A straight heart leads to a straight pen.

Song Dynasty Su Shi's "Book of the Six Families of the Tang Family". Right heart: Refers to a person’s thoughts and conduct being upright. Bi Zheng: Refers to pure calligraphy. The main idea of ??this sentence is: Only when your thoughts and conduct are correct, your calligraphy will be pure. "~" This is what Liu Gongquan, a great calligrapher of the Tang Dynasty, said in response to Mu Zong's question about why he was good at using his pen. It means that if you have pure thoughts and no evil thoughts, your writing will be pure and in accordance with the rules. In fact, there is no necessary direct connection between "the heart is upright" and "the pen is upright", but a person's talents, knowledge, and even personality, character and other accomplishments can often be reflected through calligraphy. For example, the characters of romantic and suave people are mostly written People who are honest and honest tend to write plainly and elegantly. The author says "～", which is nothing more than emphasizing that people should pay attention to the cultivation of ideological and moral character. This is something that we should all learn from now. The importance of personal quality cultivation in the art of calligraphy.

The Northern Song Dynasty writer Su Shi's "Book of the Six Families of the Tang Family"

The famous writer Pu Songling in the late Ming and early Qing dynasties. p>

The pen is the tongue of thought. The Spanish novelist Cervantes writes like a cloud of smoke

The Qing Dynasty literati Yong Zhong has a vivid writing style.

Chang Jue Fenglei wrote a famous saying about the pen of late Tang Dynasty poet Cui Daorong

Chinese revolutionary and educator Xu Teli wrote. Dragons and snakes seem to have gods. Tang Dynasty calligrapher Zhang Huaiguan

The pen is swallowed by the Northern Song Dynasty writer Su Shi

The pen is the plowshare of wisdom. The famous writer John Clark.

The pen has become a trumpet for the 19th-century American romantic poet Longfellow. "Mrs. Wei". Meaning: This refers to the shape, structure, stroke combination, etc. of writing. The general meaning of these two sentences is: before writing, you must first understand the shape of the word. Before writing, the calligrapher must fully consider the shape of each character, the thickness of the strokes, the thickness of the ink, and the speed of the strokes. In order to complete an ideal calligraphy work, "the intention is in front of the pen" is a very important principle in the art of calligraphy. . These two sentences can be used to explain that in calligraphy creation, one should think carefully before writing when one is confident; one can also just quote "the intention is before the pen" to illustrate that in literary creation, one should think deeply about the content to be expressed before writing. .

The Eastern Jin Dynasty calligrapher Wang Xizhi's "Ti Wei Madam's "Bi Zhen Diagram""

The intention is to write first, and the spirit is beyond words

The intention lies in the pen first, and the power penetrates the back of the paper. Famous sayings about the pen: Zhao Ji, a writer and historian of the Qing Dynasty

The intention lies in the pen first, and the intention is reflected in the painting before the pen is written. , you must first make up your mind. The Qing Dynasty scholar and calligrapher Jiang He

The painting should be old and the scenery should be new. The Qing Dynasty painter Tang Dai

The brush is bald and the ink is polished. . Famous writings by Northern Song Dynasty writer Su Shi

Principles of Qing Dynasty painter Fang Xun also encourage good and punish evil. p>Wang Chong of the Han Dynasty, "Lunheng·Anonymous Articles". The general idea of ??these two sentences is: the literati's pen is used to persuade people to do good and punish evil deeds. What Wang Chong is talking about here is a purpose of writing, believing that literati should use their own pens to "encourage good and punish evil." The "good" and "evil" here are naturally measured by the moral standards of feudal society. But Wang Chong has realized the social nature of literature and pointed out the social responsibility of literati, which should be affirmed. Writers in the socialist era should use their own pens to build socialist spiritual civilization, promote good people and good deeds, punish bad deeds, distinguish love and hate, and praise and criticize appropriately. In this sense, the two sentences ~ are still of positive significance to the current writing.

Wang Chong, the philosopher of the Eastern Han Dynasty, "Lun Heng · Lost Articles"

According to the movement of An Xiong's sword, the pen and feathers of the book flew.

