His eyebrows are cold and he points his fingers at thousands of people, bowing his head and willing to be a Ruzi Niu.

In fact, there is no road on the ground. When there are more people walking on it, it becomes a road.

I am like a cow. What I eat is grass and what I squeeze out is milk and blood.

Time is life, and wasting other people’s time for no reason is actually tantamount to seeking money and killing people.

The result of reading only one person's work is not good: you will not get the advantages of many aspects. You must be like a bee and collect many flowers before you can make honey. If it bites in one place, the gain will be very limited and boring.

It is Mr. Lu Xun’s ambition and position that we can only be cold-eyed and cold-eyed, and we are not afraid of it. We must give an eye for an eye and a tooth for a tooth. We should treat our people as "cows" and "horses" to them as we treat "children". We must serve the people sincerely and honestly. We have to hate, be angry, love, and do something. We must go with the "young spirit" of a full pursuer of truth, a practitioner of fraternity, and a brave warrior. "We should look at thousands of people with cold eyebrows and bow our heads willingly to be a coward."

In fact, there is no road on the ground. If there are more, it becomes a road. /The road is not a road at first, but as more people walk on it, and more people say it is a road, it becomes a road. The rich philosophy is: a person must first have an ideal, and then realize it, even if the wish is made There are many difficulties on the road to realization, but as long as you work hard and practice, you will definitely achieve it.

The essence of Lu Xun's famous sayings

Reading should be done with the eyes, the mouth, the heart, the hands, and the brain - Lu Xun

We must try our best to treat the dispensable. It is no pity to delete any words, sentences or paragraphs. - Lu Xun

Tragedy destroys the valuable things in life for people to see, and comedy tears up the worthless things for people to see. - Lu Xun

With local characteristics, it is easier to become world-class. That is to be noticed by other countries. ——Lu Xun

Writing novels, in the final analysis, is about writing characters. The essence of novel art is the art of creating characters. - Lu Xun

The brave man raises his sword to the strong - Lu Xun

Don't write hard when you can't write it - Lu Xun

Hope does not matter, it does not matter. It doesn't matter, it's just like a road on the ground. In fact, there is no road on the ground. When there are more people walking on it, it becomes a road. - Lu Xun

China itself will not move unless a big whip hits its back. ——Lu Xun

Use rogue methods to deal with rogues, and use rogue methods to deal with rogues. - Lu Xun

Hope is attached to existence. When there is existence, there is hope, and when there is hope, there is light. ——Lu Xun

Young people can first turn China into a vocal China. Speak boldly, proceed bravely, forget all interests and risks, push away the ancients, and express your true words - Lu Xun

Society respects celebrities, so they think their words are famous quotes, but they forget them The reason why it is named is the kind of knowledge or career - Lu Xun

He looked coldly at a thousand people, bowing his head and willing to be a bully. ——Lu Xun

A drop of water, viewed with a microscope, is also a big world. - Lu Xun

Lu Xun Introduction

Lu Xun [September 25, 1881 - October 19, 1936] was a Chinese writer, thinker and revolutionary. His original name was Zhou Shuren, his courtesy name was Hencai, and he was a native of Shaoxing, Zhejiang. Born into a run-down feudal family. In his youth, he was influenced by the theory of evolution, Nietzsche's Superman philosophy and Tolstoy's thought of philanthropy. In 1902, he went to Japan to study. He originally studied medicine at Sendai Medical College and later engaged in literary and artistic work in an attempt to change the national spirit. From 1905 to 1907, he participated in the activities of the revolutionary party and published papers such as "On the Power of Moro Poetry" and "On Cultural Partiality". During this period, he returned to China to marry his wife, Zhu An, on the orders of his mother. In 1909, together with his brother Zhou Zuoren, he co-translated "Collection of Foreign Novels" to introduce foreign literature. He returned to China in the same year and taught in Hangzhou and Shaoxing successively.

