In March 2007, Wang Shuo was interviewed by reporters. He admitted that he had taken drugs in the past due to mental illness. He also confessed in the interview that he had used prostitution. He also felt that those sex workers struggling in the sex industry "are all the best people, better than those intellectuals, much cleaner and kinder at heart." In addition, in a Phoenix TV interview program, he said Showing his U.S. green card.

Wang Shuo has many readers in China. In the 1990s, a large number of his novels were remade into TV series and movies. For example, the TV series "It's Too Good" was adapted from the novel "It's Too Good to Die", and the movie "Sunny" "Days" is adapted from the novel "Animals Are Wild", the movie "Looking Beautiful" is adapted from the novel of the same name, and the movie "Enemies and Sons" is adapted from "I Am Your Dad". He has also participated in and led the screenwriting and planning of many well-known film and television works with widespread influence, including "Beijingers in New York", "The Story of the Editorial Department", "Haima Cabaret", "I Love My Family", and "The Stubborn Master" , "Party A and Party B", "A Sigh", "I Love You", "Dreams Come into Reality", "If You Are the One 2: Don't Worry", etc. So far, he has written twenty-two novellas, three novels, approximately 1.6 million words, and created dozens of TV series.

Controversy about Wang Shuo and his works has been uninterrupted since he became famous in the early 1990s. He was even called a "bad critic in the literary world", and some people called his works " "Ruffian Literature". On the other hand, some people say that Wang Shuo is a representative of the "New Beijing School" (the relative traditional Beijing School refers to Lao She and others).

In 1993, Wang Meng praised Wang Shuo's phenomenal status in the field of so-called orthodox literary criticism: "The 'playing with literature' of him and his companions is precisely a criticism of the arrogant and superior people. A kind of reaction in the world of salvation literature. ""He has torn apart some false lofty pretenses, and his language is lively and catchy, absolutely free from foreign stereotypes and bookishness."

In a conversation with Wang Shuo, Han Shaogong said: The characters in Wang Shuo's novels are vivid, but too simple. "Both men, women and children are poor, and they are all poor to the end."

In the 1990s, he became a ruffian writer who dominated the literary world with his domineering words. He said, "I am a gangster, who am I afraid of?" It was like a wake-up call, and he tore off the so-called noble veil. Then almost all the media participated in this In the midst of a vigorous debate, coupled with the success of TV series adaptations such as "Desire", "The Story of the Editorial Department", "Love You Without Negotiation", "Enjoyed" and other TV series, Wang Shuo became popular all over the country. As the frequency of publishing books decreased, Wang Shuo began to become a little quiet. "Looking Beautiful" and "Beauty Give Me the Sweating Medicine" seemed to have exhausted his talent. What really attracted media attention again was his collection of paizhuan essays "The Ignorant Are Fearless" , which juxtaposes Jin Yong and Qiong Yao as the "four major customs", thus triggering a large-scale debate between Jin Yong and Qiong Yao. Different from the past, the participation of the Internet has rapidly escalated and heated up the debate, and the ignorant are fearless and are also "playing" like in the past. Wang Shuo's famous sayings such as "the heartbeat is the heartbeat" and "if you have too much fun, you will die" have become hot words of the year. In 2007, Wang Shuo ranked sixth in the "2007 Second Rich List of Chinese Writers" with a royalty income of 5 million yuan.

The language has made new breakthroughs than before, especially the opening chapter "My Thousand Years Cold", which is concise and poetic, and is also given tense. The last article, "Outline of the History of Materialism," talks about the universe and matter, and has some common sense errors. According to the publisher Lu Jinbo, "My Thousand Years Cold" is actually a collection of Wang Shuo's five works, including "My Thousand Years Cold", the Beijing dialect version of "The Diamond Sutra", "An Outline of the History of Materialism", "In the Palace" Days" and the novel version of the play "Dreams Come into Reality". The book has approximately 130,000 words and is published by Writers Publishing House. In the preface "Who Am I" written by Wang Shuo for the whole book, he claimed to prefer "My Thousand Years Cold", which was originally written for Zhang Yuan, and emphasized that "this work gave Chinese tense". "My Thousand Years Cold" is based on the "Sixth Patriarch's Altar Sutra" and has gone through three editions. Wang Shuo said that this work "is the essence of writing. If you want to talk about beautiful writing, it is called beautiful writing. This is for high-level intellectuals."

(A university professor commented: This book is somewhat similar to "Chinese Youth" by the young writer Jia Fei. It is similar in spirit but has charm. They are both pinnacle works), "Rubber Man", "The Stubborn Master" and other works , the name began to be familiar to more and more people, and the reputation gradually expanded from Beijing to the north, and then throughout mainland China.

"Ridicule" has become the biggest feature of Wang Shuo's language. Ridicule itself is a form of language that is neither hard nor soft. This form of language is not so much that Wang Shuo uses it as a tool, but rather that Wang Shuo uses it as a weapon. As an ordinary person, what he faced as a child was not being respected but being violated from time to time. Street gangsters, stern teachers, and overbearing parents can all cause aggression. You can't fight back against this aggression, but you must take some self-protective measures. Wang Shuo chose to tease, which could not only resolve the insult caused by the other party, but also protect his own dignity. Wang Shuo became a "ruffian" in people's eyes. An instinctive resistance, similar to a child's mischief, but it made adults angry.