Introduction to the culture of the She people. The She people are an ancient ethnic group with their own language. They belong to the nomadic people in southern China. They were dispersed from their original place of residence in Guangdong to Fujian, Zhejiang, Jiangxi, Anhui, Guizhou, and Sichuan. , more than 90% live in the vast mountainous areas of Fujian and Zhejiang, and the rest are scattered in Jiangxi, Guangdong, Anhui and other provinces. Jingning She Autonomous County is the only She Autonomous County in the country and the only ethnic minority autonomous county in Zhejiang Province. In the thousands of years of changes, the She people have left a beautiful chapter in the history of Chinese culture. The imprint of the She people's splendid culture can still be seen in many modern preserved history books, architecture, literature and art, humanities and customs, science, etc.
Culture and origin of the She people The She people are one of the 56 ethnic groups in China. Legend has it that they originated from the Fenghuang Mountains in Chaozhou, Guangdong. However, there are actually three sacred mountains in the legends of the She people:
Gao Xin The emperor was born in "Shijie Mountain", playing the bronze drum on "Tonggu Peak" unified the She people into one nation for the first time, and Emperor Gao Xin fell off a cliff in Fenghuang Mountain and died
These three mountains later When it came to the Hepo people, it also evolved into the belief of the "Three Mountain Kings" of the Han Hakka people. In fact, the belief of the "Three Mountain Kings" also originated from the legend of the She people.
The three sacred mountains in the legend of the She people, one in Tangxi Town, one in Shatian Town, and one in Liuhuang Town
Chapter 2: The origin of the She people
In fact, the She people are not the aborigines of the Chaojia area in eastern Guangdong; A branch of the Yao people, their original ancestral land is in the "Nanjing area" like the Yao people, which is Xiangxi, Hunan Province. Their ancestors are recorded as "Wuxi Barbarians" in history. The Yao people formed after passing through eastern Guangxi and entering into western Guangxi. The ancestor of the Yao people is said to be King Pangu, and there is also a legend of King Pangu in the legends of the She people. The legend of King Pangu and the legend of Emperor Gaoxin are even combined into the "Legend of the Dog King".
So the She people worship dogs. But they also worship snakes, dragons and phoenixes, which are collectively called the four major mascots.
Although the She people in other places usually think that they originated from the Fenghuang Mountains in Chaozhou County, in fact they were only formed here. In other words, the She people separated from the Yao people and became an independent people in Fengshun. National.
Chapter 3: The She people competed with the Hakkas for land and then moved out
The She people (Yao people) moved from the central and western parts of Guangdong and the Hakka people moved to Guangdong from Fujian and Jiangxi almost at the same time. , so a large-scale war broke out between the two ethnic groups, and then this war promoted the separation of the She ethnic group from the Yao ethnic group and established the Hakka's status in eastern Guangdong. As a result, there are almost no She people in eastern Guangdong.
After the She nationality was defeated in the war, the She nationality also formed. After forming a single ethnic group, the She nationality mainly moved to Fujian and Zhejiang. Now there is only one She nationality autonomous county in Zhejiang Province. The She nationality should be a minority with a small population. Ethnicity, because there is only one She autonomous county in the country, and it is said that even in this county, the proportion of She people is not very high, and the younger generation gradually does not know the She language and can only speak "Jingning dialect".
In our Guangdong Province, there is only one "township-level" She township (larger than the "village" organizational structure), and that is Zhangxi She Township, Dongyuan County, Heyuan City. There is only one She ethnic minority village in Fengshun, and only more than 2,000 of the village's more than 6,000 people are of the She ethnic group. This village is already the only ethnic minority in the Meizhou area.
Chapter 4: Meizhou Today and Phoenix Culture
As far as Meizhou is concerned, only one county, Fengshun, has ethnic minorities, and Fengshun County has the largest number of Chaozhou speakers in Meizhou. There are also Pantian people in Fengshun who speak half She and half Hakka.
There are also people who speak Chaozhou dialect in Jiushe Village, Guangde Town, Dabu County.
The Phoenix Mountains lie between Dabu and Fengshun in the Meizhou area and Raoping and Chao'an in the Chaozhou area. The main peak is also called "Phoenix Mountain" and is the highest peak (1,496 meters) in the four cities of Chaoshan. The second highest peak in eastern Guangdong, second only to the highest peak in eastern Guangdong, "Tongguzhang" (1559 meters), but the highest peak in eastern Guangdong does not rank among the top ten in Guangdong Province. The high mountains in Guangdong Province are mainly concentrated in Qingyuan area.