After the Revolution of 1911, he served as a minister and official in the Ministry of Education of the Nanjing Provisional Government and the Beijing Government, and also taught at Peking University, Women's Normal University and other schools. In May 1918, he published the first vernacular novel "A Madman's Diary" in the history of modern Chinese literature using the pen name "Lu Xun" for the first time, laying the foundation for the New Literature Movement. Before and after the May 4th Movement, he participated in the work of "New Youth" magazine and became the main leader of the "May 4th" New Culture Movement. From 1918 to 1926, he successively wrote and published the novel collections "Scream" and "Wandering", the collection of essays "Grave", the collection of prose poems "Weeds", the collection of essays "Morning Blossoms Picked at Dusk", the collection of essays "Hot Wind", "The Huagai Collection" ", "The Sequel to the Huagai Collection" and other special volumes. Among them, the novella "The True Story of Ah Q" published in December 1921 is an immortal masterpiece in the history of modern Chinese literature. In August 1926, he was wanted by the Beiyang warlord government for supporting the Beijing student patriotic movement. He went south to serve as the director of the Chinese Department of Xiamen University. In January 1927, he went to Guangzhou, the then revolutionary center, and served as the academic director of Sun Yat-sen University. He arrived in Shanghai in October 1927 and began living with his student Xu Guangping. In 1929, his son Zhou Haiying was born. Since 1930, he has participated in the Chinese Freedom Movement Alliance, the Chinese Left-wing Writers Alliance and the Chinese Civil Rights Protection Alliance to resist the dictatorship and political persecution of the Kuomintang government. From 1927 to 1936, he created most of the works in the historical novel collection "New Stories" and a large number of essays, which were collected in "Ji Ji Ji", "San Xian Ji", "Two Hearts Collection", and "Nan Qian Bei Diao Ji" ", "Pseudo Free Letters", "Quan Feng Yue Tan", "Lace Literature", "Qie Jie Ting's Essays", "Qie Jie Ting's Essays, Part Two", "Qie Jie Ting's Essays, The Last Series", "Ji Wai Ji" and Special collections such as "Collections from Jiwai Ji". Lu Xun made great contributions to China's cultural undertakings throughout his life: he led and supported literary groups such as "Weiming Society" and "Chaohua Society"; he edited "National Newspaper Supplement" [B Type], "Wild Plains" , "Yusi", "Running", "Grudge", "Translation" and other literary journals; enthusiastically care for and actively cultivate young authors; vigorously translate foreign progressive literary works and introduce famous paintings and woodcuts at home and abroad; collect, research and organize A large amount of classical literature, compiled "A Brief History of Chinese Novels" and "An Outline of the History of Chinese Literature", compiled "Collections of Ji Kang", and compiled "Miscellaneous Records of Old Books from Kuaiji County", "Ancient Novels", and "Records of Legends of the Tang and Song Dynasties" , "Novel Old News Notes" and so on. He died of tuberculosis in Shanghai on October 19, 1936. Tens of thousands of people in Shanghai spontaneously held a public memorial and funeral, and he was buried in Hongqiao Cemetery of All Nations. In 1956, Lu Xun's body was moved to Hongkou Park and Mao Zedong inscribed the rebuilt tomb of Lu Xun. In 1938, "The Complete Works of Lu Xun" (twenty volumes) was published. After the founding of the People's Republic of China, Lu Xun's writings and translations have been compiled into "The Complete Works of Lu Xun" (ten volumes), "Collected Translations of Lu Xun" (ten volumes), "Lu Xun's Diary" (two volumes), and "Collected Letters of Lu Xun" , and reprinted many ancient books compiled by Lu Xun. In 1981, "The Complete Works of Lu Xun" (sixteen volumes) was published. Lu Xun museums and memorial halls have been established in Beijing, Shanghai, Shaoxing, Guangzhou, Xiamen and other places. Dozens of Lu Xun's novels, essays, poems, and essays have been selected into Chinese textbooks for middle and primary schools. The novels "Blessing", "The True Story of Ah Q", "Medicine", etc. have been adapted into movies.

