In daily life or work and study, it is inevitable for everyone to come into contact with some familiar poems. Poems are full of musical beauty, and the sentences are generally arranged in lines, paying attention to the beauty of structural form. So what kind of poetry is a good poetry? The following is the beginning and end of the ancient poems I compiled. You are welcome to learn from and refer to them. I hope it will be helpful to everyone. Beginning and ending of ancient poems 1
1. Beginning and ending of famous poems and compositions
1. "The edge of a sword comes from sharpening, and the fragrance of plum blossoms comes from the bitter cold." Everything must be done through Difficulties and obstacles can lead to success.
Since experiencing that incident, I suddenly understood this truth.
(The following is about writing about that thing)
2. "Only mother is good in the world, and a mother's child is like a treasure." This song is well-known to every household, but how many people really understand it? How about celebrating? As Mother's Day is approaching, let us celebrate a holiday for our mothers!
3. "If a young man doesn't work hard, he will be sad." We must cherish the time now, study hard, and be happy in the future. Only then can something be achieved.
4. "Perseverance can carve gold and stone." In everything we do in our lives, we can only achieve success through persistent efforts.
5. "Friendship is the lighting of our lives." Since reading the book "Charlotte's Web", I really feel that friendship is priceless and we must cherish it! < /p>
2. The beginning, inheritance and ending of classical poetry
(Author: Liu San, who wrote the lyrics according to the decree)
The beginning of the poem
The beginning of a poem should generally relate to the content of the poem.
The beginning of a classical poem is not necessarily the first sentence of the poem, it may also be the first two sentences, or the first few sentences.
It depends on the genre and the content of the expression.
Today we will discuss several techniques at the beginning of classical poetry.
There are generally four methods at the beginning.
We will explain them one by one below.
The first is the profound and broad artistic conception:
A. The broad realm means that the scenery creates emotions.
The river flows day and night, and the guest's heart is still filled with sadness; - Use the rapid flow of the river to express the depth and breadth of sorrow, and the realm is more open.
I only think that the mountains are far away, but I finally know that the road back is long.
The dawn of the autumn river is clear, and the cold nights are green.
Leading the way to the capital, Gong Zhi was looking at each other.
The golden wave is like a magpie, and the jade rope is low.
Driving outside Dingmen, I longed to see Zhaoqiu Yang.
Chihui cannot be connected, let alone two villages apart?
There are birds in the wind and clouds, but Jianghan has no beams.
I am often afraid of being attacked by hawks and falcons, and the chrysanthemums are severely frosted.
Those who send messages are soaring high.
Thousands of vast mountains, in the valley of the lonely city; - this sentence means that thousands of mountains overlap, and the guards of the lonely city are in the magnificent realm of thousands of mountains
Thousands of valleys with towering trees, thousands of The mountain cries the cuckoo; - this sentence is picturesque and has a broad realm
The tall buildings on the city are connected to the wilderness, the sea and the sky are full of sorrow and thoughts (Liu Zongyuan) The sentence is also relatively open
B. Describe the atmosphere and serve as a foil.
Example: The wind rustles and the water becomes cold, and a strong man will never return.
This is to use the method of scene interaction to depict the atmosphere.
C. Some allusions are also used to set off the atmosphere.
For example, I have a poem "Man Ting Fang" that uses two allusions in the first three sentences: the dream breaks the covered bridge, the garden is full of bad weather, and the past is like smoke... and I start the poem with an exclamation. Or sighing from the scenery or emotion.
For example, one of my friend's rhymed poems begins like this: "At that time, I used to drink wine to hurry up, and I have become tired of being sentimental." This is a love language to express exclamation.
There are also those that use scenery to express sighs, such as Su Shi’s representative works.
This kind of opening method can easily achieve the effect of "feeling before the melody is formed".
D. The grandeur covers the whole article
For example: The descendants of general Wei Wu are now common people and the Qing family.
Although the heroic separatism is over, the literary and romantic style still exists.
This is the introduction of Lao Du's painting.
This kind of opening technique is often used in rhythm arrangement and ancient style.
What we discussed above are several common forms in the first technique of opening poems.
The second method is to use the Bixing method.
For example, the first chapter in the Book of Songs: Guan Guan Jiu Jiu, in the River Island.
A graceful lady, a gentleman likes to be jealous.
This type of technique is common.
Furthermore, it is also used in rhymed poetry or ancient style.
For example, my seven-rhyme poem "I once traveled to Wuling with a sword" uses the Bixing technique.