Dabu County and Fengshun County are two counties originally belonging to Chaozhou where Hakka is the dominant language. As early as the late Qing Dynasty, they were already known to the people of Beijing as the "Hakka County of Chaozhou".
There were many celebrities in the late Qing Dynasty, such as He Ruzhang, the first ambassador to Japan who fought to regain the "Loochoo" chain of islands outside China's East China Sea, and Ding Richang, the governor of Fujian Province (Taiwan) and a figure in the Westernization Nanyang Navy. . Zhang Taiyan (Binglin), a master of Chinese studies, wrote a book called "Lingwai Three Prefectures" specifically about the Hakka people. The three prefectures refer to Huizhou, Chaozhou, and Jiaying Prefecture. Among them, Chaozhou is the only one that everyone has the impression of Chaozhou dialect. In fact, It turns out that the so-called Chaozhou Hakka people refer to Dabu and Fengshun counties.
In modern times, the Chaozhou Guild Hall in Shanghai was subdivided into: Chaoyang Huilai Branch, Haichengrao Branch, and Jiepufeng Branch. Among them, Jiepufeng Branch included Fengshun. county. The government planned "Eight cities in Chaojun".
The Chaozhou Jiuyi Guild Hall in Haifeng County, Huizhou Prefecture, includes Dabu County.
mzchen123 netizen replied: According to the latest research: the birthplace of the She people is the current Shejiang River. The She people were surrounded by a river, so it was later called Shejiang.
There are very few She people now. They can be found in Fengshun, Chao'an, Zengcheng, Dongyuan and other counties in Guangdong, but the total number is very small.
Emperor Gaoxin in the legend of the She people is actually "Emperor Ku" (ku), one of the "Three Emperors and Five Emperors" in the ancient legends of the Han people, also called Gaoxin. The She people moved Pangu, the ancient ancestor of their own nation, and Di Ku, one of the legendary "Three Emperors and Five Emperors" of the Han people, and the She people to the Chaojia area in eastern Guangdong... >>
Culture of the She people At the beginning of the 7th century during the Sui and Tang Dynasties, the population of the She people was already living in southern Fujian, Chaoshan and other places at the junction of Fujian, Guangdong and Jiangxi provinces. It was not until the Song Dynasty that they gradually migrated to central and northern Fujian, and began to appear in large numbers around the Ming and Qing dynasties. Mountainous areas in eastern Fujian, southern Zhejiang and other places. The She people in northeastern Jiangxi originally lived in Fenghuang Mountain, Chaozhou Prefecture, Guangdong Province, and later moved to Ninghua County, Tingzhou Prefecture, Fujian Province. They moved to northeastern Jiangxi from about the Song and Yuan Dynasties to the middle of the Ming Dynasty. The She people in Anhui immigrated from Lanxi, Tonglu, Chun'an and other counties in Zhejiang about 100 years ago. During the Sui and Tang Dynasties, the ancestors of the She ethnic group who lived in the mountainous areas at the junction of Fujian, Guangdong and Jiangxi provinces were already engaged in agricultural production and hunting activities. They colonized the land in extremely difficult conditions. In the Tang Dynasty, the central dynasty implemented governance in Zhangzhou and Tingzhou, Fujian Province, where the ancestors of the She people lived together, and implemented a series of economic development measures such as opening up land and setting up villages, which further developed the economy of the mountain villages of the She people. The relationship is getting closer and closer. The establishment of the Tang Dynasty in the Zhang and Ting areas greatly accelerated the feudalization process of the She people. The feudal rulers deepened the exploitation and oppression of the She people, and also implemented a series of ethnic discrimination policies, treating them as "foreign people." The costumes of the She people are China's intangible cultural heritage. The traditional costumes of the She people are colorful and colorful, and their main features are reflected in the female costumes. The female costumes are shaped like a phoenix throughout, so they are called "Phoenix costumes". "Phoenix costume" consists of clothing and headwear. The traditional headwear is called "phoenix crown", which consists of silver clamp rails, head and face, silver gold, national zheng, Qixi brand, Qixizai, silver chain, ancient Chinese coins, etc. to form the phoenix head. form. Clothing consists of tops, skirts, aprons, anklets, shoes, etc. Top: The top retains the classic cross collar, which is in the shape of a triangle. The hem is from the edge to the inside, and there are stripes of red, white, yellow, green and blue in between; the collar is embroidered with flowers or phoenix patterns in the middle of the stripes; the left and right sides of the chest are triangles Each area is embroidered with a flower or pattern; the sleeves are short and small, and the tails of the sleeves are also decorated with five-color stripes from the edge to the side; the arms and lapels are embroidered with various patterns, but casual wear is not embroidered. Skirt: The skirt is composed of two pieces