[Lu Xun] (1881-1936) was a great modern Chinese writer, thinker and revolutionist. His original name was Zhou Shuren, his courtesy name was Hencai, and he was a native of Shaoxing, Zhejiang. Born into a dilapidated feudal family. In his youth, he was influenced by the idea of ??evolution. In 1902, he went to Japan to study. He originally studied medicine and later engaged in literary and artistic work, in an attempt to change the national spirit. From 1905 to 1907, when the revolutionaries headed by Sun Yat-sen and the reformists headed by Kang Youwei and Liang Qichao launched a large-scale debate, Lu Xun stood on the side of the revolutionaries and published "On the Power of Moro Poetry", "On Cultural Partiality", etc. Important Papers. He returned to China in 1909 and taught in Hangzhou and Shaoxing successively. After the Revolution of 1911, he served as a minister and official in the Ministry of Education of the Nanjing Provisional Government and the Beijing Government, and also taught at Peking University, Women's Normal University and other schools.

In May 1918, he published "Diary of a Madman", the first vernacular novel in the history of modern Chinese literature, which violently exposed and criticized the feudal system of cannibalism and laid the foundation for the New Literature Movement. Before and after the May 4th Movement, he participated in the work of the "New Youth" magazine and stood at the forefront of the anti-imperialist and anti-feudal New Culture Movement. Tendency to compromise, surrender.

Between 1918 and 1926, he successively created and published "Scream", "Grave", "Hot Wind", "Wandering", "Weeds", "Morning Flowers Picked at Dusk", "Canopy Collection", Special collections such as "The Sequel to the Huagai Collection" show the ideological characteristics of patriotism and thorough revolutionary democracy. Among them, the novella "The True Story of Ah Q" published in December 1921 is one of the most outstanding works in the history of modern Chinese literature. During this period, Lu Xun began to come into contact with Marxism-Leninism and read works such as "The Communist Manifesto" and "State and Revolution". In August 1926, he was wanted by the reactionary authorities for supporting the Beijing student patriotic movement and went south to teach at Xiamen University. In January 1927, he came to Guangzhou, the then revolutionary center, and taught at Sun Yat-sen University. After Chiang Kai-shek's counter-revolutionary coup on April 12, he angrily resigned from all positions at Sun Yat-sen University. During this period, I witnessed that there were also non-revolutionaries and counter-revolutionaries among young people. They received profound education and completely gave up the idea of ??evolution. He arrived in Shanghai in October 1927 and seriously studied the theory of Marxism-Leninism. In 1930, the Left-wing Writers' Alliance was established and became the main leader of the left-wing literary movement under the leadership of the Communist Party of China. During this period, he successively joined progressive organizations such as the China Freedom Movement Alliance and the China Civil Rights Protection Alliance. Regardless of the various persecutions by the reactionary Kuomintang government, he actively participated in the revolutionary literary and art movement, introduced Marxist literary and art theory, and worked with the Kuomintang reactionary imperial literati and other reactionary literati and reactionary scholars. Literature fought unremittingly and gradually became the standard-bearer of my country's cultural revolution and the great fighter of the proletariat. After the "Left-Left Alliance" was disbanded in early 1936, he responded to the party's call and actively participated in the anti-Japanese national united front in the literary and cultural circles. From 1927 to 1935, he created most of the works in "New Stories" and a large number of essays. The essays written in the next ten years were guided by Marxism-Leninism, comprehensively and profoundly analyzed various social problems, and showed far-sighted political foresight and resilient fighting spirit. These works are collected in "Ji Ji Ji", "San Xian Ji", "Er Heart Collection", "Nan Qian Bei Diao Ji", "Pseudo Free Letters", "Quan Feng Yue Tan", "Lace Literature", "Qiejieting Essays" Wait for special concentration. Lu Xun made great contributions to China's cultural undertakings: he led and supported progressive literary groups such as "Weiming Society" and "Chaohua Society"; he edited "National Newspaper Supplement" (Type B) and "Wangyuan" , "Running", "Grudge", "Translation" and other literary journals; enthusiastically caring for and actively cultivating young authors; vigorously translating and introducing foreign progressive literary works, paintings, and woodcuts; collecting, researching, and sorting out a large number of Chinese classical literature, criticizing Inheriting the ancient literary and artistic heritage of the motherland, he compiled "A Brief History of Chinese Novels" and "An Outline of the History of Chinese Literature", organized the "Collections of Ji Kang", and compiled the "Miscellaneous Collection of Old Books from Kuaiji County", "Ancient Novels", "Legends of the Tang and Song Dynasties" "Collection", "News Notes on Novels", etc. Died of illness in Shanghai on October 19, 1936. "The Complete Works of Lu Xun" (twenty volumes) was published in 1938. After the founding of New China, Lu Xun's translations have been compiled into "The Complete Works of Lu Xun" (ten volumes), "Collected Translations of Lu Xun" (ten volumes), and "Diary of Lu Xun" (two volumes), "Collected Letters of Lu Xun", and reprinted various ancient books compiled by Lu Xun. In 1956, the Party and the People's Government moved and rebuilt Lu Xun's tomb. Mao Zedong personally inscribed an inscription on Lu Xun's tomb, and repeatedly called on the entire party and people across the country to learn from Lu Xun. Lu Xun museums and memorial halls have been established in Beijing, Shanghai, Shaoxing and other places.

