Reading of Haruki Murakami’s Famous Quotes Classic Quotes
Tangible things and intangible things? If you have to choose one, then choose the intangible! This is my rule. I always follow this rule when I hit a wall. In the long run, I think the results will be good, even if it is unbearable at the time. Below are classic quotes compiled by Lynn on Quotations.com. (For more information on quotations, please pay attention to Quotations.com)
I only cook what I want to eat and enjoy it for myself. Let crows and the like fight with each other to death. ? Haruki Murakami "Meeting the 100% Girl"
Under certain circumstances, fate is like a local sandstorm that constantly changes its direction. You change your steps in an attempt to avoid it, but the sandstorm also changes its steps as if to cooperate with you. You change your steps again, and the sandstorm also changes its steps? Repeatedly countless times, just like an ominous dance with death before dawn. This is because sandstorms are not unrelated things coming from somewhere far away. That is to say, that person is yourself, something within yourself. So all you can do is to obediently step straight into the sandstorm, cover your eyes and ears tightly to prevent the sand from entering, and walk through it step by step. There is probably no sun, no moon, no direction, and sometimes even no time. There is only bone-like fine white sand and dust swirling high in the sky? Just imagine a sandstorm like that. ?Haruki Murakami "Kafka on the Shore"
?Opportunity is more important than anything else. At that time, I suddenly thought that accidental coincidence might be a very common phenomenon. That is to say, those kinds of things happen around us every day, but most of them don't attract our attention and just go on their own. It's like fireworks set off in broad daylight. There is some sound, but when you look up at the sky, you can't see anything. Less than. However, if we are in a strong seeking mood, it will probably surface in our field of vision as a message. We can clearly read its graphics and meanings, and when we see it, we can marvel, it's incredible that such a thing could happen! Although it's not actually incredible, we always feel that way. "Tokyo Tales" by Haruki Murakami
There are several completely contradictory personalities in Nagazawa's body at the same time, which are very extreme. Sometimes he is extremely gentle, so gentle that even I can't help but be moved, and sometimes he is extremely cold and vicious; he has a surprisingly noble spiritual level, but at the same time he is a hopeless vulgar person; he can lead people to strive optimistically while also being... Wu Zi struggled painfully in the gloomy mud. From the beginning, I was clearly aware of his contradictory personality, and I really couldn't understand why other people couldn't see this side of him. He lives with his own hell on his back. ?Haruki Murakami "Norwegian Wood"
?From today on, you have to be a calm person. Don't be emotional, don't miss it secretly, don't look back, and live your own other life! You have to understand that not all fish will live in the same sea. ?I finally understand that even if I have no choice but to do so unwillingly, many people in my life are just passers-by. ?Haruki Murakami
The night was surprisingly warm, and the sky was still overcast. The tidal south wind blows slowly. As usual. The smell of the sea mingled with the smell of impending rain. There is a weary intimacy all around. The sound of insects is everywhere in the grass in the river. It looked like it was going to rain. What will fall will be a drizzle that you can’t tell whether it will fall or not, but it will soak your body from top to bottom. The river could be seen in the dim white light of the mercury lamp. The water was shallow, barely ankle deep, and as clear as ever. Those who come down directly from the mountain will not be polluted. The river bed is covered with stones washed down from the mountains and gravel from Salalah, and there are waterfalls everywhere to stop the quicksand. There is a deep puddle under the waterfall with small fish swimming in it. ?Haruki Murakami's "Sheep Hunting Adventure"
Then again, it is not that easy for two people to build everything from scratch. I have the habit of being lonely as an only child, and when I have to do something serious, I like to do it alone.
Rather than explaining it to others to gain understanding, it is more satisfying to do it alone, even if it is time-consuming and troublesome. As for Kumiko, she has closed her heart to her family since the death of her sister, and she has lived almost alone. I don’t discuss big things with anyone at home. In that sense, the two of us are like birds of a feather. ? Haruki Murakami's "The Journey of Strange Birds"
As for why I abandoned the original world and had to come to the end of this world, I can't remember it, nor can I remember its process or significance. and purpose. Is it something, some kind of power? It’s some unreasonable and powerful force that sent me here! That’s why I lost my figure and memory, and am about to lose my heart. ?Haruki Murakami "The End of the World and Grim Wonderland"
I want to talk to her, even for a minute. I want to know about her life experience, and I also want to tell the whole story about my own life experience. More importantly, I wanted to understand the fate that led to our passing each other in the backstreets of Harajuku one fine morning. It must be filled with the cozy secrets of an ancient machine from a time of peace. ?Haruki Murakami "Meeting the 100% Girl"
?This is difficult to explain. You know, didn't Dostoevsky write about gambling? It's like that! That is, when you're surrounded by possibilities, it's hard to just let it pass. Do you understand Haruki Murakami's "Norwegian Wood"
Fish says to water that you can't see my tears because I'm in the water. Water says to the fish; I can feel your tears because you are in my heart. I am not a fish and you are not water. Can you see my lonely tears? Fish says to water: I will never leave you, because I can't survive without you. Water says to the fish, I know, but what if your heart is not there? I am not a fish, and you are not water. I won't leave you because I love you. But do you have me in your heart? The fish says to the water that I am very lonely because I can only stay in the water. Water says to the fish, I know, because I hold your loneliness in my heart. I am not a fish and you are not water. I'm lonely because I miss you. But can you feel it from afar? Fish says to water? Haruki Murakami
