The ancient poems praising the moon during the Mid-Autumn Festival, both at home and abroad, include:

1. "Mid-Autumn Moon" by Zhang Hu of the Tang Dynasty: The falling blue osmanthus contains the beauty, and Qingqiu is the prime season. It’s a good night in the year, and it’s the brightest time thousands of miles away. It takes a long time to travel to the extreme areas, and even later to reach the high city. The world is about love, and there is no place where we don’t miss lovesickness.

2. "Mid-Autumn Moon" by Li Dong of the Tang Dynasty: Ninety days of autumn colors, this autumn is already half over. The lonely light swallows up all the places, and there are no clouds on all sides. The trees are lined with sparse shadows, and the cold current is layered with fine lines. Looking at Dangui from a distance, my thoughts become more complicated.

3. "Send a Friend in the South Tower on Mid-Autumn Night" by Li Qunyu of the Tang Dynasty: The moon rises from the silver waves, and the lake light shines on the tall buildings. Singing a lot of wine, buying Qingqiu at a cheap price. The air is cold, the fish and dragons are silent, and the stars are high in the sky. This night guest in a foreign country feels sad about the scenery.

4. "Playing with the Moon on the Night of August 15th" by Liu Yuxi of the Tang Dynasty: The sky will clean the world tonight with the moon. The summer heat has retreated and the skies are clear, and the autumn scenery is clear and clear. The stars make them shine, and the wind and dew make them shine. The one who can change the human world is Yu Jing.

5. "Reward Pei Duangong for Seeing the Moon on the Night of August 15th" by Quan Deyu of the Tang Dynasty: It is a cool night in the middle of autumn, and the full moon is bright in the empty court.

The respective characteristics of ancient and modern Chinese and foreign poetry:

1. Chinese poetry has the characteristics of precocity in lyric poetry and is full of suggestiveness. The purpose of the poem is often beyond the literal words, and the literal words are not enough. In terms of inducing and insinuating functions, the poem's connotative value is great. Chinese poetry strives to contain profound meanings in a short length, with light writing and calm words.

2. The themes of foreign poetry are divided into three categories: human relations and nature, philosophy, and religion. Among the themes of human relations, Western poetry focuses on love (mostly "admiration" before love), while Chinese poetry covers friendship, the relationship between monarch and ministers, and mourning poems. On the theme of nature, Western poetry will rise to pantheism (primitive worship), while Chinese poetry mainly focuses on sensualism (appreciation). On philosophical and religious themes, Western poetry displays depth and breadth, while Chinese poetry is relatively lacking in this subject.

The difference between ancient and modern Chinese and foreign poetry

1. Form: Chinese classical poetry, especially the modern rhymed poetry and quatrains after the Tang Dynasty, have strict requirements on form, such as the number of sentences, Number of words, level, rhyme, etc. Foreign poetry, on the other hand, is relatively free and unrestrained, without too many restrictions. It is longer and has uneven sentence lengths.

2. Requirements: Chinese poetry pays attention to literature and has high requirements for the form, rhythm and emotional condensation of poetry. Foreign poetry, on the other hand, pays more attention to the direct expression of emotions and pays less attention to specifications and freedom.

3. Style: Chinese poetry is implicit and concise, pursuing artistic conception. Foreign poetry, on the other hand, is relatively free and unrestrained.