About the Author Part 2

Lu Xun (1881-1936) was a great writer, thinker and revolutionary, the founder of Chinese proletarian literature and the pioneer of proletarian cultural thought. His original name was Zhou Shuren and his courtesy name was Hencai. He was born into a declining feudal family in Shaoxing, Zhejiang. His mother, Lu Rui, was a farmer's daughter. She had a noble character and had a great influence on Lu Xun.

At the age of seven, he entered the private school "Sanwei Bookstore" and read poetry, classics and biographies, but he preferred unofficial histories and miscellaneous notes, as well as fine arts and folk literature. When he was thirteen years old, his grandfather was arrested and imprisoned due to a court case. His father became seriously ill again, and the family fell from prosperity to poverty. When he was sixteen, his father passed away and the family had "almost nothing left." The changes in his family's economic status made Lu Xun taste the harshness of the world and see the corruption of feudal society and the hypocrisy of feudal morality. Lu Xun often lived at his grandmother's house when he was young and after his grandfather was imprisoned, which gave him the opportunity to contact farmers' children and understand the farmers' painful life and hard-working and simple character. All of these had a profound impact on Lu Xun's later thoughts and creations.

In May 1898, Lu Xun entered the Jiangnan Naval School in Nanjing, and later transferred to the Jiangnan Mining and Railway School. During his four years in Nanjing, Lu Xun came into contact with Western bourgeois democratic ideas and modern natural science knowledge from the reformist reforms. Yan Fu's translation of Tianyan Lun made him accept Darwin's theory of evolution and believe in the view of social development that "the future will be better than the past, and the young will be better than the old." Lu Xun graduated from Mining Road School in December 1901, and decided to study in Japan with the belief of "saving the country and the people." In January of the following year, he entered Hongbun College in Tokyo to study. In order to show his determination to fight the Manchu rule to the end and devote himself to the cause of liberation of the motherland, Lu Xun resolutely cut off the braids that symbolized racial oppression, and kept the poem with the inscription, uttering the solemn oath "I recommend Xuanyuan with my blood." In 1904, Lu Xun went to Sendai Medical College to study medicine. He believed that "most of Japan's reform originated from Western medicine" and wanted to take this path to "save the country through science." But the harsh reality made him realize that it was particularly important to change the spirit of the "stupid and weak citizens". So he abandoned medicine to pursue literature, determined to arouse the public through literature and art. In June 1906, Lu Xun returned to Tokyo, actively participated in anti-Qing patriotic revolutionary activities, and translated and introduced foreign novels with a spirit of resistance. In 1907, he wrote articles such as "On the Power of Moro Poetry" and "On Cultural Partiality". From a revolutionary democratic standpoint and using the theory of evolution as the main weapon, he violently criticized all kinds of reactionary trends of thought and proposed ways to reform Chinese society. Political opinions.

