2, Minsi is hidden in the chest, and the smart state is in the millicard. . this book

3. Take style as the body and change as the purpose. Zhang Huaiguan's books and documents

4, the famous hand has no pen pool, and the calligrapher has no words to fold into a journey. Shigemitsu Book Cutting

5, indulgence should save strength, and the potential pen should follow the trend. Wang Xizhi's Twelve Chapters of Pen and Ink

6. Look at his brushwork, his attitude is awkward and changeable. Elegant Ci in Xiangmu Calligraphy

7. Although this book emphasizes law, nature means the mission of law. . Liu Xizai's Outline of Art

8, the heart can turn the wrist, the hand can turn the pen, and the calligraphy is satisfactory. . On Books by Huang Tingjian

9, can be awkward, but very clever; You can be soft, but you are just. . Wang Shu, On the Remaining Words of Books

10, make a hook for a painting and calligraphy, and turn to be critical and enthusiastic, otherwise you will relax. Liang Xian's On Learning

1 1 Therefore, learning books must first be self-motivated, determined to be ambitious, brave and diligent. Zhu Luzhen, Introduction to Calligraphy

12, where the sentences are like firecrackers, and the sudden sound is easily cut off; Every sentence is like a bell, and the sound is more than enough. Xie Qin's Four Ming Poems

13, lively but not dull, leading to a gap; Circulation is not stagnant, its machine is round. When the opportunity comes, the change comes out.

14, make the circle force show off and fold, and distribute it evenly and skillfully before you can enter the door of Legalism. Shigemitsu Book Cutting

15, corpse, bailiff. Heart, strategist. Hand, lieutenant also. Refers to foot soldiers. Elegant Ci in Xiangmu Calligraphy

16, which means to be new, to move your hands at will, to meet your pen and hand, and to be harmonious deliberately. . Zhang Yanyuan's Book of Dharma

17, the shape is octagonal, overlapping and increasing, and the shape changes eight times while changing; Two-sided change, deformation 56; Three sides

18, express your intention in words, and say what you mean. The hand is free to move, and the pen and hand will meet. . Tao Hongjing's On Books with Liang Wudi

19, meaning must come from skills. If you are skilled, your thinking will change automatically. . Feng Ban's "outspoken poetry"

20. Where the pen is tied, the upper cover is connected with the lower cover, so that the situation is reflected and there is no sneaking back. Cai Yong's "Nine Potential"

2 1, learning books is based on calmness and frustration, and is used to tolerate change. Both are indispensable. Jie Jin's Miscellanies of Spring Rain

22. Every book should be decorated and look good. Layout is luck, which is good for writing. Song Cao's "Calligraphy Covenant"

23, before the book, determined to handsome as gas, put the book, oxygen to fill its ambition. Elegant Ci in Xiangmu Calligraphy

24. Calligraphy is one of the few art forms in the world, including China calligraphy, Mongolian calligraphy and Arabic calligraphy.

25, the form remains unchanged, and the trend has its own modality. The trend is one-sided, so is the seven-sided trend. Chen Yizeng, essence of Hanlin

26. In a word, several institutions are involved. If it is a paper book, the meaning of each word must be different, different. Wang Xizhi's book theory

27. Bird said: Ancient calligraphy is different from pen. If the facades are similar and arranged like operators, then books are slaves. . Qian Yong's Calligraphy

28. If you are sick, you will be embarrassed. The crow is slow, and the magpie is urgent, smoking like a pheasant pecking and lighting like a rabbit throwing. Xiao Yan's cursive formula

29. People in the Northern Dynasties wrote a book, which was vigorous and harmonious, with a dry pen and ink and a declining momentum. One was Wan Li Qi Li, and the other was with five fingers. Bao's "Art Boat and Two Ships"

30. It is wonderful to care about the virtual palm with a pen, slow down the speed of urgent delivery, and concentrate on the pen, with the words behind it. Li Hua's two-character formula

3 1, writing a book must be done in your spare time. If we are not busy writing, there will be no beginning and no end of folding, and there will be no moral between us, such as managing chaos. . Zhu Hegang's Linchi New Street