"Gift to Su Taste" by Du Shenyan of Tang Dynasty. Su Weiwei: A native of the early Tang Dynasty, he once held the position of prime minister, but was later demoted to the position of governor. According to the saddle: riding on a horse. Xiongjian: sharp sword. Insert pen: place pen.

Feather Book: Military document, with bird feathers inserted to express urgency. The general meaning of these two sentences is: wield a sharp sword on horseback to kill the enemy and perform meritorious service, and the feather book written next to the case will fly to the army. The poem praises Su Weiwei for his military ability in killing enemies on the battlefield and his literary ability in strategizing, which can be used to express the versatile people in ancient times.

Du Shenyan, the poet of the Tang Dynasty and Du Fu's grandfather, "Gifts the Taste of Su"

The pen fell in the storm, and the poem became the weeping ghosts and gods. Famous quotes about the pen

"Send Li Twelve and White Twenty Rhymes" by Du Fu of the Tang Dynasty. The general meaning of these two sentences is: a stroke of pen can make the wind and rain startle, and the poem can make ghosts and gods cry. These two sentences are Du Fu's continuous use of metaphors and exaggerations to highly praise Li Bai's talent. His poems are exquisite and have profound artistic charm. It can be quoted to discuss that poetry creation should strive to be weighty, powerful, and touching people's hearts. It can also be quoted to describe certain poetry works that are grand, emotional, and full of artistic appeal.

Du Fu, a poet of the Tang Dynasty, "Sends Li Twelve and Twenty Rhymes"

I have read tens of thousands of volumes, and my writing is like a spirit.

Twenty-Two Rhymes Presented to Wei Zuocheng by Du Fu of the Tang Dynasty. The general meaning of these two sentences is: I have read thousands of books and composed poems and articles as if I had divine help. These two sentences are Du Fu's self-evaluation. Although they are somewhat exaggerated and conceited, they are indeed based on experience. It tells a simple truth, that is, if you read a lot of books, absorb the knowledge and creative experience accumulated by the predecessors, and integrate them, you will be able to write poems and articles with the help of God. The author made a concise summary of the relationship between reading and writing, which has been widely read throughout the ages. This is where Su Shi's famous saying "Reading thousands of volumes will lead to enlightenment." This famous sentence can be quoted to discuss the important role of paying attention to reading in daily life and paying attention to the accumulation of knowledge for creation.

Du Fu, a poet of the Tang Dynasty, "Twenty-Two Rhymes from Wei Zuocheng"

One word cannot be changed easily, otherwise it will damage the writing style. Homer, the blind poet of ancient Greece

A reporter's pen is worth three thousand muskets. Napoleon, the modern French bourgeois military strategist and politician

Speaks of precious pearls and pens bring back the wind and frost. Famous Pen Famous Poet Li Bai of the Tang Dynasty

The essence lies in the tip of the pen, but only the ingenuity is difficult to achieve. Zhang Hu, a poet of the Tang Dynasty

A good temper is an asset in life. British prose writer William Herzlit

The virtue of parents is a huge wealth. The ancient Roman poet Horace

had a wealth of books in his mind and wrote sentences that will last forever. Famous quotes about the pen Feng Menglong, a writer and dramatist of the Ming Dynasty

The mountains are high and the water is far away, and the wind blows from the tip of the pen. The poet Xiang Ziyan of the Northern Song Dynasty recited a love story and wrote a love painting. Modern poet and essayist Xu Zhimo

There are pens everywhere, and people who look down on them are pitiful.

See item 21 of "Thirty Poems" written by Jin Yuanhaowen. "Vertical and Horizontal" Sentences: One of Du Fu's "Six Quatrains for Plays" praises the poems of the famous Northern Zhou writer Yu Xin. In his later years, "Ling Yunjian's writing style is vertical and horizontal", which means high-spirited momentum and broad artistic conception. Pitch and follow others: That is to follow others, bow their heads when others lower their heads, and raise their heads when others raise their heads. They should follow the footsteps of others. The general meaning of these two sentences is: when writing poems, one should express one's own temperament and express it freely and freely, just like following others' pitches and expressions. Because, it's too pitiful.

