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Abe Kobo’s work style

Since then, he has worked hard to break the shackles of homogeneity in his works, and to find and create new ways of existence in the loneliness of the city. His "Sand Girl" describes an entomologist who, under the threat of reality constantly eroding his life, makes his own choice and enters a sand cave. While constantly fighting against the eroding sand, he desperately discovers the real world. a new aspect of. The author focuses on expressing the spiritual movement of the protagonist fighting against sand, which is a metaphor for people in the loneliness of a chaotic society. Only through hard work can people create the objective conditions for human existence and find the possibility of existence. "Sand Girl" is a representative work of existentialism. more typical meaning.

It can be said that most of Abe Kobo's works describe people's alienation from modern society and their falling into a life of loneliness and despair, so they set up strange fantasies, such as setting them in an "object", freely Transform images and construct unreal worlds. To pursue the inner nature of man. His "The Wall - Karma's Crime" is set "inside the wall" and "Sand Girl" is set "inside the sand cave", which is a metaphor for the alienation of capitalist society and the lack of communication between people and between people and society. , in an abstract world of absolute loneliness.

Whether it is set "inside the wall", "inside the sand cave", or "inside the box", "inside the cocoon". , but these are not insurmountable limits. On the contrary, he peeks into the inside of these things, and he still wants to find out what is going on despite the darkness inside. As he said in "The Wall": the protagonist hits the "wall", even though he cannot put it aside. He looked away from the wall, but he was attracted by the darkness inside the wall. He stared at the wall to take a closer look. It became an opportunity for the protagonist to take action.

Abe Kobo found out in reality. He strives to capture the surreal reality. The characters he creates, whether they are transformed into "cocoon man", "wall man", "sand man", "box man", etc., are all elements that constitute reality. Overall, the world of "things" and the world of "existence" constitute the dual alienation of external reality and internal reality. However, although they are doubly locked within the order of reality and self-consciousness, they still struggle tenaciously. Express your own spirit. Therefore, Abe’s literary world is not only not separated, but also deeply and firmly rooted in the reality of Japan today and tomorrow. There is a voice of hope in his despair.

< p>Due to his long-term acceptance of Western modern influences such as existentialism and surrealism, his works often feature special scenes, strange plots, symbolic techniques and profound implications, striving to expose the irrationality of society and seek solutions. The solution to the problem. The short story "The Wall" is the work that won him the Akutagawa Prize and established his status in the literary world. His other important works include the short story collection "The Intruder" and the novella "The Yearning for Beasts". Hometown". The novel "The Face of Others", the screenplays "The Ghost Is Here" and "Friends", and the review collection "Desert Thoughts", etc. His new works after the 1970s include "The Escape of Dreams" and "The Laughing Moon".