32. Fu Shu's posture is like going to the battlefield and being flexible in front of his wrist. Wu Wen is more expensive than a pen. When you go out, you will have ups and downs and doze off in yin and yang. True story of Feng Wu's calligraphy

33. Learn calligraphy and care about a heart. The heart can turn the wrist and the hand can turn the pen. The hand is not the main luck, but the main wrist, and the wrist is far away. Song Cao's "Calligraphy Covenant"

34. Be calm, be honest, think about life and be happy. Virtual fist straight wrist, ten fingers empty, meaning writing. Ouyang xiu's thirty-six methods

35. Every time I write, I think about how to save the second and third strokes and how to wrap them. Calligraphy means that the intention is to write first, and the words are to think later. Don. Ouyang xiu's thirty-six methods

36. If law enforcement remains unchanged. Even if you can enter the stone, you are also called a book slave, and ultimately you are not self-reliant. It is the main viewpoint of calligraphers. Interpretation of Ya Qi's On Books

37. If you want to write, you should learn ink first, meditate attentively, predict the font size, straighten up, and dredge your veins before you write. Wang Xizhi's "After Mrs. Wei's Painting"

38. Eccentricity is one of them, even if it is positive. Not surprisingly, although solemn and solid, unchanged and simple, there are not many words. Strange and upright, heroic and bright, but not elegant. Elegant Ci in Xiangmu Calligraphy

39. The word escapement is the key to calligraphers. There are noisy, temperate, life and death, and waking up; When I woke up, I saw well-informed joints and there was no stiff lying paper disease. Zhou Xinglian's My Opinion on Linchi

40, meaning pen Meng, meaning aperture; Pen restraint, pen death. You want me to follow the pen, and the pen will follow my trend. When the two are combined, wonderful words will come out. Zhou Xinglian's My Opinion on Linchi

4 1, sincere, knowledgeable and specialized, orthographic, pen in sight, clever use of pen, forgetful mind. The natural wrist can follow the arm, that is to say, it can follow the heart, fly smartly and wander around. Elegant Ci in Xiangmu Calligraphy

42. Writing a book is precious and quiet, so that you can concentrate on the pen and keep it in your heart, so that you can succeed. The tube is a general, so it should be heavy; The heart is before the arrow, and the arrow doesn't want to be late. Tang Wei continue to silent yuan.

43. If you want to write a word, you can do it as follows, think steadily, and use a pen. According to this trip, the author's heart, the author's hand and the author's intention are naturally wonderful. . "Qin Han Wei Calligraphy" Chen Si

44, it must be a pen outside the word, vigorously swaying, winding in the air, such as hairspring, such as flying dragon, suddenly falling, suddenly coming and going, Si can be out of the word, but backward, not thinking. . Wang Shu, On the Remaining Words of Books

45. It is strange to be positive, so there is nothing strange and illegal; Set as the vertical, so there is no vertical escape; Take the virtual as the truth, so break; Taking the back as the direction, it is disconnected everywhere. I learned that everything is broken, which is just strange and wonderful.

46. There are seven kinds of writing: urgency, slowness, intention and urgency; It doesn't matter if you write near, your heart is uneven. Uneven heart and hand, pen failure; If you write in a hurry, the former wins. Mrs. Wei's "Pen Map"

47. Write energetically. Qi must come from familiarity, and it is powerful. Size, height, neatness, follow the pen, naturally concentrate and form fragments. But you can't push it around. You'll know when you grow up. . Liang's "On the Book of Frequency Loan"

48. Most of the foothills in the mountains are straight out, but when you step on them, your steps are curved. If the soil accumulates like a peak, it is slightly overbearing and ups and downs, but its gas is straight. The truth is obvious, but a fool doesn't know that the book is right. Clear. Bao's "Art Boat Double Boat"

49. The method of husband and brother, such as the chair valley of Changsong, is like the opening of a crossbow. It's hard to be poor by doing what you want. Put it like a bow and arrow, collect it like a tiger fighting Yue Long, and it is as straight as a golden pine in the valley, and hook it to catch water. Wang Xizhi's Twelve Chapters of Pen and Ink