In the summer of 1909, he returned to China from Japan and taught in Hangzhou and Shaoxing. When the Revolution of 1911 broke out in 1911, Lu Xun was very excited and enthusiastically welcomed and supported the revolution. In January 1912, the Provisional Government of the Republic of China led by Sun Yat-sen was established in Nanjing. At the invitation of Cai Yuanpei, the Director-General of Education, Lu Xun went to work in the Ministry of Education in Nanjing. Later, he moved to Beijing with the ministry, and served successively as section chief and minister of the Department of Social Education. He saw with his own eyes the farce of Yuan Shikai's proclaimed emperor and Zhang Xun's restoration, as well as the weakness and compromise of the Chinese bourgeoisie. "Every time I looked at it, I became suspicious, so I became very disappointed and depressed." In a lonely and depressed mood, he copied inscriptions and compiled ancient books; at the same time, he investigated China's history and thought about China's future. "Collection of Tang and Song Dynasty Legends" and "Collection of Ji Kang" were mostly compiled during this period.

The victory of the Russian October Revolution gave Lu Xun a strong shock when he was meditating and exploring, and made him see the "dawn of the new century" and the hope of the people's revolution. The outbreak of the "May 4th" patriotic movement invigorated Lu Xun's revolutionary spirit. From 1918 onwards, Lu Xun participated in the editing work of "New Youth". In April of this year, Lu Xun published his first vernacular novel "A Madman's Diary", which exposed the cannibalistic nature of the feudal system and the teachings of Confucius and Mencius, and issued a call to "save the children" and overthrow this society. It has epoch-making significance in the history of modern literature. From then on, Lu Xun was "unstoppable" and published one after another excellent short stories such as "Kong Yiji" and "Medicine" and a large number of dagger-throwing essays. With his thoroughly anti-feudal thoughts and sharp and cold artistic style, he demonstrated the literary revolution. actual performance.

Beginning in the autumn of 1920, Lu Xun taught Chinese classical literature at Peking University, Beijing Women's Normal University and other schools, and persisted in literary creation. "A Brief History of Chinese Novels" is a literary history monograph compiled based on the teaching notes. In December 1921, Lu Xun wrote the famous novel "The True Story of Ah Q". Through the example of farmhand Ah Q, the work denounces the brutal oppression and spiritual enslavement of farmers by the feudal system, and deeply criticizes the incompleteness of the Revolution of 1911. This is one of Lu Xun's masterpieces and a monument in the history of modern literature.

The short story collections "Scream" and "Wandering" were published in 1923 and 1926, respectively, showing a broad picture of life during the Revolution of 1911 and the First Civil Revolutionary War. The collection of prose poems "Wild Grass" is also a work of this period.

In 1925, around the "Female Normal University Trend", Lu Xun launched a sharp struggle against feudal forces and bourgeois liberals. In January 1926, at the climax of the great revolution, he published the famous essay "On Fairplay Should Slow Down", proposing the slogan of "shooting down the lost dog" for a complete revolution. In the "March 18" tragedy, faced with the bloody atrocities of the reactionary warlords, Lu Xun pointed out angrily: "Blood debts must be repaid with the same thing. The longer the arrears are, the greater the interest will be paid." In August of the same year, Due to persecution by the reactionary warlords, Lu Xun left Beijing to teach at Xiamen University. He wrote "Outline of the History of Chinese Literature" and five articles in the excellent prose collection "Morning Blossoms Plucked at Dusk". These prose styles are graceful and implicit, and the emotions are deep and passionate. They are all well-known masterpieces. In January 1927, he went to teach at Sun Yat-sen University in Guangzhou and published the famous article "Celebrating the Victory of Shanghai-Nanjing", which warmly praised the revolution and issued a call for "Forever Attack". Chiang Kai-shek launched the "April 12" counter-revolutionary coup and bloody massacre of Communist Party members and progressive students. Lu Xun resigned from all positions at Sun Yat-sen University in anger due to the ineffective rescue of students at Sun Yat-sen University. The bloody facts enabled Lu Xun to "destroy" the idea of ??evolution, realize the bias of "young people must be better than old people", and make a leap towards communist ideas.