Just like a Tibetan prayer wheel, when the prayer wheel rotates, the values ??and emotions on the outside will suddenly rise. Suddenly, it flashes and dims, but true love is always fixed on the axis and never changes? "Q" by Haruki Murakami
Everything remains unchanged. At any time, in any year, in any era, things develop in the same way. What has changed is only the year name and the face on the throne. This kind of extremely boring and shabby music has existed in every era, and will continue to exist, just like the waxing and waning of the moon. ? Haruki Murakami "Dance Dance"
Looking at the photos in this report in "Life" and thinking about it carefully, the dry white walls of the Spanish villages really fit well with Picasso's paintings. In comparison, Shibuya Bar Department Store, which also has paintings on white walls, is far behind. (It’s hard to say it out loud, but it’s tiring just to see it.) The Picasso in Kalthar Village blends naturally with the village scenery and people’s daily life. Two women in black, carrying baskets of pig entrails on their heads, walked past the mural of "The Three Musicians". Of course, it also has something to do with the composition of the photo, but everything from the sun's rays to the shadows of the buildings to the colors of the street trees are in perfect harmony with Picasso's color scheme. The influence of terroir is really huge. ?Haruki Murakami's "Fragments, a Nostalgic Era"
?However, like a wind-up bird, life may be fundamentally like that, right? Everyone is imprisoned in a dark place, with nothing to eat. All the drinks were confiscated, and he died slowly, gradually, bit by bit. Haruki Murakami "The Journey of Strange Birds"
Tangible things and intangible things? If you have to choose one, then choose the intangible! This is my rule. I always follow this rule when I hit a wall. In the long run, I think the results will be good, even if it is unbearable at the time. ?Haruki Murakami "Tokyo Tales"
Everything must have a framework. The same goes for thinking.
Don’t be afraid of every frame, and don’t be afraid of breaking them. This is crucial if one wants to be free. Respect and hatred for frames. The important things in life are often dual. ?Haruki Murakami "The Colorless Tsukuru Tazaki and His Years of Pilgrimage"
The world is mediocre, there is no doubt about it. In this way, could it be that the world was mediocre from the beginning? Otherwise. The world is originally chaotic, but chaos is not mediocre. Mediocrity begins with the differentiation of human life and means of production. Marx fixed mediocrity by defining the proletariat. Only in this way can Stalinism be in the same line as Marxism. I'm sure about Marx, because he was one of the few geniuses who remembered the original chaos. In the same sense, I also hold a positive attitude towards Tostoyev. However, I do not recognize Marxism, which is too mediocre? Haruki Murakami's "Sheep Hunting Adventures"
We have all lost our most precious people in some unreasonable way, and have been deeply hurt. This kind of psychological trauma may never heal. But we can’t just sit around looking at our wounds forever, we have to stand up and take the next step. And not for his own revenge, but for broader justice. The murderer can always find random reasons to justify his actions. He can also forget and turn his eyes away from things he doesn't want to see. But the injured party will not forget or turn away. Memories are passed down from parents to children. This world, Aomame, is an endless struggle between one kind of memory and another kind of opposite memory. ? Haruki Murakami "Q"
Thinking freely means being free from one's own body. Step out of the restricted cage of the body, free yourself from the shackles, fly purely in the realm of logic, and give logic natural life. This is the core meaning of free thinking. ? Haruki Murakami "The Colorless Tsukuru Tazaki and His Years of Pilgrimage"
A new day is approaching, but the old day is still dragging its heavy skirt. Just like the sea and the river competing for supremacy at the mouth of the river, the new time and the old time merge and merge into each other, locked in a stalemate. On which side of the world is my center of gravity now? Haruki Murakami "After Dark"
Pain is an anchor, mooring me here. ? Haruki Murakami "Kafka on the Shore"
Have you ever seen Shadow of Tears? Shadow of Tears is not an ordinary Shadow of Tears, it is completely different. It came specially for our hearts from another distant world. ? Haruki Murakami's "The Journey of Strange Birds"
As long as that thing has great significance and purpose, it will never completely collapse and disappear because of a small mistake. ?Haruki Murakami's "The Colorless Tsukuru Tazaki and His Years of Pilgrimage"
However, everything surrounding me at this moment seems lifeless and insubstantial. It seems that all the buildings are crumbling and all the street trees are in ruins. Eclipsed, all men and women have abandoned the watery emotions and living dreams. ?Haruki Murakami's "South of the Border, West of the Sun"
Things that cannot be understood without explanation will not be understood even if explained. . ?"Q" by Haruki Murakami
For me, writing articles is extremely painful. Sometimes I couldn't write a single line for a whole month, and sometimes I wrote for three days and three nights, but in the end I couldn't write anything right. Despite this, writing articles is also a pleasure. Because compared to the hardships of life, it is indeed too easy to seek meaning in this. ? Haruki Murakami "Listen to the Sing of the Wind"
So I closed my language and my heart. Deep sorrow is something that cannot even take the form of tears. ? Haruki Murakami's "The End of the World and Grim Strangeness"
Through this music, I was able to meet pianists such as Eastmin, Kling, Korron and Andsness over the long years? So It may not be right to say that they are by no means top-notch pianists. They each weave an otherworldly musical world. Needless to say, that was not anyone else’s experience but mine.
And this kind of personal experience has become a precious and warm memory that stays in my heart. You should also have many similar things in your mind. After all, we are flesh and blood personal memories living in this world. Without the warmth of memory, our lives on the third planet in the solar system would inevitably become an unbearably cold thing. Because of this, we fall in love and sometimes listen to music like we are in love. ?Haruki Murakami "No Meaning, No Swing";