50. It seems that most people who study calligraphy and painting are very expensive, but between subtle twists and turns, they might as well increase or decrease. If it's just for the same gourd, it's just for printing paper. Although the cloud is not bad, it lacks natural and vivid interest. Li Yude's Leisure Story

5 1, it is not easy to write first. Only by measuring the Olympics in a clumsy way and understanding the divine solution can we achieve this wonderful situation. My husband copied word for word, first set a good position, then accepted it, followed its expansion and contraction, and realized it carefully, and the pen did not jump. The so-called intention comes first. And Tang's "New Interpretation of Linchi"

52. Setting has always been a rule, and with its clumsy workmanship, it is to pursue the fat and thin figure and the flush density. If you pass, you must control your speed. If you are late, you will be afraid and hesitate to reduce it. When you are hooked on a pen, you are hooked on your hand. If you create a mystery at this speed, you will have nothing. Yutang Zhang Tang Huai Guan Jin Jing

53. All the books have changed. Wang became a white cloud body, Ou became a right army body, and Liu became an Ouyang An body, a Yong Zen master, Gou Suiliang, Yan Zhenqing, Li Yong, Yu Shinan and so on. And got the laws in the book, and then all became their own bodies, handed down from later generations, and all got names. Interpretation of Ya Qi's On Books

54. Jian Yun: Eight bodies have diseases. Sick is sick. When you are sick, you lose your potential; Sick is astringent. If you don't get sick, you will get sick. The disease is in the heart, shaped in the words, handy and wonderful. True story of Feng Wu's calligraphy

55. The author has one method and the audience has two methods. Controlling a woman is a very spiritual thing, but there are still situations. Full of anger, talk about spirit from the situation. Therefore, if you are dissatisfied with the left and right female images, if you are full of anger, you will be dissatisfied with the left and right female images. Bao's "Art Boat and Two Ships"

56, waste paper failure, casually, often handy. When I met a good pen and paper and sat neatly in public to write a book, I couldn't help thinking. So, a surprise, a go its own way, a work, a work; A deliberate job search, biased, and unexpectedly clumsy. Zhou Xinglian's My Opinion on Linchi

57. Everyone should have a strong backbone and a refreshing flight state. Bending state, such as steel, such as hook, dragging if the needle goes straight down. The ending of subject and object should be inclusive, first of all, the author, then the guest. Every book has a piece of paper, or a repeated word, and it must have a special word. Cai LUN's calligraphy

58. Vivid charm is different from smog. How ridiculous it is that the world mistakenly refers to vivid smoke! Those who cover gas have pen gas, rich gas, colorful gas and so-called gas; Moreover, there is momentum, tolerance and vitality. This is the so-called charm, but the vivid place is not charm. Its pen has never been swallowed up when it is stormy. Su Shi

59. Among the six laws, rhyme is the first, and when there is gas, it is rhyme, and when there is no gas, it is dull. Charm is produced by pen and ink, or mellow and powerful, or smooth and smooth, and it is also the spirit of pen to use. Ink should be different shades, dry and wet properly, not stagnant or withered, which makes people feel vomiting and is also the gas of ink. This method is not allowed, elegance and boredom, old and healthy, delicate and timid, these are not allowed, nor is the disease of charm. . Tang Dai's Sketch of Painting

60. Guarding and restraining mixed feelings; Indulge, cross the code; Fast people are thrilling; Dull people are too timid to fly; Simple people are quite fresh; Strict people are tight and few; Warm people, beautiful festivals; Reporter, carving is too harsh; Magnificent people, solid bosom Yi Rong; Elegant people are getting heavier; A solemn person is a disgrace to Lupu; Smooth, flashy; The driver seems to be not deep enough; Slim people are still slow; Those who are refreshing are brave in plagiarism; Cautious people lack freshness. Elegant Ci in Xiangmu Calligraphy

6 1, Xu Gong said: When a husband wants a book, he should first consider the color of the words, sentences, words and paper in the book. The order of the book is consistent with the style of the book, which is not true, ok, but grass, just like paper. However, before and after the pen, you must use brushwork. If we want a difficult book, we should keep it in mind and write it down. We will naturally tolerate and wander. We have an elegant attitude. We can't do anything for the time being. This is not a solution. Han's Theory of Giving Pen