Selected Quotations from Taoist Priests Going Down the Mountain
Lines:
1. Don’t ask for a hundred years, just ask for love in your heart.
2. I am not here to kill people. I understand that people do not do secret things.
3. You are really an orphan and you don’t believe me. Can I call you dad, dad?
4. A door separates two worlds.
5. The rampantness of bad people is due to the silence of good people, and silence is also a sin
6. Do you know why I accept you? I am like you, when I see my mother, I felt panicked.
7. Give me another plaster! Don’t you have enough, if you are a dog?
8. You are not a hero by any means necessary, but you are a true hero by not changing your original intention.
9. Never leave, never give up, never be angry or hateful.
10. Let me tell you, someone has taken me in
11. I don’t ask for a thousand years of life, but I want one night of happiness!
12. If I could realize When it comes to the cycle of life and death, it's nothing more than flowers blooming and falling, the mind is calm, and there is no cause and effect. What else is there to be unhappy about?
13. Donor, your destiny is like that ladle, it turns when you touch it. God and us are the hands holding the ladle. If we realize the cycle of life and death, flowers will bloom and fall. If the mind is calm and does not follow the cause and effect, what else is there to be unhappy about?
14. Life is about going up and down the mountain.
15. There are too many reasons to go down the mountain. What are you doing?
16. There is a shortage of food on the mountain, so the master asked me to go down the mountain to find enough food to eat
Relevant film review recommendations:
Making a movie is really a life practice
With the box office and youth movies, I thought that it has already No one knows how to make "Chinese-style blockbusters" anymore. The unique skill of Chinese great directors may have lost its heirs. As a result, "The Taoist Comes Down the Mountain" once again shocked me to the core. The old master’s fists are amazing. The choking yet sour taste of ten years ago seems like just yesterday.
I cried when I watched "Yellow Earth", but I also liked "King of Children". In my mind, Chen Kaige is not a director who rests on his laurels with "Farewell My Concubine". At that time, I always felt that Chen Kaige should have fallen into the disaster of "The Promise" by accident, and he was still an artist after all. When making "Mei Lanfang", I felt that he still had the ability to make one-third of the films that were good, and artists should still film artists. In "The Orphan of Zhao", there were at least a few highlight supporting roles, classical tragedy, which is his specialty. Even if it's as bad as "Search", it feels like he is trying very hard to catch up with young people in the Internet age. It's ridiculous but also a bit sad. But the radiating "Taoist Descending the Mountain" is shocking. Maybe his artistic achievements in the first half of his life were an accident? Even if it was given by the times.
Making a movie is really a life practice.
From the moment Wang Baoqiang released his sinister and dissolute smile, I had a premonition that he would be like "囧", pretending to be crazy and arrogant all the way to the end. If Fan Wei's hair style can be forgiven, Wu Jianhao's lame Kunqu opera can be ignored, and Lin Chiling's heart can be ignored, when the ship sinks to the bottom of the West Lake and a bunch of terrifying stone sculptures like Asuras appear, the style of the movie is seriously wrong. (Before this, I was just familiar with the typical local film and television base aesthetics).
Then Wang Baoqiang ran to see the great monk Wang Xueqi.
End of first paragraph.
Teacher Wang Xueqi doesn’t need to open his mouth, he is a person with stories to tell. When he played himself in a funny way, giving me his heart and life was like whoring, and strongly demanding that everyone finish their meal first, I couldn't help laughing wildly in the cinema.
Back to the front, Chen Guokun came back from "Fist of Fury". I was scared for a while, thinking that this movie was going to start tearing up the Japanese. Fortunately, Bu Zhuan was not Chinese. The master broke the medicinal wine and the apprentice took the lunch. Although the master did not defeat his apprentice, he couldn't be so shameless. He swallowed these four words in one breath.
After the fight on a basketball court that looked like Zhejiang University’s Zhijiang campus, the second part started convulsing. "The Taoist Comes Down the Mountain" is like being beaten beyond recognition. It begins to distort strongly with the faces of Wang Baoqiang and Jaycee Chan. It is inexplicably miserable. Everyone understands that Wang Baoqiang wants to do something with Lin Chiling. But a Taoist temple suddenly appeared next door, and then there was an unnecessary fight. Wang Baoqiang studied under him like a mad dog. Peach blossoms are swept in the temple, and the woman wants to have a child. I began to smell the smell of "The Promise" strongly. Could it be that Wang Baoqiang was going to stage a romantic bed scene that surpassed "The Blind Shaft"?! In the end, he just passed the test and was captured again by the wise Wang Xueqi.
Aaron Kwok, it’s okay for him to sweep the floor. When he starts reciting beautiful essays on life insights, it will be the breeze and the flowers will bloom. If you are safe, then it will be okay.
The grievances and resentments of the Peng family are meaningless. In fact, they are just trivial matters behind closed doors. Teacher Tian Zhuangzhuang contributed an easter egg. I only understood that Chen Kaige liked Stephen Chow's "Kung Fu" very much, invited Yuen Wah and Chen Guokun, and also brought Zhang Zhen's mindless P battle with hundreds of people, with Peking Opera singing (I seem to never forget the Peking Opera stage), that post-modern experiment was mixed , my heart trembled.
In the fights in the movie, even a fool can see that Wang Baoqiang is exerting pressure. If this is tolerable (I think it should be tolerable), suddenly teleportation, human gravity, and moonlight come on Like Water, A Song of Ice and Fire, Killing People Because the Sun is Too Bright, I can no longer keep up with the black hole in Chen Kaige’s brain. Could this be the legendary Xu Haofeng's The Knife and the Stars?! By the way, there is also a warlord melee and explosion scene in the early Republic of China. The professional effect can be compared with that of Feng Xiaogang's team.
By the time Zhang Zhen ran out, "The Taoist Comes Down the Mountain" was already a disaster comedy. Everyone will talk about the rolling scene in the grass, but I won’t comment on it here.
I no longer want to remember it.
There are no Wang Baoqiang scenes in the last two paragraphs of the movie. I don’t know what he was doing there. He was beaten by Yuan Hua, refused to let Aaron Kwok die, pestered Chang Chen, and finally I chased the car but failed to catch up. Until the bad guy died, he inexplicably went to sleep and fly with Zhang Zhen (Zhang Zhen had previously exclaimed that Aaron Kwok could not have a disciple!), and finally became a master of the ape attack technique. I finally realized that he was jumping up and down throughout the movie to show off his talent as a monkey.
By the way, did he forget the medicine and wine in exchange for something he could sneak a peek at?
Chen Guokun, you died unjustly.
Anyway, "The Taoist Descends from the Mountain" is not intended to be a comedy film. I can only understand that it is a magic film and the painstaking work of Kaige Rinpoche.
Wang Baoqiang’s ferocious smile, Lin Chiling’s moans, Aaron Kwok’s Zhang Zhen’s rolling in Yehe cave, Fan Wei’s hairstyle, Yuan Hua’s trendy clothes, and Jaycee Chan’s paralyzed face. The bones are shocked and hit objects in the air, and the moonlit night sweeps the ground and the sun burns the heart. Martial arts slam dunk, chicken soup and pumpkin. Natural oh oh oh, thunder point bang bang bang.
After writing so many words, I still feel that I am sorry for Teacher Wang Xueqi’s bowl of white rice.
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