At the end of September 1927, Lu Xun settled in Shanghai. From then on he specialized in literary creation and literary movements. During the literary debate in 1928, Lu Xun studied Marxism relatively systematically, conducted a profound self-anatomy, and was convinced that "only the emerging proletariat will have a future." The tempering of long-term class struggle and arduous self-education enabled Lu Xun to establish a Marxist worldview and become a communist fighter.

In the last ten years of Lu Xun's life, under the leadership of the Party, he charged into battle and fought bloody battles on the battlefield of new literature. He participated in the leadership of the "Left-Left Alliance" and successively participated in progressive organizations such as the Revolutionary Mutual Aid Society, the China Freedom Movement Alliance, and the China Civil Rights Protection Alliance. He also edited or co-edited revolutionary publications such as "Threads", "Running Current", and "Outpost", advocated the popularization movement of literature and art and the emerging woodcut movement, and trained many revolutionary writers. Using essays as weapons, he carried out heroic and resolute struggles against all kinds of bourgeois literati, exposing their ugly faces as lackeys of imperialism and the Kuomintang reactionaries. In October 1935, the Chinese Workers' and Peasants' Red Army successfully arrived in northern Shaanxi after a 25,000-mile Long March. With great joy, Lu Xun sent a congratulatory message to the Central Committee of the Communist Party of China and Chairman Mao, expressing his gratitude to the Party and Chairman Mao. Reverence and love.

Lu Xun dedicated himself to the revolution and the people and became ill due to overwork, but he refused to seek medical treatment abroad. "With cold eyebrows and cold eyes, I bow my head and am willing to be a bully" and persist in fighting in China until the last breath. He died in Shanghai on October 19, 1936, at the age of fifty-six. Lu Xun's "Funeral Committee" was composed of Mao Zedong, Cai Yuanpei, Song Qingling, Mao Dun and others. His body was covered with flags of "National Soul" presented by all walks of life in Shanghai. The Central Committee of the Communist Party of China sent a message of condolences from Yan'an to express its condolences. When Lu Xun's body was buried in Hongqiao Cemetery, thousands of people came to pay his respects. After liberation, Lu Xun's body was moved to Hongkou Park. Chairman Mao personally wrote "Mr. Lu Xun's Tomb" in six characters, and published twenty volumes of "The Complete Works of Lu Xun", two volumes each of "Collected Letters of Lu Xun" and "Lu Xun's Diary". Lu Xun's works have been translated into more than fifty languages ??and are widely praised and loved by people all over the world

Answer: yanzihan3 - Probation Level 11-29 21:38

Lu Xun (September 25, 1881 - October 19, 1936) was a Chinese writer, thinker and revolutionary. His original name was Zhou Shuren, his courtesy name was Hencai, and he was a native of Shaoxing, Zhejiang. Born into a run-down feudal family. In his youth, he was influenced by the theory of evolution, Nietzsche's philosophy of the Superman and Tolstoy's thought of philanthropy. In 1902, he went to Japan to study. He originally studied medicine at Sendai Medical College and later engaged in literary and artistic work, in an attempt to change the national spirit.

From 1905 to 1907, he participated in the activities of the revolutionary party and published papers such as "On the Power of Moro Poetry" and "On Cultural Partiality". During this period, he returned to China and married his wife Zhu An at the order of his mother. In 1909, together with his brother Zhou Zuoren, he co-translated "Collection of Foreign Novels" to introduce foreign literature. He returned to China in the same year and taught in Hangzhou and Shaoxing. After the Revolution of 1911, he served as a minister and official in the Ministry of Education of the Nanjing Provisional Government and the Beijing Government, and also taught at Peking University, Women's Normal University and other schools. In May 1918, he published the first vernacular novel "Diary of a Madman" in the history of modern Chinese literature using the pen name "Lu Xun" for the first time, laying the foundation for the New Literature Movement. Before and after the May 4th Movement, he participated in the work of "New Youth" magazine and became the main leader of the "May 4th" New Culture Movement.

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