Organic design is a term that is often misused. This term originally refers to: a shape that displays curves or biological forms. The term comes from Wright's organic architecture, because Wright once consulted Sullivan, who pointed out: "Many problems themselves contain answers (referring to the generation of shapes)", which is used to demonstrate that the basis of the so-called "shape" does not necessarily rely on Traditional aesthetic value (to judge). Sullivan used this to cite that under functionalism, the appearance of a product does not necessarily have to have an organic appearance. But Wright made some twists on this point of view. Wright also quoted the "famous saying" of functionalism: form follows function, believing that form follows function and "organic" are the same thing, and based on this, he claimed that his (Wright) architectural design Each part of the appearance has its own (part) self-evidence (characteristics), and can express the relationship between (part and) the whole. Furthermore, Laite deduced that there is such a relationship between his designs and the environment they are in direct contact with. In other words, Wright believes that architectural design should express a harmonious relationship with "nature", which includes the use of materials, colors and "shapes". In terms of general design, the Museum of Modern Art in New York held an "Organic Design Competition for Furniture" in 1942. This nomination competition strengthened the momentum and reputation of "organic design", and the winner of the competition was Aimees ( Eames and Saarinen both express the so-called natural or organic shapes from the curved shape of "plywood". It refers to organic design. In this sense, organic architecture is related to plastic materials and the application of CAM and computer numerical cutting (wood) developed in the 1980s. In 1991, the London Design Museum also held an "Organic Design" exhibition for this purpose.