Poet and historian Yuan Haowen at the end of the Jin Dynasty and the beginning of the Yuan Dynasty, "On Thirty Poems"

As a child, I had a bibliophilia, and I still have pen marks on my fingers. Famous Famous Writings

Liu Yuxi of the Tang Dynasty "sends off Zhou Luru to give poems". PīPi: a habit formed out of a preference for things. Handle: Hold. The general meaning of these two sentences is: I have been fond of reading poetry and books since I was a child, and I have enjoyed it for many years. Even now, there are obvious callus marks on my fingers from holding pens. This is Liu Yuxi’s praise for his friends who specialize in learning. The poem adopts an exaggerated technique to make a fuss about the "addiction" of reading: first, a stroke of brush strokes is written on the heart of a young child, and then the present day is written in a leap, through a huge time span and a "pen mark" that still exists today. ", highlighting and strengthening the previous "book addiction", thus strengthening the long time. It can be said that ink is as precious as gold, but the realm is full and full of interest.

Liu Yuxi, a litterateur of the Tang Dynasty, "sends off Zhou Luru to give poems"

The five mountains are shaken by the writing in high spirits, and the poem becomes Smiling Proud Ling Cangzhou.

"Yin on the River" by Li Bai of the Tang Dynasty. Five mountains: Mount Tai in the east, Mount Huashan in the west, Mount Heng in the south, Mount Heng in the north, and Mount Song in the middle. Cangzhou: generally refers to carrying the sea. The general meaning of these two sentences is: when poetry is in full swing, the writing is powerful enough to shake the five mountains; after writing a poem, the smile is so powerful that the world is full of energy.

~The two sentences describe Li Bai's writing with a smooth mind and extraordinary bearing. When he finished writing, he shook mountains and seas, which fully demonstrated Li Bai's literary talent and the author's high confidence. This sentence can not only describe Li Bai's outstanding artistic genius, but also praise the outstanding artistic achievements of other writers.

"Yin on the River" by Li Bai, a poet of the Tang Dynasty

Geng Xin's articles are more mature and mature, and Ling Yunjian's writing is full of ideas.

One of the "Six Quatrains of Drama" written by Du Fu of the Tang Dynasty. Yu Xin, courtesy name Zishan, was a poet and prose writer in the late Northern Dynasties. His artistic achievements are the culmination of the Six Dynasties, and he made many explorations into poetry forms, which had a great influence on the development of poetry in the Tang Dynasty. The general idea of ??these two sentences is: Yu Xin's works became more mature in his later period. His pen was vigorous, powerful, and swaying freely, and everything was satisfactory. This famous sentence is a literary evaluation of Yu Xin, and the latter sentence can also be used to evaluate the intricate and powerful works of other outstanding writers.

Du Fu, a poet of the Tang Dynasty, "Six Quatrains in a Play"

If you draw back a mountain of pens, it will not be enough, and you will have to read thousands of volumes before you can understand the spirit.

One of two poems written by Su Shi of the Song Dynasty, "The Second Nephew of the Liu Family Asks for His Handwriting". Tuibi Rushan: According to "Taiping Guangji", Zhiyong lived in Yongxin Temple, Wuxing, and studied books with ten jars of bald pens. They were later buried and named Tuibi Tomb. The general meaning of these two sentences is: Even if the pen of writing baldness is piled up like a mountain, it is not worth cherishing. Only by reading thousands of books can one achieve the creative realm of spiritual enlightenment. Su Shi's nephews Liu Hong and Liu Pi admired their uncle's calligraphy and asked Su Shi for his handwriting. So Su Shi wrote two poems to show his modesty, saying that his calligraphy was not cherished enough. Only reading thousands of volumes is the realm that students should pursue. Aphorisms such as "Reading thousands of volumes will lead to enlightenment" are common expressions used by the ancients to encourage learning and are an integral part of our national cultural heritage. Du Fu also said, "Read more than ten thousand volumes, and write like a god." This slogan calling for reading widely still has practical reference significance in today's world where knowledge is exploding, social division of labor is becoming more and more detailed, and professional profiles are becoming narrower. .

