Only by adhering to the method of combining history and reality, theory and practice, international and domestic, and repeatedly studying from the whole to the part, and then from the part to the whole, can we fully grasp the spirit of the 20th National Congress of the Party and avoid Knowing one but not knowing the other, knowing it but not knowing why.
This is a prose describing childhood life, collected in Lu Xun's "Morning Blossoms Plucked at Dusk". This collection contains articles in which he recalls his childhood life.
As can be seen from the title of the article, this article consists of two parts. The two parts show the author's growth process from childhood games and fun to growing up and reading.
The author first writes about life in Baicao Garden, pointing out that it was once "my paradise". Why is it called "my paradise"? "No need to say... no need to say... just..." This sentence contains all the infinite fun of Baicao Garden in children's eyes. Oil flies, crickets, centipedes, cantharides, Polygonum multiflorum, etc., these seemingly uninteresting little things are full of vitality in the eyes of the author, not to mention those things that are popular among ordinary people. There is something infinitely interesting in my eyes. Although it is so interesting, there is one place that no one dares to go to. What is it? This is where the grass grows very long. Why? "Because it is said that there is a big red snake in this garden."
Then, the author naturally leads to the story of the beautiful snake told by the eldest mother. Although the story itself makes people a little scared and worried, it strongly attracts children, arouses their curiosity, and adds a bit of mystery to Baicao Garden. What is winter like in Baicao Garden?
"The Baicao Garden in winter is relatively tasteless; when it snows, it will be completely different." Then the author thought of catching birds in the snow again, the joy and fun, and he felt at home in it. This is the life of Baicao Garden. The author grasps "my paradise" to write, full of vitality and vitality.
Slowly, "I" grew up, and my family wanted to send "me" to study, and "I" had to leave "my paradise". Here, the author uses a transitional paragraph to skillfully transition from his life in the Baicao Garden to his study career with his husband.