Sun and moon lanterns, cloud tents, wind and thunder drum boards, a great drama between heaven and earth;

Tang Wujing, a student of civility and martial arts, Huan Wenchou at the end, all ancient and modern people have played roles.

2: The master leads you in. Cultivation is personal.

3: Three minutes on stage, ten years of hard work off stage.

Teach the disciples and starve the master to death. There are only number one apprentices, not number one masters. The master leads me in. Cultivation is personal. Without ancestors, there would be no establishment; without teachers, there would be no inheritance.

Famous teachers make great disciples. There is no need to overwhelm oneself with many arts. Three points depend on teaching and seven points depend on learning. I would rather give a piece of gold as a gift than spread a word of spring. (Spring: Refers to jargon)

I would rather pay ten ounces of money than pass on the art. An artist's belly, a grocery store. People with high skills are bold, and people with bold skills have high skills. Only when you learn to know your shame will you realize that your skills are not high.

Fisting never leaves your hands, singing never leaves your mouth. If you want to be prominent in front of others, you have to suffer behind your back. I will beat you for what you have done in the present, so that you can become an adult in the future.

If you want to learn art well, you must first be a good person. From Nanjing to Beijing, people live in poverty. The business was not going well, so I was angry at that time.

There is no big or small thing on stage, but there are rules off stage. The stuff is fake, but the spirit is real. There is no gentleman, no artist.

Practice until you are old, sing until you are old, and you will not be old until you are eighty. It’s a matter of effort and skill, it’s dismantling and cleaning again and again. As long as others don't listen, you can't be on stage for three minutes, and offstage for ten years.

It means that you have to work hard to achieve good results in anything.

Master leads us, practice depends on oneself

It means that the help of others is important, but more importantly, learning skills depends on your own efforts and improvement.

Many arts do not put pressure on one's body, and those with good skills are bold

Many arts do not put pressure on one's body: This means that a craftsman has a skill and a strong ability to survive in society. Experts are bold: it encourages people to hone their skills and reach a state of perfection. By then, they will have no fear; on the other hand, they must be brave enough to take risks. When you have top-notch skills and can walk in the world with superb skills, you can be invincible.

A hundred days of flute and a thousand days of flute, a small huqin can break your waist

Exhibiting the hard-working spirit of practicing a musical instrument. Learning skills requires such a hard-working spirit

< p>If you want to master the art, you must rely on your childhood skills

If you want to learn a skill well, you must work hard from an early age. Teach the disciples and starve the master to death. There are only number one apprentices, not number one masters. The master leads me in. Cultivation is personal. Without ancestors, there would be no establishment; without teachers, there would be no inheritance.

Famous teachers make great disciples. There is no need to overwhelm oneself with many arts. Three points depend on teaching and seven points depend on learning. I would rather give a piece of gold as a gift than spread a word of spring. (Spring: Refers to jargon)

I would rather pay ten ounces of money than pass on the art. An artist's belly, a grocery store. People with high skills are bold, and people with bold skills have high skills. Only when you learn to know your shame will you realize that your skills are not high.

Fisting never leaves your hands, singing never leaves your mouth. If you want to be prominent in front of others, you have to suffer behind your back. I will beat you for what you have done in the present, so that you can become an adult in the future.

If you want to learn art well, you must first be a good person. From Nanjing to Beijing, people live in poverty. The business was not going well, so I was angry at that time.

There is no big or small thing on stage, but there are rules off stage. The stuff is fake, but the spirit is real. There is no gentleman, no artist.

Practice until you are old, sing until you are old, and you will not be old until you have learned eighty. It’s a matter of effort and skill, it’s dismantling and cleaning again and again.

How can you learn to sing, read, do, and play without practicing for three winters and two summers?

A unique play, saving a scene is like putting out a fire.

Three minutes on stage, three years off stage.

Study diligently and master all kinds of skills, and practice hard to develop real skills.

Art is a treasure that cannot be acquired without learning.

There is no skill in speaking, and the words cannot be heard clearly.

If you open your mouth on the stage, you will know if there is one.

Seven points of chanting and three points of white chanting, white is bones and singing is flesh.

Four or five people can serve as an army,

a dozen steps can cover the ends of the earth.

Practice in private, see you on stage.

Think of familiarity as skill, and skill as skill.

Only when you know the opera’s literature and theory can you sing a good opera.

A good flower must be accompanied by green leaves, and a good horn must be supported by everyone.

The audience is quiet and you can hear clearly even if the sound is low.

It’s useless no matter how loud the audience is.

The fist never leaves the hand, and the song never leaves the mouth.

If a play fits well, it will be lost if it doesn’t.

If you have energy, use it in work, and if you have power, use it in drama.

The tune is easy to sing, but the taste is hard to get rid of.