Northern Song Dynasty writer Su Shi's "Two Poems in the Handwriting of Liu's Second Nephew"

The craftsman's ideas are transformed like a god, and his pen is powerful in any direction. Famous Quotes About the Pen

The fourth of Song Dynasty's "Ten Wonders of Poetry" written by Dai Fushi. Craftsmanship: refers to the careful conception in composition and painting. Zongheng: unrestrained, unrestrained. The general idea of ??these two sentences is: the exquisite conception is superb, the changes are endless, the vigorous brushwork is free and arbitrary, and it gallops at will. Vast literary thoughts are the basis of writing. Vast literary thoughts will lead to vertical and horizontal writing, and vertical and horizontal writing will express what you want. Just as Su Shi said; "Wherever the intention reaches, the writing will be full of twists and turns." ~These two sentences have reference significance for the conception and expression of creation.

Southern Song Dynasty poet Dai Fuxu's "On the Ten Wonders of Poetry"

It is difficult to write down the origin of a hobby, but you can feel at ease after changing a poem a thousand times.

Part 5 of "Six Poems of Qianxing" by Yuan Mei of the Qing Dynasty. Origin: never. Put pen to paper: put pen to paper. The general meaning of these two sentences is: Because I love beauty and seek perfection, I always find it very difficult to start writing when I write. I always have to revise a poem a thousand times before I feel at ease. Yuan Mei, Jiang Shiquan, and Zhao Yi were known as the "Three Great Masters of Qiang and Jiaqing" and were the leaders of the poetry circle at that time. However, in his later years, he had to revise his poems thousands of times before he felt at ease. The last two sentences of this poem are "Grandma is still a girl with hairpins for the first time, and she is not allowed to look at her hair before it is combed." This means that the work without repeated revisions is like a woman who is not well-dressed and is not allowed to step out of the boudoir, show her face, and be seen. This shows Yuan Mei's rigorous attitude towards creation and the importance of revision and refinement in writing.

Qing Dynasty poet Yuan Mei's "Six Poems of Qing Xing"

Wonderful things cannot be expressed in words, and things cannot be expressed in writing.

Jiang Fu by Guo Pu of Jin Dynasty. The general idea of ??these two sentences is: the beauty of the scenery of the Yangtze River cannot be described in words; the historical events related to the Yangtze River cannot be recorded in pen and ink. Although the original text refers to the Yangtze River, it can also be used to refer to other things in general. For example, it can be used to describe the magnificence of mountains and rivers, the beauty of gardens, or the richness and unforgettable experience of a certain experience. It can also be used to explain that when writing poems and compositions, it is important to be subtle, meaningful, and thought-provoking. The so-called "not saying a word" is as romantic as possible, but it should not be too explicit.

Guo Pu, a famous scholar in the Eastern Jin Dynasty, wrote "Jiang Fu"

The next life is astonishing when you pick it up at your fingertips, and the three rivers are billowing.

The second part of "Comments on the Four Wonders of Dongpo Valley" by Wang Ruoxu of Jin Dynasty. The general idea of ??these two sentences is: Su Shi's poems are written without any pretense or polish. Like river water pouring out from the bottom of the pen, the poetry is bold and has the power to shock the world. The full text of this poem is: "~, don't praise your powerful enemy with dangerous words, because you have no work to do and you are like fighting.

"This is the author's high evaluation of Su's poems, which are not artificially carved, naturally astonishing, unrestrained in poetry, and unstoppable in artistic skills. He believes that Su's poems are by no means comparable to Huangshan Valley's poems. Later, it was often used to describe literati's quick thinking and expressiveness. The writing is like the natural flow of river water, flowing endlessly.

Jin Dynasty writer Wang Ruoxu's "Review of the Four Wonders of Dongpo Valley"

The origin of the word is that the water of the Three Gorges flows backward, and the pen array sweeps away thousands of people. Jun. Famous writings

See "Drunk Song" by Du Fu of the Tang Dynasty. Ci: Writing Formation: Writing Formation. The general meaning of these two sentences is: The writing is vast, like the rushing water of three crickets; the writing style is vast. Vigorous, like thousands of troops sweeping across alone. This is Du Fu's praise for his cousin Du Qin. It can also be used to praise people with quick thinking, majestic writing, vigorous calligraphy, and free expression.