of fabric, open on the left and right sides, and tied with buttons of the same color; there are regular vertical lines of different lengths embroidered on the bottom of the skirt; there are geometric patterns embroidered on the front of the skirt, which is not embroidered for casual wear. Apron skirt: The apron skirt, commonly known as the waistband, is a square with a side length of 30 to 35 centimeters, with skirts sewn on the top and left respectively. Foot binding: Foot binding is leggings. The whole triangle is tied into an inverted herringbone pattern, and a red tape is sewn on the left, right and bottom corners at the top. There is a white border on the top of the ordinary dress, and five-color stripes on all edges and embroidery on the calf of the dress. Shoes: Shoes are embroidered shoes, made of black cloth, with floral and geometric patterns embroidered on the upper; commonly known as "thousand-layer soles". With the changes of the times and the growth of social life, the clothing of She women has become more and more stereotyped. The costumes of the She people and the skills of making headdresses of the She people have been included in the county-level intangible cultural heritage list. The county government has proposed the initiative of wearing traditional costumes on the first day of every week, laying a solid foundation for the inheritance and promotion of traditional costumes.
The literature of the She people in China is composed of two parts: traditional folk literature and emerging writers' literature. In the folk literature of the She people, the mythological works about Panhu, the ancestor of the nation, have attracted extraordinary attention. The works on this theme include the mythical ancient songs "Pangu Song" and "Song of the Linbao King" in rhyme style, as well as the mythical "Song of the Linbao King" in prose style. "Gaoxin and the Dragon King" and "The Three Princesses", these works are similar in content. They tell the story of Long Lin, the ancestor of the She people, who married the third princess of Emperor Gaoxin as his wife because of his extraordinary achievements in the war and gave birth to descendants of the She people. story. The narrative folk songs of the She people, including "Song of the Last Dynasty", "Eighteen Emperors of the Yuan Dynasty", "Song of Disasters and Famines", etc., involve important themes such as the rise and fall of feudal dynasties and folk disasters. Novel songs are a special form of She folk literature. Most of them are narrative songs adapted from Han literary works by singers of the She ethnic group who understand Chinese in the past two centuries, such as "Journey to the West" and "The Legend of White Snake". , "Liang Shanbo and Zhu Yingtai", etc., and there are also novels and songs based on the historical stories of the nation, such as "Zhong Liang Farewell", "Zhong Jingqi", "Lan Dian Wang", etc. Representative works of the folklore of the She people include "Alang and Yuanlian", "The Eye of Heaven Reopens", "Yellow Rattan Bracelet and Moso Bamboo Tube", etc. The folk tales "Selling Charcoal", "Stone Cow", "Picking Up Yuanbao" and so on, which are popular in the She area, reflect the wisdom and moral values ??of the working people. "Pangu Song" is an ancient folk mythological song of the She ethnic group in China. It is also known as "Panhu King's Song", "Gao Huang's Song" and "Zugong's Song". Spread in the She ethnic minority inhabited areas in southern Zhejiang Province and eastern Fujian Province, it is a verse myth about the origin of the She ethnic group with the concept of primitive totem worship. In the Western Han Dynasty, immortals floated on the hills... >>
The art of She culture In the traditional culture of the She people, folk songs occupy an important position as the most important oral literature of the She people. The She people call folk songs "songs", and "songs" have been an indispensable part of the lives of the She people since ancient times. The folk songs of the She people in Luoyuan, Jingning, are centered on the local area and are integrated with the tunes of Lianjiang and Jin'an counties and the southwest of Ningde City to form "Luo", one of the three major tunes of the folk songs of the She people in Fujian and Zhejiang. "Continuous Tune". Its characteristic lies in the close integration of melody and lyrics. The onset of each melody is determined based on the pronunciation of the starting words of each section of lyrics. People will naturally adjust the score during the singing process. During the singing process of each paragraph, the range and melody are often changed within the same mode (a pentatonic palace mode with wandering horns). The basic phonetic notes are "do, re, ↑mi, sol, la", the basic progression of the melody is "sol, ↑mi, re, do", with more second and third degree progressions and fourth degree jumps as well as some octave transitions, less fifth degree jumps, and decorative sounds. Use the pre-appropriate sound more often. The speed of the songs is generally relatively stable, and the style is mostly simple, fresh and eloquent. Folk songs of the She people include narrative songs, ancient songs, wedding songs, labor songs, ethical songs, ritual songs, sacrificial