1. Poems about writing good words

Poems about writing good words 1. Ancient poems with good words

1. Related ancient poems

Bai Juyi

Jiangnan is good, and the scenery is familiar to me.

When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. Can you not remember Jiangnan?

2. Notes

⑴ Recalling Jiangnan: The author’s own note under the title says: “This song is also called Xie Qiuniang, and each song has five lines.” According to the "Yuefu Poetry Collection": "Recalling "Jiangnan" was renamed "Wang Jiangnan", "because of Bai's words, it was later renamed "Jiangnan Hao"" and became one of the He styles in the late Tang and Five Dynasties.

⑵ Familiar: Familiar.

⑶River Flower: Flowers along the river. One theory refers to the waves in the river. Red is better than fire: The color is brighter than fire.

⑷Green as blue: greener than blue. For example, the usage is similar to "yu", which means to overcome. Indigo, indigo grass, whose leaves can be used to make green dye.

3. Translation

The scenery in Jiangnan is so beautiful, and the picturesque scenery has been familiar to me for a long time. When the sun rises from the river, the flowers on the riverside are redder. When spring comes, the green river water looks like blue grass. How can one not miss Jiangnan?

4. Brief analysis

This poem describes the spring scenery in the south of the Yangtze River. The first sentence "Jiangnan is good" captures the spring scenery in the south of the Yangtze River with a shallow and rounded word "good". All kinds of beauties, and the author's praise and yearning are also reflected in it. At the same time, only because the "goodness" is too much, can we "remember" it endlessly. Therefore, this sentence has also implicitly teased the concluding sentence "can we not remember Jiangnan" and is related to it. The second sentence, "Landscapes I once knew," points out the "goodness" of Jiangnan scenery. It is not a rumor, but the author's personal experience and feelings when he went to hangzhou. This not only implements the word "good", but also takes care of the word "memory", which can be regarded as a wonderful pen and ink to connect the meaning of the article. The third and fourth sentences vividly interpret the "goodness" of Jiangnan, highlighting the bright colors of river flowers and red and green water, giving people a strong and dazzling impression. Among them, there are both the mutual contrast between the same colors and the mutual contrast between different colors, which fully demonstrates the author's skill in coloring. At the end of the chapter, the whole poem is concluded with "Can I not remember Jiangnan", which not only expresses the author who was born in Luoyang, he has infinite admiration and nostalgia for the spring scenery of Jiangnan, but also creates a long and profound charm.

2. Famous quotes about writing good calligraphy

Yan Zhenqing: When you want to write, you should anticipate the shape of the characters and arrange them to make them stable, or unexpectedly form them, so that they have different trends. This is called skill.

Ouyang Xun: Beginners should first establish the general structure, place it horizontally and vertically, and treat the cloth and white to make sure they are even. Wang Xizhi: The white cloth should be distributed evenly, far and near.

Jiang He: There are three kinds of cloth white; the cloth white in the word, the cloth white in the characters, and the cloth white in the lines. When you are new to learning distribution, you must stop evenly; once you know it is still even, you need to seek changes, such as slanting, straightness, density, and density.

Chen Yi: If the sparse place is full, the dense place will be lifted; if the flat place is full, the dangerous place will be lifted; if the place is full, the body will be fat, and if the place is full, the body will be thin. Wang Xizhi: Dot painting is divided evenly, distance and near are related, spreading and grinding, blending the brush and ink; the sharp edges come and go, and the dense and dense are connected.

Xiang Mu: People are very good at books. There are thousands of shapes and forms, but nothing can be said about neutrality. Said fat.

It’s just that I am thin. If the length of the book should be in harmony, the weight should be balanced, the yin and yang should be appropriate, the hardness and softness complement each other, and the person who talks about the appearance of the world will be neither fat nor thin.

Neither long nor short is beautiful. Zhang Huaijin: Yan Yang and his back; that is, the two characters are combined into one character, and it must be drawn up and down with the force of "Yan Yang" and "Close".

Wang Xizhi: The two characters are combined into one. The weight should not be long, the single should not be small, and the complex should not be large. Dense is better than sparse, and short is better than long. Mrs. Wei: The stippling is like a falling stone from a peak, the bump is like a collapse; the horizontal painting is like a cloud formation thousands of miles away, but it is faint but tangible; the vertical painting is like a long-lived withered vine; the stippling painting is like a rhinoceros elephant; Running; the diagonal hook is like the hair of a hundred Jun crossbows; the horizontal folds are like the tendon joints of a powerful crossbow; each word is a character, and each resembles its shape. This is a wonderful creation, and the calligraphy is complete.

3. Poems about practicing calligraphy

1. I have learned a lot since I was a child and have high ambitions in my life. Others have swords, but I have a pen like a knife. ——"Poems of a Child Prodigy"

2. I have been too lazy to write books all my life, but I finished them quickly. The frightening wind roars day and night, and you can live in peace wherever you go. ——Li Zhi of the Ming Dynasty, "The Burning of Books"

3. There is nothing on the brow, but a thousand years of writing. ——Shao ??Ding of the Song Dynasty, "In the Mountain"

4. When the paper fell, the wind started, shaking the sky and seeing thick dew. What else can we do without painting and literature? ——Tang Dynasty Geng Mao's "Ode to Xuanzhou Bi"

5. When the pen falls, the wind and rain startle, and the poem becomes the weeping ghosts and gods. ——Du Fu of the Tang Dynasty, "Send Li Twelve Whites and Twenty Rhymes"

6. I don't like to be trapped by nature, and I often violate class rules. The class teacher often punishes me to copy the class rules 20 times, and I have to do three. Hold the pen together. I often tell people that this is how I got my good calligraphy skills. ——Han Han

4. Quotes about writing good calligraphy

1. Lord Grim, lying drunk on the battlefield, how many people have fought in ancient times? ——"Liangzhou Ci" by Wang Han of the Tang Dynasty

?2. The road is long and long, and I will search up and down. ——Qu Yuan's "Chu Ci·Li Sao" in the Warring States Period

?3. If you want to see a thousand miles away, go to the next level.