Tang Dynasty. Poet Du Fu's "Drunk Song"

In order to write poems that are accessible to the people, he writes deeply and without restraint. Gong Zizhen, a thinker and litterateur in the Qing Dynasty

The writing is as high as a swan. Pianpian. Wei Heng, a calligrapher of the Jin Dynasty, has thousands of years of experience in his mind, and his writings go to hundreds of rivers. Famous sayings about the pen: Du Fu, a poet of the Tang Dynasty

I sigh at the wall, but every bit of knowledge is in my pen. Tao Zhu

I will meet you immediately without a pen and paper. Cen Shen, a poet of the Tang Dynasty< /p>

Qing Dynasty scholar Jiang Ji is a man of high character and profound knowledge. His writings are written with a scrolling style. /p>

Liang·Liu Xie of the Southern Dynasties means: the emergence of literary thoughts. Li Fu: the blocking of literary thoughts. Volume: this. The general meaning of the two sentences is: when literary thoughts arise, stretch out your feelings and write, and when literary thoughts stop, put down the pen. To write good works, you must not only have the desire to create, but also need to have inspiration and impulse. It is impossible to write good articles. Therefore, Liu Xie advocated that when the literary thoughts are flowing, just write and write, and don't force yourself to search.

This view is advisable in the literary theory of the Southern and Northern Dynasties. Liu Xie's "Wen Xin Diao Long·Nourishment of Qi"

Having a good reputation is equivalent to having a large fortune. British historian Thomas Fuller

The supreme part of beauty. , cannot be drawn with colored pens. The British Renaissance writer and philosopher Bacon spent a long time with people, trying his hand at tracing flowers, and soon lost his embroidery skills. ·Ouyang Xiu's "Nan Gezi" [Phoenix bun with golden mud belt]. Try your hand (painting flowers) for the first time. The general meaning of these sentences is: This newlywed has been hungry for a long time. In my arms, I was fondling the colored pen and trying to trace flowers for the first time after my marriage. Because I was addicted to the happy love, I wasted a lot of time and affected my embroidery skills. This is a poem describing the loving life of a newlywed. In order to cover up her shyness, the bride asked coquettishly, "How can the two words "Mandarin Duck" be written in a realistic way?" , but still playfully pretending to be funny, leaving readers to guess.

Northern Song Dynasty writer and historian Ouyang Xiu "Nan Gezi"

Under the leadership of a truly great man, the pen will be more powerful than the sword. Famous quotes about the pen by English novelist Bulwer Lytton

He who borrows other people's ideas can never repay the debt. British politician Halifax

The valley is full of gloom, the clouds and water are flying, unexpected and strange things come to mind.

Tang·Zhu Jingxuan's "Record of Famous Paintings of the Tang Dynasty". Valley: refers to the valley of Wangchuan River in Lantian, Xifu. Lush; lush and lush trees. Panpan: winding and winding. Outside the world: outside the world, which means that the painting is full of seclusion and Zen. The general idea of ??these sentences is: (Wangchuan) The valley is verdant and winding, the clouds are flying and the water is moving. The feeling of seclusion and Zen talk overflow the painting surface, and the extraordinary interest is born in the pen. Wang Weixing likes mountains and rivers, and his passion is the most natural. He believes in Buddhism, and his poems and paintings mostly use mountains and rivers as the content. In his later years, he lived in Wangchuan and once painted "Picture of Wangchuan". A few sentences are a vivid description of "Picture of Wangchuan", and reading it is like immersing yourself in the scene.

Tang Dynasty poet Zhu Jingxuan's "Famous Paintings of the Tang Dynasty"

Poet! Take care of your writing! I want you to comfort the troubles of all living beings. Contemporary female writer Bing Xin's "Starry Spring Water"

Pity is a loan. To be careful, it is better not to abuse it.

French thinker and writer Romain Rolland, winner of the 1915 Nobel Prize for Literature

When a person is moving towards a goal, he should look straight ahead. French thinker, writer, 1915 Nobel Prize winner in Literature Romain Rolland

If the pen had not helped the sword, Julius Caesar might have been forgotten by the world. Hen Worth

Without the quality of emotion, no tone of writing can touch people's hearts. French philosopher Diderot