In our daily life, there are still many people who like to write calligraphy, and some people's hard pens are still very beautiful. Let me take a look at the relevant materials of hard-pen calligraphy works of seven-character quatrains with you. Let's have a look.

Seven-character quatrains 1 quatrains originated in the Han Dynasty, took shape in the Wei, Jin, Southern and Northern Dynasties and flourished in the Tang Dynasty. At that time, there were four sentences called "couplets". In "Wen Xin Diao Long Shi Ming", the so-called "couplets have the same rhyme, so the Bailiang system is redundant". The Tang and Song Dynasties were the golden age of China's classical poetry. Quatrains are popular all over the world, and their creation is prosperous. The famous Zhang Jiashi is as beautiful as a group of flowers, and its grand occasion is unprecedented. Quatrains can be divided into metrical quatrains and archaic quatrains according to poetic rhythm. According to the number of words in each sentence, quatrains can be divided into five-character quatrains, six-character quatrains and seven-character quatrains, of which five or seven quatrains are the majority and six quatrains are few.

Absolute law appeared after the rise of metrical poetry, while ancient absolute law existed long before metrical poetry appeared. Xu Ling, editor-in-chief of Chen Dynasty in the Southern Dynasties, is known as the "ancient quatrains". However, although this quatrain rhymes, it is relatively free, or it can be said that some poets are unwilling to be bound by meter. After the popularization of law, ancient quatrains are still in use and development. There were many five-character quatrains in ancient times, but few seven-character quatrains. So seven words and eight sentences are not very common.

Appreciation of two quatrains in hard-pen calligraphy works of seven-character quatrains

"Two orioles sing green willows, and a line of egrets fly into the sky." Two orioles are singing, and there is a sound. "A line of egrets goes up to the sky" has an act and an action. One horizontal and one vertical, "two" and "one" are opposite; Horizontal and vertical, it opens a very beautiful natural landscape. The word "Ming" is the most vivid in this poem, which describes the oriole more vividly by anthropomorphic means. Then Du Fu talked about "the window contains autumn snow in Xiling". Outside my window, there are thousands of years of snow in Minshan, and in the west, there is a thousand years of snow in Minshan. "Soochow Wan Li Ship" There is a long Wan Li ship parked in front of my house.

This forms a welcome and free ride. Welcome this snowy mountain into your sight and send this boat down the river. So this "Wan Li Ship" can pass, which also shows that this "Anshi Rebellion" has come to an end and is close to pacification. Ships can also pass at this time, and business people can come and go on this river. Then such a poem is beautiful in itself, with four sentences in pairs. There have been quatrains since the Six Dynasties. After the Tang Dynasty, quatrains became a very mature art, and many of our famous poems used quatrains.

A quatrain is four sentences, and the four sentences often don't match, or the first two sentences of the four sentences don't match the scenery and the last two sentences don't match the lyric, or the first two sentences don't match the last two sentences, so now all four of his poems are matched, which can be said to be a very neat and attentive poem. Du Fu once wrote a poem that made people "swear, not surprisingly, never stop", so he put it into practice.

Seven-character quatrains in hard-pen calligraphy works 3. Characteristics of seven-character quatrains;

Quatrains: four parts and four sentences. (Different from metrical poems: four sections and eight sentences. )

Seven laws can be divided into two categories and four sentence patterns:

There are two kinds of uprights: 1, upright and flat, the first sentence rhymes, 2, upright and flat, and the first sentence does not rhyme.

There are two kinds of oblique rising: 1, rising and falling flat, the first sentence rhymes, and 2, rising and falling flat, the first sentence does not rhyme.

Four basic sentence patterns:

Generally speaking, the first two or four sentences are homophonic; The third sentence rhymes differently. The penultimate word in the second sentence is usually a conjunction; The whole poem has lofty artistic conception, elegant language and profound meaning.

The first sentence rhymes.

Flat (flat) flat, (flat) flat. (flat) flat, (flat) flat.

The first sentence is plain and blank.

Ping, ping, ping, ping, ping, ping. (flat) flat, (flat) flat.

Start with the first sentence and rhyme.

(Ping) Ping ◎, (Ping) Ping ◎, (Ping) Ping ◎, (Ping)

The first sentence doesn't rhyme.

(flat) flat, (flat) flat. Ping, ping, ping, ping, ping, ping.

(Note: Parentheses indicate even numbers; ◎ For rhymes, be sure to use a flat voice) (The above text is edited according to the Appreciation Dictionary of Tang Poetry)