Example: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying examples to explain a book was called "examples to enlighten". See "Fanfan Jiexi". Powerful and penetrating the back of the paper: It originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.

Summer is the most prosperous period among the four seasons. He is passionate and vigorous, showing the power and charm of life. Even in the moment that is about to pass away, Xia will throw out the strongest and simplest color in his life. Every drop of green is mixed with the essence of life.

If it is Liu Gongquan's style, it is as strong and powerful as bones, and the momentum is strong - strong in structure, rigorous in every word, and meticulous in every word. Thin and powerful, the regular script style is powerful and charming, the bones are strong and the road is strong, and it is extraordinary and refined. The longer one is thin and stretched, the shorter one is strong and strong.

Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, detachment and tranquility of Lao and Zhuangzi. It often uses a kind of change that does not seek richness and avoids the world in the writing. It means being flashy in order to seek the true meaning of space.

If it is Yan Zhenqing's style, as thick and round as a tendon - using seal script, it turns thin and hard into plump and vigorous, the structure is broad and majestic, the bones are strong and majestic, and the lines are thick and vigorous. , atmospheric and refined.

First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.

The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.

Dragon flying and phoenix dancing: Like a dragon soaring, like a phoenix flying. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and it also describes the lifelike dragon and phoenix sculpture art.

Xinbi graffiti: Xinbi: write casually. Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.

The wind spirit is free and flowing, the long waves are wide, the waves are ups and downs, and the twists and turns are full of charm. The "Lanting" is as elegant as "Lanting", which is close to Yan's "Sacrifice to Nephew". It can be called a masterpiece of running script.

Dragon and snake flying: describe the vigorous and vivid calligraphy strokes. Su Shi's poem "Xijiang Yue·Pingshan Hall": "I haven't seen the old immortal in ten years, and dragons and snakes are flying on the wall."

The sword is drawn out from the sheath, and the bow is opened. Describes a situation that is tense and on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.

Luan Piaofengbo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for a trainee’s husband and wife being separated.

Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of spring earthworms and autumn snakes.

Li Bai of the Tang Dynasty's "Cursive Script Song": "I only see dragons and snakes running away from time to time, frowning on the left and right, and lightning."

Iron painting and silver hook: painting: strokes; hook: Hookle. The calligraphy is described as strong and beautiful.

Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying posture of calligraphy strokes.

Beautiful hairpin: Describes the beauty and beauty of calligraphy or poetry style.

The inner classic "Golden Sutra" says: "What is illegal is not illegal.

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Hong Kong is playing in the sea, and cranes are dancing in the sky