Knowledge can be used as a pastime, a decoration, and can also increase one's talents.
Reading can be a pastime when you are lonely. When you speak, knowledge can be decorated. When you act in the world, the correct use of knowledge means strength. Happy is the man who knows the cause and effect of things. Although people with practical experience can handle individual affairs, if they want to look at the whole and plan the overall situation, they can only do so by mastering knowledge. Learning too slowly will lead to laziness, studying for decoration is self-deception, and studying completely according to the rules of books will make you a paranoid bookworm.
Knowledge can improve man and nature, and experiments can improve knowledge itself. Human nature is like wild flowers and weeds, and learning is like pruning and transplanting. Practical attempts can test the authenticity of the revised knowledge itself.
Cunning people despise learning, fools envy learning, and only smart people are good at using learning. Knowledge itself does not tell people how to use it, but the way to use it is outside books. This is a skill. You can't learn without doing experiments. Don't read just for criticism and argument, but don't trust books easily. The purpose of seeking knowledge is not to brag or show off, but to seek truth and enlighten wisdom.
When the human heart is most vulnerable, love is the easiest to invade, that is, when people are proud of the spring breeze, get carried away, get into trouble and be lonely, although the latter may not get love. People are most eager to jump into the flame of love at this time. This shows that "love" is really the son of "stupid". But some people, even if there is love in their hearts, can still restrain it and let it not interfere with important undertakings. Because once love interferes with emotions, it will hinder people from running firmly towards the established goals.
On closer examination, the beauty of form is better than the beauty of color, and the beauty of elegant manners is better than the beauty of form. The highest beauty can't be expressed by the painter, because it is difficult to be intuitive. This is a wonderful beauty. There used to be two painters-Apparis and Diu Lei-who thought it was funny to paint in geometric proportions or to absorb the most beautiful features of different people to synthesize the perfect portrait. In fact, I'm afraid only the painter likes the beauty painted in this way. Beauty can't be standardized, and creating beauty is often an opportunity, not a formula. There are many faces, some of which are not beautiful, but they are very moving as a whole.