The first technique is to create metaphorical arguments from natural things.
In ancient Chinese, there are many metaphors based on natural phenomena, such as monarch, boat and ordinary ninja in Xunzi. Water can also carry a boat and overturn it. Comparing human life with water and a king with a boat proves that kings need to pay attention to human life. Let's take a look at some things that we often use as metaphors in nature. Ordinary mosses can be compared to individuals, and giving people a bright lamp can be compared to culture. It is an industrious cow, burning its own candle, the lotus is not stained with mud, and the plum blossom is in full bloom in the shade, all of which are used to describe people's quality. You should learn to write examples in life. Bai will never be complacent. He will always regard himself as an empty cup, constantly injecting fresh water into it to keep his vitality, instead of turning it into a stagnant pool, deteriorating and rancid.
The second trick, starting from the phenomenon of life, looks for metaphorical argument. Zou Ji satirized Qi Wang Nengchen. Zou Ji used his own personal experience as a metaphor to express his admiration, all of which had their own reasons, so as to persuade the King of Qi to get rid of coachable. The material of this life phenomenon is not easy to accumulate, but we can learn from some life rules. Looking for. For example, Matthew effect is a social phenomenon that the stronger the strong, the weaker the weak, which is used to write compositions with strong and weak thoughts and growth. The conformity effect is used to describe that everyone has conformity psychology and to write compositions with independent thinking and other ideas. The law of wine and sewage means that the ratio of sewage to wine does not determine the nature of this kind of thing. What really matters is that spoonful of sewage. As long as there is it, no amount of wine will become sewage. Learn to grasp the key points and other intentional compositions with some major contradictions. As we all know, when you pour one foot nine into a bucket of sewage, you get a bucket of sewage, and when you pour a spoonful of sewage into a bucket of wine, you get a bucket of sewage. The ratio of sewage to wine does not determine the nature of this kind of thing, but that spoonful of sewage does play a decisive role. So do people. We need to keep a heart of awe at all times, and we can't do it because of small evils.
The third trick is to extract metaphorical arguments from classic works, fables and myths. For example, the slave labor in Sisyphus can be compared to suffering. Sharpening Achilles' heel can be used to describe that even the most powerful hero has fatal loopholes. The golden hoop on Wukong's head in Journey to the West can be compared with social norms. For example, if a person wants to become an adult, he must consciously accept the constraints of social norms, that is, put a golden hoop on himself. With this premise, he can start a long journey of success. Well, these are three ways to write advanced metaphorical arguments. What needs to be emphasized is that the key of metaphor argument lies in that ontology and vehicle should be. Non-similar things must have similarities with the truth contained between them, and they are universally acknowledged truths that need not be proved. Of course, the power of concreteness itself may not have really happened, and necessary fiction is also possible. Remember, metaphor is only a means, and argument is the purpose. The purpose of metaphor is not to describe the ontology in detail, but to demonstrate our views with concrete truth.