Guan Guan Luo Qiu, in Hezhou, is a gentle and graceful lady and a gentleman. The Book of Songs, the national style, the prosperity of Nan Zhou Guanluo, and the white dew frost. The so-called Iraqis are on the water side. "The Book of Songs, National Wind, Qin Feng and Sword Armor" has a flowery smile and beautiful eyes. The Book of Songs, national style, Feng Wei said people.

Qikuo, and Zicheng said. Hold your hand and grow old with your son. The Book of Songs, National Wind, High Wind and Drumming is in Hezhou. A beautiful and virtuous woman is a good spouse of a gentleman. Peach will burn its glory when it dies, and its son should stay at home when he returns home. There is a rich view of life and death in The Book of Songs Yao Tao, which is equal to Zicheng. Hold your hand and grow old with your son.

There are many poems in The Book of Songs, Drumming and The Book of Songs that reflect the customs of marriage and love. They are glittering pearls in the Book of Songs. The aesthetic value of these love poems is particularly rich and colorful: the beauty of comedy embodies the progress and valuable side of human essential strength; Its tragic beauty affirms the practice and struggle of progressive forces in the form of negation; Its sublime beauty clearly proves the great power of human nature.

Love Poems in The Book of Songs

The Book of Songs is the oldest collection of poems in China, which marks the brilliant origin of China literature. The Book of Songs includes three parts: style, elegance and ode, and contains 305 poems from the early Western Zhou Dynasty to the mid-Spring and Autumn Period. Among them, there are 77 love poems, including 7 wind poems1,accounting for 48% of all 160 wind poems, accounting for about 25% of the total number of The Book of Songs, and 6 elegant poems. Love poems include two parts: love poems and marriage poems.