There are 120 pieces of his works on display. This time, * * * is divided into three exhibition halls: 1, No.8 and No.9. The theme of 1 is "a full picture of the mountains and rivers of the motherland", and works mainly based on sketch creation are exhibited, such as "Red Rock". With the theme of "I'm from Jiangnan", Hall 8 focuses on "Flying to Jiangnan" and other works. In Hall 9, traditional paintings, such as the small scenery on the lake, are displayed with "Pick the emerald skin to find my teacher", and so on.
As one of the representatives of Jiangsu Painting School, Qian Songyan has a very comprehensive artistic accomplishment, and has a deep foundation in flowers and birds, figures and calligraphy. He has profound artistic accomplishment not only in literary theory but also in artistic practice. Based on the refinement of life, he has the spirit of the times, responds to the great changes of the times, uses ink attentively and is full of changes, organically combines national spirit, style of the times and regional characteristics, and becomes one of the representatives of Jiangsu painting school.
In 1950s, as an old painter, he joined the Jiangsu Traditional Chinese Painting Working Group with the working group, created works all over the motherland, passed through many provinces, traveled all over the motherland, painted while walking, felt the magnificence of the country's mountains and rivers, praised the theme of the new era, and incorporated it into his own paintings. Create representative paintings such as Red Rock and Changshu Field.
At the peak of artistic development, his skillful painting skills, solid sketching skills and emphasis on tradition and national consciousness have formed his own painting style and form. It had a far-reaching impact on the development of China landscape painting in the 20th century, with a distinct imprint of the times and historical and cultural value, and it is still worth studying and studying.