songs, novel songs, children's songs, etc., covering almost the entire life of the She people. Hu Shi said: "Everything in the past, ranging from ideological and academic matters to as detailed as a word or a folk song, is history and falls within the scope of Chinese studies." She folk songs are the "living fossil" of She culture. We can find the origin of the She people from the ancient songs of the She people, "Gaohuang Song" and "Pangu Song". The ancient She people began to multiply and develop from the four surnames of "Pan", "Lan", "Lei" and "Zhong". From the ancient folk song "Bingge" of the She people in Lishui, we know how the early She people survived and lived, and how men and women divided labor and cooperated. We can see the marriage customs of the She people from the wedding songs of the She people, "Drinking Song" and "Borrowing a Pot Song". From the lyrics of the She people's funeral rituals "Guiding the Soul" and "Crying Mother", we know the funeral customs and ancestor worship of the She people. From the many singing gatherings of the She people, we know the love, communication and other living conditions of the She people. The combination of people and art forms an art form, which develops dynamically. She folk songs are inherited in a dynamic way. The artistic standards of the original state of the art form must be respected, and the original form must not be tampered with, distorted, or far-fetched. By following the principles, we can inherit the original artistic form with maximum authenticity. The folk songs of the She ethnic group are rooted in the ecological and cultural environment of She Township that is suitable for their growth and survival. Protecting the ecological and cultural environment of She Township is the greatest support for the inheritance of the folk songs of the She ethnic group. The Chaoshan people call the songs sung in their dialect, both ancient and modern, "She songs". The meaning of "She song" is actually the same as "Chaozhou song". The general format of She songs is: seven words form one sentence, four sentences form one "bar" (heading), and each bar forms a musical section, that is, a leaf rhyme unit.
This format is still used in the "Teochew Songbook". As far as singing forms are concerned, there are "novel songs", "miscellaneous songs" and "fighting songs". "The Song of Emperor Gao" and "The Song of King Linbao" are both epic poems reflecting the heroic deeds of King Panhu. For example, the opening line of "The Song of Emperor Gao" reads: "When Emperor Gao Xin first came to court, he came out to play games and look at the fields. The queen had an earache for three years, so she dug up a gold worm three inches long. When she dug out a gold worm three inches long, she bought gold. The colorless and colorful ones grow well, and the longan becomes like a lychee..." The dragon is also described as a magical animal that is "half like a unicorn and half like a leopard", so Panhu King's Song is also called "Lin Leopard King's Song." 》. "Gao Huang Ge" has many different versions in different places, which just shows the long history of She Ge. The Chaozhou songbook absorbs various forms of She songs. There is still a legacy of "fighting songs" in some remote rural areas in Chaoshan today. The prelude to fighting songs often uses the "five-character prefix", such as: "She song is miles away, I like to sing She songs and grind the edge (meaning "come closer"); one thousand eight hundred miles to fight, one hundred miles "Don't grind the edges for tens of miles." Another example is: "She Ge She, love to fight. She Ge will grind for a long time; fight for 1,800 miles, don't grind for hundreds of miles." Then the singers told me one thing. One by one, they "fight". This form of fighting songs is the evolution and remnant of the Pan Poetry Club of the She ethnic group. Due to the large dispersion, the She people did not have their own economic market, and they did not form their own writing, only their own language. Therefore, their production skills and culture and art were basically taught by words and deeds from generation to generation before liberation. The She people are also a people who are good at singing and dancing. Songs are more popular than dances, and dances are mainly included in sacrificial activities. After liberation, with the help of Han literary and art workers, a number of songs and dances were sorted out, and a number of songs and dances with new content that could be performed on the stage were created. In the old society, the dance of the She people was mainly included in sacrificial activities, so some literary and art researchers in the past said... >>
What is the difference between the She people and the Han people? Discussing the difference between She and Han from the perspective of Sinicization of She people and She people of Han people
Lan Wanqing
I, Lan Wanqing, am a member of the She people. Is my tribe the She tribe? What conditions must be met to become a She nationality, that is to say, what are the requirements for becoming a She nationality, and what is the basis for determining this specification. Or to put it another way, what is the bottom line between the She people and the Han people.
