Talking about william blake is bound to clarify many speculations and accusations about him. Some people say that he is the fabricator and disseminator of crazy and devil beliefs, just like the New Year's old man who can be heard from the cemetery in London at night. Of course, it is impossible for Blake to think or clarify the secular world thoroughly like rabelais and Aledino. Maybe he is a fog of faith, but he is also a "purple fog" full of pain and love. Blake created a way of thinking driven by imagination. Blake is a prophet of imagination and a faithful recorder of experience. We would rather regard him as the best apprentice to purify our consciousness from the "devil's workshop".
Blake's poems, such as The Boy Cleaning the Chimney, The Nanny's Song, The Sick Rose, The Tiger's Hymn, etc., which are most quoted and recited by people, can all be regarded as a part of constructing Blake's "prototype of heaven". Ezekiel, a self-comparing boy, saw a religious illusion when he was four years old. He could keep silent with the "white god" in a whisper.
In the encounter and coexistence with Catherine, a country girl who accompanied him all his life, Blake learned about fairy tales and chastity in the hearts of ordinary people, compared them with his own experience and imagination, referred to many fairy tale fables that have been going on and circulating since the Middle Ages, and added his own unique image creativity. Blake left us/kloc-The Wedding of Heaven and Hell, the most important poetry collection in the 8th century-an imaginary hymn, a song of innocence and experience. If the former is for those who continue to teach after marriage, then the latter is more a New Year's book for primary school students or a golden luminous toy given by Santa Claus. But I prefer to think that Blake built the grand and solemn church top floor in our world, where the proverbs of ideal and reality shine, reminding us of the purity and solemnity of the Virgin Mary at all times.
Blake never denied that he was a man created by naive imagination, but his contemporaries were puzzled not only by his strange behavior and enthusiastic energy, but also by his profound and respectable appearance. Blake was obviously not a writer who wrote for his physical fate at that time. Like Arthur Rambo, he found refuge and belief in "Paradise Poetry", which disturbed the senses to varying degrees based on mysterious and fantastic experiences and led to freedom and praise. Perhaps this is the most important experience and value left by Blake. Blake's bold expressions of "the cry of roses" and "the truth is always hidden in the crazy twilight" have found us some mysterious experience paths extending from "the dark chimney" to "the rose paradise".
Blake's poem "At the end of the wasteland, fingers can touch the sky" inspired Spanish painters greco and Dali. In "Soft Time" and "Fable Imagination of Spanish Civil War", da expressed his affirmation and praise to the greatest poet of18th century with the pen of genius.