my pillow in the river. ●Man Ting Fang·Yong Tea Mi Fu The graceful swallow flies to the cup, chatting and waving the water, making the king high and meeting all the wise men.
The twin phoenixes in the dense clouds are breaking through the golden clouds for the first time. The smoke in the outer furnace is automatic, open the bottle and try it, and enjoy the fragrance.
The light waves rise, the fragrance produces jade milk, and the snow splashes into the purple pot. The charming servant girl is looking forward to the beauty, her green sleeves are held up, and the red lotus is steady.
The guest in the seat is feeling sad, and the wine is sobering. Light the sarong and draw candles, enjoy the flowers and the shadow of the moon.
We see each other frequently, and the lingering joy is not over yet, so we want to leave but linger.
3. What style of poetry is suitable for Mi Fu?
Mi Fu (1051-1107), signed his name as Mi or 芊, or Fu as 黻[fú]. Calligrapher and painter of the Northern Song Dynasty, one of the four great masters of the Song Dynasty. He once served as school secretary, doctor of calligraphy and painting, and wailang of the Ministry of Etiquette. His ancestral home was Shanxi, but he moved to Xiangyang, Hubei, and later settled in Runzhou (now Zhenjiang, Jiangsu). Calligraphy and painting are unique in style, with dead wood, bamboo and stone, and landscape paintings having unique style and characteristics. He is also quite accomplished in calligraphy, and is good at seal script, official script, regular script, running script, cursive script and other calligraphy styles. He is good at copying ancient calligraphy to a certain degree of authenticity.
As a famous painter in the Northern Song Dynasty, Mi Fu was in a mature era of literati painting. His painting subjects were very wide, including figures, landscapes, turquoise, plums, orchids, bamboos and chrysanthemums; Mi Fu painted everything; He made the greatest achievements in landscape painting, but he did not like the northern landscapes with towering peaks and overlapping mountains. What he appreciated more was the ever-changing "smoky clouds and mist scenes" of the water towns in the south of the Yangtze River, the "innocent and plain" and "not pretending to be clever" style; so Mi Fu pursues nature in his artistic style. The "Mishi Cloud Mountains" he created were all written in letters, hidden by mist and clouds.
4. Does anyone have all the poems and annotations of Mi Fu's Shu Su Tie?
Complete the phonetic notation of the explanatory text of Mi Fu's Shu Su Tie. Xiao bowed in shame.
All kinds of branches and leaves are planted, and the pine ends are implicated. Autumn flowers rise from the crimson smoke, and the beautiful clouds are Jinyin.
Not shy or self-reliant, Shu Guang shoots pills. When Bai saw that his vomiting was effective, He suspected that he would shrink his neck and return.
The green pine trees are unpretentious, and they are safe and keep the cold weather at bay. Turtles and cranes have good longevity, and Yu Jie asked for special advice.
All of them are spiritual beings, and they are inseparable from each other. The crane has the heart to soar into the sky, and the turtle is tired of dragging its yè tail.
With two pieces of bamboo attached to the mouth, the general will go up to the cloud road. I'm telling you, please be careful not to speak a word, as a single word will make you muddy.
"Wujiang Chuihong Pavilion" Broken clouds become a Dongting sail, jade breaks through the sea bass, gold (frost) breaks through the orange. It is good to compose new poems following the mulberry and ramie trees, and the autumn colors of the hanging rainbow fill the southeast.
The five lakes are covered with clear frost, and the shape of the water and sky is endless. Why do we need the Weaver Girl to support the machine stone, and play Chang'e as a guest star.
It was a trip to Huzhou, "I sent a message to the people in Jixian Forest". The sails were sailing and the moon passed by each other, and the scenery was green and beautiful, and I listened to carols. If you don't pick up leftovers on the road, you will know that the government is austere. If there are many wild crops and stagnant crops, it will be a harmonious time.
The weather is beautiful in autumn and summer, and the mountains and rivers are sunny and beautiful. Then he caught toads and studied ink, and all the colored paper and books were cut into the waves of the river.
"Chongjiuhui County Tower" The mountains are clear and the air is refreshing in autumn, and the yellow chrysanthemums and red dogwoods are all over the boat. The end of a thousand miles is that it is better to have a queen, and after all the virtuous people have finished, the wretched woman is at the forefront.
Dulang Xianke is now here, Xie Shou Fengliu passed down from ancient times. I only focus on the story of Qiu Ying's fate, and my taste turns to poetry in my old age.
"He Lin Gong's Work on Xian Mountain" The moon is bright in the sky, and the groups are thousands of miles away. Zhenze is one water, and it has occupied more than two.
Saluo is Xian Mountain, and the misty clouds shape the earth. The land is just east of Wu.
Ancient beauties of landscapes. There are bright people among them, and they use beautiful clothes and jade as bait.
A Weilie Immortal. Learning and millennium are opposite.
You Cao spends a lot of time alone. Far away tiáo is willing to recruit people.
The golden gong sī carries the power of autumn. 欻xū Zhuyun Qiang arrived.