Generally speaking, people have biological and social characteristics. Then the difference between the She people and the Han and Geng people also has biological and sociological significance. People are all social beings and have more cultural connotations. People pay more attention to their social and cultural nature. Chen Yinke's "Explanation and Inference of Jiangdong Ethnic Articles Biography of Wei Shu Sima Rui" believes that saints are "education without distinction", and discusses the Northern Dynasties in detail in "A Brief Essay on the Origin of Institutions in the Sui and Tang Dynasties" and "A Essay on the Political History of the Tang Dynasty" The difference between *** and the Hu people lies in culture, not race. He also proposed the standard for ethnic relations during the period of great ethnic integration and migration, that is, the basis for ethnic division and the reason for identification is culture. Cultivation is the most important content of culture, and education is an important expression and method of cultivation. A large number of "banana people" have appeared in developed countries in Europe and the United States. They are Chinese with yellow skin and black hair, but they cannot speak Chinese and have lost any customs and psychology of the Chinese nation. They are like bananas, only yellow in appearance but without the cultural traditions of yellow people. They accept the West Civilized education is based on the values ??of white people. I wonder if such people are Chinese. According to Chen Yinke's standards, they are outsiders.
The difference between Hu and Han lies in culture, while the difference between Huayi and Huayi is not about race. What kind of cultural differences are enough to change the national composition, and what degree of acculturation can change the ethnic origin? In the vast ocean of Han, there are great differences The She people who live in scattered small settlements have a very deep level of cultivation. So what is the reason why the She people become the She people, or what is the core reason why the She people become the She people, and what is the basis for the long-term existence of the She people. Some people think that it is the national psychological quality or national identity, but everyone's national psychological state will change due to various external factors, especially under market economy conditions, this change is even more elusive, so it must be There is a relatively stable thing that can be used as a representative of national culture. In the process of national historical development, this thing represents the inherent significance of the She people. It is an indispensable part of the She people’s cultural structure. It can be used as a symbol of She people’s culture. , is also the symbol of the She people, that is the surname of the She people.
In the historical, cultural and social structure of the She people, surnames are a very important part. Without the surnames of the She people, there would be no She people, and there would be nothing about the She people. The cultural traditions of the She people determine that the She people cannot leave the legendary Four. Big surnames. In reality, the She people cannot live without the three surnames of Lan, Lei, and Zhong. For the She people, the surnames have the following characteristics: 鬳笳饕奖湹 Sciencesfengdianvinegar xiaozhangxiaxiatiaoqiong vinegar mi thumb 恚词耦目丫ナВ淬A The vinegar is good and the vinegar is left. The vinegar is the vinegar. The tomb is hidden, the man's tent is open, the man's tent is open, the man's tent is open, the beard is vinegary, the man's tent is in the corridor, the tomb is in the tomb, and the man's tent is in the middle Zengnan 2 refers to the female swan blowing Najie from 鏏匦路#throughyigao羰出?lt;SPAN lang=EN-US>
Regarding the origin of the four surnames of the She people: Pan, Lan, Lei and Zhong, According to He Guangyue's "History of the Origin of Baiyue" and "History of the Origin of the Southern Barbarians": the Lan clan of the She ethnic group originated from the ancients who cultivated indigo and dyed blue clothes. They got their name from their habit of wearing blue clothes; the Lei clan is a member of the ancient Qiang people. Zhi, also known as Li people and Li people, took Lei as their surname. The Lei people who lived deep in the mountains and forests combined with some of the Yao people and became the Lei people of the She people; Zhong, in ancient times, had the same surname as Chong. A heavy man from Dongyi married a woman from the She people. His wife merged into the She tribe. But the She people have their own theory, that is, it is related to the legend of Panhu that is widely circulated by the She people. In all material and spiritual civilizations such as documents, legends, ancestral pictures, cultural relics, folk songs, etc., there are Pan, Lan, Lei, Traces of the surname Zhong Si. At present, the three surnames of Lan, Lei and Zhong are retained in ethnic areas. As for the whereabouts of the Pan surname, the She people have their own legends. The author believes that the Yao people’s Pan surname can be regarded as the big brother of the She people. Please refer to my work "A Discussion on the Destiny of the Pan Surname of the She People" (Contained in "Ethnic Studies" Issue 3, 1989) The surname tradition of the She people has a very profound national psychological foundation. Endogamy is practiced in rural areas, and the basis is also intermarriage between different surnames to maintain the unity within the ethnic group. The author said in " "A Discussion on the Marriage Forms of the She People in Fuzhou City and the Choice of Their Children's Surnames" (contained in "Fujian Ethnics" Issue 3, 1997) discusses that rather than saying that endogamy is a prerequisite for the survival of the She people,... >>
How to build a tourism complex with She culture as the theme is to imitate the style of Yunnan ethnic minority themed tours. Anyway, the She people have already been Hanized. What are the characteristics there?
