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As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south. Where did it come from?
During the Spring and Autumn Period, Zhou Youwang smiled for Bo Feizi and lit a bonfire, which led to the country's demise. Readers can easily associate this well-known story. From Du Mu's Three Poems of Crossing the Qing Palace in Tang Dynasty:

Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and the gates of Huaqing Palace on the top of the mountain are opened in turn.

As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.

Commentary: Looking back on Chang 'an, Mount Li looks like a pile of splendid scenery. On the top of the mountain, thousands of doors of Huaqing Palace opened in turn. As soon as I rode, the smoke billowed and the princess smiled. No one knows that the south has sent litchi fresh fruit.

Extended data:

Creative background:

These three poems were written by Du Mu when he passed the Huaqing Palace in Lishan Mountain. Huaqing Palace was built in the 11th year of Emperor Xuanzong of Tang Dynasty (723), where Emperor Xuanzong and Yang Guifei had fun. Many poets in later generations have written poems about Huaqing Palace, among which Du Mu's Three Poems Crossing Huaqing Palace is one of the representative works.

Appreciate:

The sharp contrast between galloping in the world of mortals and laughing princess has received much stronger artistic effect than expressing one's own opinions. The word "unknown" is also thought-provoking In fact, "litchi lai" is not unknown, at least "concubine" knows, "riding it" knows, and there is another emperor who doesn't mention it in his poem.

This writing is to show that this matter is very important and urgent, and there is no reason for outsiders not to know. This not only exposed the absurdity that the emperor did everything he could to please his favorite concubine, but also echoed the unusual atmosphere rendered earlier. The whole poem does not need difficult words, allusions and carvings. Simple and natural, profound and powerful. It is a masterpiece of history in the quatrains of the Tang Dynasty.