——Wang Zhihuan of the Tang Dynasty, "Climbing the Stork Tower"

?4. The wild fire will not burn out, but the spring breeze will blow it again. ——"Bai Juyi" of the Tang Dynasty "Farewell to the ancient grass"

?5. The strong wind knows the strong grass, and the rough wind knows the sincere minister. ——"Shangshu"

?6. I advise God to be more diligent and send down talented people in any way. ——"Miscellaneous Poems of Ji Hai" by Gong Zizhen of the Qing Dynasty

?7. Talented people have emerged from generation to generation, and each has been leading the way for hundreds of years. ——"On Poetry" by Zhao Yi of the Qing Dynasty

?8. Stones from other mountains can attack jade. ——Quotes from "The Book of Songs Xiaoya"

?9. The wind is rustling and the water is cold. A strong man will never return once he is gone! ——Jing Ke's "Song of Yishui" in the Warring States Period

?10. Don't be afraid of the floating clouds covering your eyes, just focus on the highest level in your body. ——"Climbing Feilai Peak" by Wang Anshi of the Song Dynasty

?11. Although it is hard to search for thousands of pounds, you will only get gold after blowing all the sand. ——"Lang Tao Sha" by Liu Yuxi of the Tang Dynasty

?12. The storm is about to come, and the wind fills the building. ——Tang Xuhun's "Weiyang City East Tower"

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5. Famous quotes that encourage people to write well

1. Diligence leads to excellence, while playfulness leads to waste. ——Han Yu

2. You should study at any time and learn everything; you should concentrate your efforts to know more and know everything. ——Al Gore

3. Knowledge is the sweet fruit that grows from the bitter root. ——Ricardo

4. To know the affairs of the world, you must read the books of the ancients. ——Feng Menglong

5. If you don’t know, ask, if you don’t know, then learn. ——Dong Zhongshu

6. If you don’t accumulate steps, you can’t reach a thousand miles; if you don’t accumulate small streams, you can’t become a river. ——Xun Kuang

7. If you persevere, the rotten wood will not break; if you persevere, the metal and stone can be carved. ——Xun Kuang

8. Raising a question is often more important than solving a problem. ——Einstein

9. Read a book a hundred times and its meaning will become apparent. ——Chen Yu

10. Read more than ten thousand volumes, and write like a master. ——Du Fu

11. Reading a good book is talking to many noble people. ——Goethe

12. Like reading is equivalent to changing the lonely hours in life into moments of great enjoyment. —— Montesquieu

13. If the land is not cultivated, no matter how fertile it is, it will not grow fruit; if a person does not learn, no matter how smart he is, he will not be able to read. ——Cicero

14. Humility makes people progress, and pride makes people fall behind. We should always remember this truth. —— Mao Zedong

15. Genius is one percent inspiration and ninety-nine percent diligence. ——Edison

16. History makes people wise, poetry makes people intelligent, mathematics makes people precise, philosophy makes people profound, ethics makes people solemn, and logic makes people eloquent. ——Bacon

17. Time should be allocated precisely so that every year, every month, every day and every hour has its special tasks. ——Descartes

18. Nothing is easier to waste than time, and there is nothing more worthy of cherishing. If there is no time, we will accomplish nothing in the world. ——Mendeleev

19. All the excellent qualities in me are attributed to books. ——Gorky

20. Success = hard work + correct method + less empty words. ——Einstein

Reference materials

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6. What are the poems describing "calligraphy practice"

Pen When the storm falls, the poem becomes weeping ghosts and gods. From then on, his reputation spread rapidly. From Du Fu's "Send Li Twelve White Twenty Rhymes".

Translation: When I saw him writing, the wind and rain sighed; when I saw his poems, the ghosts and gods were moved and cried.

I have been too lazy to write books all my life, but I finished them quickly. The frightening wind roars day and night, and you can live in peace wherever you go. From Li Zhi's "The Burning of Books".

Translation: I am usually too lazy to write a book, but it has been a while since I finished writing a good book. With the roar of the wind day and night, I can live in peace anytime and anywhere.

Extended information:

"Twenty Rhymes to Li Bai" is a poem written by Du Fu, a poet in the Tang Dynasty, who misses Li Bai. Du Fu and Li Bai had a deep friendship. When Li Bai was exiled, Du Fu wrote many poems in memory of Li Bai. This poem is one of them, expressing condolences and sympathy to Li Bai. The poem tried its best to praise Li Bai's talent, express his deep friendship with him, and also express his dissatisfaction with the ruler's unfair treatment of such a wizard as Li Bai.

Du Fu, also known as Zimei, also known as Shaoling Yelao, was a great realist poet in the Tang Dynasty. Together with Li Bai, he was known as "Li Du". In order to distinguish them from the other two poets Li Shangyin and Du Mu, known as "Little Li Du", Du Fu and Li Bai are also collectively known as "Big Li Du", and Du Fu is often called "Old Du".

The core of Du Fu's thoughts is the Confucian benevolent government. He has the grand ambition of "bringing the emperors Yao and Shun to the throne, and then making the customs pure." Although Du Fu was not well-known during his lifetime, he later became famous and had a profound impact on both Chinese and Japanese literature.

Baidu Encyclopedia - Send Li Bai's Twenty-Two Rhymes