What is the tea culture of the She people? The She people are a nation with a long history and unique cultural connotations. They are kind, intelligent, hard-working and brave. They live in the mountains and call themselves "Shanha" (meaning "mountain guest"). They live a farming life of "planting trees to return to the mountains and cultivating elites for a living". Like other ethnic groups in the big family of the motherland, the habit of drinking tea occupies an important position in the life customs of the She people. From the "Tea Song" of the She people, we can understand that drinking tea is not only a general life habit, but also a The entire set of etiquette for welcoming guests has its aesthetic value that cannot be ignored. The "Phoenix Tea" tea art performance is based on a living custom in Shexiang: drinking egg tea. Villagers from Badi She Nationality Natural Village in Gantang Township, Pingnan County, Fujian Province, used mugwort leaves to cover the tea, put a whole raw egg on it, cooked it with boiling mountain spring water, and brewed " mugwort egg tea". Whenever men in the village do important things, do heavy work, or have minor ailments, they must drink this tea. Mugwort leaves can dispel sha, detoxify and ward off evil spirits, and eggs can be tonic, so serving egg tea has become the best etiquette for welcoming guests. The She people's worship of phoenix can be traced back to the birth of this nation. The legacy of Phoenix worship remains in their daily lives. For example: She women's top bun is called "Phoenix Head Bun", the pattern of clothing is called "Phoenix Pick", the flower shoes have "Phoenix Tail Pattern", and the whole body is called "Phoenix Outfit". In daily civil activities, whenever there is a festive occasion, She people always solemnly paste the words "Phoenix is ??coming", "Phoenix is ??here", or pictures of "Phoenix rising to the sun" on the wall or beam of the main hall of the HOS house. All of this shows that the She people have inextricably linked their spirit and beliefs with the phoenix - and the phoenix is ??the symbol of truth, goodness and beauty that the Chinese nation advocates. The red eggs used to pour tea in tea performances are called "phoenix eggs". Eggs also have deep symbolic meaning in Chinese culture. From a mythological perspective, "egg" has a symbolic isomorphic relationship with human reproduction. In the myths of many ethnic minorities in our country, the chaotic state of nature is a "cosmic egg" - a large womb that breeds life. Among the people, when a woman gets married, the dowry box is stuffed with boiled and dyed red eggs (phoenix eggs), which is connected with the concept of life.