Chaojiu jīyu yúyuyuyùbiaobiāo. The dusk returns to the light.
There is wind in the clouds. Toad Tiè has a sharp knife.
Tingting Taiyin Palace. Wu is looking at the stars.
The prosperity is deep and the barbarians are dangerous. Lidongxuan Shang fake.
They all praised their work. It is easy to forget.
Haohao will do it for me. Stupid and stupid.
"Send Off Wang Huan's Yanzhou" collects the call of Yingchun Palace to send him off. Shen Wutian came to the light and made it clear.
Honglu lú sang the first song for the first time. The White-faced Jade Man is eighteen years old.
Shenwuyue is created in the world. It is inconvenient to use a wooden stick to preach.
The first state in the southeast of Yijin. The two clear photos of Jibi Lake and Mountain.
An old fisherman from Xiangyang. If you don't like the colorful flowers, you will love the spring stones.
When we meet again, there is no regret. I hold ancient books on the same bank.
Forbidden friends and sweethearts admire each other for the first time. Zhuo zhuó makes your heart seek freely and is easy to worry about.
The graceful couple in the Liaohe clouds. Tujujū尫wāng鸱chī looked at it.
How profound is the utensil industry in ěr (industry)? There is no bottom in the Zhanzhan area.
It’s not easy to be pitiful. It is in vain to search diligently for official positions.
Manshi traveled all over his life. Work side by side with talented people.
There are few haiku that can curse ghosts. The old scholar is full of words.
An official has three qualifications. Don't look back when you have to choose.
Yuanyou Wuchen, September 23rd. The record of Xitang rice.
Title: Zengcheng loves books, and also likes Minangong's calligraphy. I got a copy of Shu Su in Chang'an, and I tasted it as good as Zengcheng's Mi calligraphy, but I hated that the original copy could not be heard. □More than twenty years later, there were actually some people in Zengcheng... There were still people in Shu who always kept rice, but fortunately, I offered it to the Qing of Jin.
It can be compared with the fishing village, and it seems to be competing for the Lanwan River to connect the city. Although the book has been restored to its original state, it is still quite heroic.
It is not a fallacy to say that the chime breaks the dim light, but it is an accurate comment to say that a lion catches an elephant. In the second month of Guimao, Huan Yu inscribed this authentic scroll of Mi Fu Shu Su, which was collected by Fu Heng, a great scholar. In Ren Yin winter, his son Fulong An's family did not guard against fire, but the scroll was suitable for payment. Because he entered the inner Mansion means to record the events.
This spring, his grandson Feng Shen and his family suffered another disaster from Zhu Rong. It is said that the scroll was not put into the stone canal early. Didn't he know that Ding Jia's subordinates were fetching it? The origins of calligraphy and ink have been passed down countless times, and the fame of the art world must be protected by divine objects, which is incredible.
Wushen Mengxia Yushi. The postscript of Dong Hao's imperial edict reads: Gu Congzhi: The Shusu volume was created by Jiashen Dongchuan in the fourth year of Qingli. It was kept in Shao Zizhong's home for more than 20 years in Dongyuan. It was completed in Wushen in the first year of Xining.
Write down the tail first and leave the head empty, so that you will be good at writing. It was more than 20 years from Qingli to Xining. In the eighth year of Xining, Hu Wanfu, Xu Daoyuan and Lu Qiu Gong showed up at Zizhong's house. They showed it to Zizhong's house several times and inscribed it at the end to show its original character.
In the third year of Yuanyou, Wuchen began to write the book of Mixitang. From Xining to Yuanyou, it lasted for more than twenty years. The princes Zhong and Wanfu loved him like this, and they didn’t know that they were the same. Are the poems written by Jian Xitang Han Han? Comment: Wang Shu of the Qing Dynasty: "The wind god is beautiful, the fairy posture is peerless, it is ten thousand times better than the Hongtang version, and it ranks first in Mi Lao's running script."
Overview: Shu Su Tie is a silk scroll, written by Mi Fu on September 23, the third year of Yuanyou (1088), with a total of 556 characters, 27.8 cm long and 270.8 cm wide. It is now collected in the National Palace Museum in Taipei.
Together with Tiaoxi Poetry Volume, it is a mature work of Mi Fu in his middle age. There is a seven-character poem written by Dong Qichang and written by Emperor Gaozong of the Qing Dynasty.
Later there were postscripts by Shen Zhou, Zhu Yunming, Wen Zhengming, Gu Congyi, Wang Heng, Dong Qichang and Gao Shiqi. During the Ming Dynasty, it was collected by Wang Zongdao, Wu Ting, and Gu Congyi, and Dong Qichang had it engraved in Xihongtang.
In the Qing Dynasty, it was collected by Wang Hongxu, Gao Shiqi and Fu Heng. The post is written on a silk texture with a "black silk bar" on it. It is also woven. Please indicate Zhongshu.com and the author of the excerpt! Thanks! [This post was last edited by Urban Wild Fox Zen on 2008-7-15 23:49].