The whole set of tea sets is divided into basins, cups, cups, pots, pots, stoves, etc., and is designed with various images and patterns of the phoenix; the spirit of the phoenix is ??noble, so it is carefully made of sterling silver - She people regard silver as noble The symbol of tea art can be used to shape it, which can well reflect the aesthetic characteristics of tea art. We might as well imagine this: a She girl wearing a "Phoenix costume" uses such a tea set to serve "Phoenix tea" in front of distinguished guests. Isn't it fulfilling the famous auspicious saying loved by the She people: "The Phoenix is ??here" ? Imagine again, when a guest holds a silver cup and sniffs it, the fragrance of eggs and tea mixed with the bitterness of mugwort leaves penetrates the heart. Isn’t it refreshing? The background music is composed by the chairman of the Fujian Pingnan Music Association , the composer Mr. Ding Xianzhi created "Silver Buds Remain Fragrant" specially for the tea art performance. The music is based on the traditional music of the She nationality that is widely circulated in eastern Fujian, Lianjiang, Luoyuan and other places. It expresses joy and auspiciousness, complements the performance, is harmonious, full of emotion, and highlights the national characteristics. The performance is divided into eight steps: 1. Phoenix splashing in the water: This refers to the washing of light green moxa leaves in the water. The moxa leaves are named after they resemble a phoenix. 2. Fengzhan Liuzhu: This refers to the red eggs being washed in a silver vessel shaped like a moon bud, which symbolizes the new life receiving the baptism of nature. 3. Danfeng Qiwu: Refers to the round shape of the bead-shaped object, here it refers to the egg yolk, and the mugwort leaves are like sycamore leaves, which means that the phoenix is ??perched on the sycamore tree. 4. Phoenix seeking buds at acupuncture point: The mouth of the teapot cover is a metaphor for an acupoint, and the tea leaves are metaphorized for buds. Here, the tea leaves are placed in the teapot, which is a metaphor: the phoenix seeks phoenix, which means sexual intercourse. 5. Phoenix dancing in the Milky Way: refers to the flow of the teapot, which looks like the Milky Way in the sky, with the phoenix dancing on the Milky Way. 6. White dragon entwining phoenix: This refers to the entwining shape of the water flow when the "flow" of the pot is directly facing the "yintong", which is a metaphor for the entanglement of two things. 7. Phoenix bathing: A large boiling kettle is placed on the tea cup, and water is poured down, like a shower. This is a metaphor for the Phoenix receiving a bath from nature in the "Phoenix Pool". 8. The golden phoenix is ??auspicious: The scene that appears after the "Phoenix Tea" is brewed is like a golden phoenix on the top of the sycamore tree, with white clouds wrapping around the golden sun, setting off each other, which is a metaphor for the phoenix coming to the world to bring happiness and auspiciousness. Selfless dedication to all those who love life. When we listen to She's songs and taste She's tea, we will deeply feel the true love and affection of the children of the She's family. There are many kinds of tea brewing methods in the She family, such as "Pagoda Tea", "Emperor Tea", "Bride Tea", "Albizia Tea", "Four Surnames Tea", etc., all of which can create beautiful tea. "Tea art" and other works of art are just waiting for us... >>
There is no difference between She culture and Han culture. There is a She in our university dormitory. What is the taboo? No, there is no belief either.
The history of the She culture of the She nationality. There are different opinions on the origin of the She nationality. There are mainly the following theories: (1) The She Yao originated from the "Wuling barbarians" in Changsha during the Han and Jin Dynasties ( Also known as "Five River Barbarians") said. This theory holds that the She people and most of the Yao people have a well-known totem worship left over from primitive society - the legend of Pan Kua Gua. The content of the legend is similar to the Pan Kua legend spread by the "Wuling Barbarians" who were distributed in the middle and lower reaches of the Chang Han Dynasty during the Han and Jin Dynasties. The melon legends are similar, and it is believed that the She and Yao tribes have a close relationship with the "Wuling Man". Among the Yao people, "Pankuayao" (also known as "Panyao", "Banyao", "Dingbanyao", "Guoshan Yao") who calls himself "Mian" and "Shanziyao" who calls himself "men" account for about More than half of the total population of the Yao people also believe in the Pankuagua legend. In terms of language, although more than 99% of the She people speak a language close to the Chinese Hakka dialect, the She people living in Huiyang, Haifeng, Zengcheng and Boluo areas of Guangdong. Que speaks the "Bunu" language of the Yao people, which belongs to the Miao branch of the Miao-Yao language family of the Sino-Tibetan language family. Although there are many She folk songs similar to Hakka folk songs in tone, they exist in Ningde, Fujian. The four traditional basic tones of the She people (Funing tune, Fuding tune, Xiapu tune, and Luolian tune) are completely different from the Hakka folk songs. These four basic tunes are in harmony with the Yao people who call themselves "Mian" and the "Bunu Yao" (2) The Dongyi theory is based on the theory that She and Yao originate from the "Wuling Man", and further traces the origin of the She people to the Huaihe River and the Yellow River during the Spring and Autumn Period and the Warring States Period. The "Dongyi" group in between is the "Xuyi" group in the southwest. It is believed that the She people and most of the Yao people have the same origin as the "Wuling barbarians", and the "Wuling barbarians" are the people who came after the "Dongyi people" moved to Hubei and western Hunan. It is formed by integrating elements of other ethnic groups.
The late Professor Pan Guangdan traced the origins of the "Wuling Barbarians" in Changsha back to the "Xu Yi" in the southwest of the "Dongyi" who lived between the Huaihe River and the Yellow River during the Spring and Autumn Period and the Warring States Period. He believes that "Xu Yi" have a close relationship with Miao, Yao and She. Later, they moved to the Yangtze River Basin and entered part of the Wuling Mountains, which developed into today's Yao people. Some moved eastward from the Wuling Mountains in Jiangxi, Fujian, and In the mountainous areas of Zhejiang, they mixed with the Han people and became the She people; another part of them settled in the Dongting Lake area, which is the Miao people who later entered Xiangxi and Guizhou. Some people have made comparisons between the cultural heritage of the Gaoxin family and the "Dongyi" and She people, such as women's buns, green scarves, red headbands, silver ornaments with flowers and birds, wearing phoenix feather-like clothes and crowns, "bronze mirrors" for dressing, boiled He uses "Li" for food, "pickaxe" for production, and "crossbow" for hunting. He wears wooden slippers and straw cage shoes. He likes to sing folk songs and speaks "Shanha" to his own people. He calls himself "Xu family," and "Zhongguo". The indigenous people are called "Fu Lao" and the indigenous people are called "Fujian people". They love dogs. There is a popular story of "one dog has nine lives" (meaning that if a dog is killed in a city, nine human lives must be compensated), and it is said that " "Wind Phoenix Bird", the horizontal couplet with the four words "Phoenix is ??here" written on the eyebrows of the main entrance when getting married, etc., etc., indicate that Emperor Gaoxin, Dongyi, Xuyi and She people have extremely close origins. (3) The theory of descendants of "Yue people". It is believed that the She people are descendants of the ancient Yue people. This theory is based on historical records about the comparison of the geographical distribution of the ancient Yue people and today's She people, the coincidence of folklore and historical records, or the justification of the clan, and the evolution of the pronunciation, as well as the She and Yue people. With a unique Pankua melon legend, different production methods, production levels and different customs and habits, it is believed that the She people are descendants of the ancient Yue people. In the theory of "Yue people" descendants, there are many different specific theories, such as the belief that the She people are the descendants of Gou Jian or Fan Li, kings of Yue in the Spring and Autumn Period; some believe that the She people are the descendants of the Yue people in the Qin and Han dynasties of my country; and some believe that the She people are the descendants of the Yue people in the Qin and Han dynasties in China. The "Shan Yue" who fought during the Han and Jin Dynasties has a close relationship with Wang Zhi of Nanhai, a descendant of the Yue people who had a fiefdom in the border area of ??Fujian, Guangdong and Jiangxi provinces in the 10th year of Emperor Gaozu of the Han Dynasty (196 BC), etc. (4) "Southern Barbarians" theory. This theory believes that the She people are a branch of "Barbarians" or "Southern Barbarians" and are the indigenous people of Guangdong. This theory believes that the legend of Pankuagua is not only spread among the "Wuling Barbarians", but also includes "Sou". What is said in "The Records of the Gods" that "today is Lianghan, Bashu, Wuling, Changsha, and Lujiang counties and counties" is equivalent to most of southern China today. It is said that She and Yao have close historical origins with the "Southern Barbarians" who worshiped the legend of Pan Kuagua in the Yangtze River during the Han and Jin Dynasties. Moreover, because the She people in Fujian, Zhejiang and other places are well-known, it is said that Fenghuang Mountain in Guangdong is the birthplace of their nation. It is demonstrated that the She people are a branch of the "Southern Barbarians" who have lived in Guangdong for a long time during the Eastern Han Dynasty and are an indigenous ethnic group in Guangdong. (5) The theory of descendants of the indigenous "Min" ethnic group in Fujian. This theory holds that the Fujian and Yue people are two ancient ethnic groups in southern my country. The Min people are indigenous to Fujian and are the ancestors of the She people. The Yue people are Hakka people in Fujian. The She people are not...>>