The third method is like the beginning of a novel.
The beginning is very plain and is mostly used in narrative poems or ancient styles.
For example, Bai Juyi's "Charcoal Seller" The charcoal seller cut firewood and burned charcoal in the southern mountains.
There is also Lao Du's "Shihao Li", "Throwing into Shihao Village at Dusk",
The fourth method starts abruptly
This type of method often uses vigilant sentences. Impress readers.
For example, the beginning of a poem by Zijian: A trembling wind blows through the day, suddenly returning to the Western Mountains.
The meaning of this sentence is to say that the sun goes down, which does not mean much in itself. This kind of technique is mostly to incorporate the author's strong feelings into common ordinary scenes to capture the readers, and can achieve a fascinating effect.
Another example is "The spring breeze takes away the flowers and rewards me with clear yin." The meaning itself is very simple, just green leaves turning into yin, but when the author's strong emotions are added, it becomes a vigilant sentence.
This type of technique requires the writer to have a certain level of skills, otherwise it will easily become vulgar.
The fifth technique is to start with a question or a question and answer.
This method was most commonly used by the ancients.
Questions usually begin with questioning and then slowly clarifying the doubts. This can also catch the reader's attention and make the reader read on unconsciously, similar to a suspense mystery novel.
The way to start a question and answer is usually to ask the question in the first sentence and answer the question in the second sentence.
For example, "Where can I find the Prime Minister's ancestral hall? It's outside Jinguan City." This starts with a question and answer method.
The sixth way to start is to start with a high tone.
This method is also the most common, which means that the poem starts with a high tone and a strong sense of rhythm.
General attention should be paid to this type of technique. The starting tone is high, but the content or emotion must not be mediocre.
Otherwise, it will fail at the beginning.
The seventh way to start is to borrow a sentence.
This type of approach is not worth promoting.
In ancient times, it was mostly used in imperial examinations or in banquets and banquets, etc. In modern times, it is mostly used in the winding body.
The above seven methods of starting poems are personally learned from books, and some are also summarized from personal learning to write classical poems.
There are more than just these good ways to start, but no matter which way you start, it will serve the whole poem. If the whole poem is not good, no matter how good the beginning is, it will be useless.
Everyone knows that poetry seems to look at the mountains but not the plains. Even if it has a good beginning, such a poem is not considered a good poem.
Taking the rhythmic poems we often write as an example, the beginning is very successful.
But if the transfer is not good, the whole story will not be very good.
"The flowers have no choice but to fall away, and the familiar swallows return." This sentence is quite wonderful in the lyrics, so why is it not successful in the Qilu.
It shows that the first inheritance failed, and the second one is about the issue of the Seven Laws and Rules, which will be discussed later.
Inheritance of poetry
The first method is to have a gentle inheritance and a sharp transfer.
Let’s take the Seven Rules as an example.
Generally, three or four sentences should be followed by one or two sentences. To achieve gentleness, it is usually mainly about describing the scenery, and five or six sentences are mainly about lyricism.
For example: "At that time, I used to drink wine to rush the process, and I was already tired of being sentimental.
A dim light supports my shadow, and three thousand wind and moon are your city.
< p> The wandering interest fades with the years, and the pain of lovesickness grows day by day.The dream is full of love, but the letter has nothing to do with it.
This is a seven-character poem written by my friend. , I like it better, so let’s take this as an example to analyze his inheritance:
At the beginning, we have talked about it, let’s take a look at his second couplet “A dim light supports me, Three Thousand Winds and Moons is your city. " This is a description of the scenery, using the contrast of two sharp scenery to amplify the emotion.
Look at the third couplet "The wandering interest disappears with the years, and the pain and lovesickness are startled day by day" This couplet is lyrical.
p>
When you are expressing emotions, you should gather the amplified emotions.
This can play an ups and downs role.
Generally, when describing scenery, you should incorporate emotions. Go into the scenery and magnify your thoughts.
When you are expressing emotions, you must focus on the ups and downs of poetry.
Similarly, we can look at it the other way around. , if the second couplet is lyrical and the third couplet depicts scenery, the same effect will be achieved, but the skills of image thinking must be used.
We will discuss this later when discussing image thinking.
Another technique is to use ups and downs to form the ups and downs of emotional rhythm.
Let’s take Li Shangyin’s poems as an example. Analysis---The monkey is hesitant and afraid of the simple book, and the wind and clouds often protect Chu Xu. Talented people will never be dissatisfied, but Guan Zhang has no destiny.
When he was in Jinli, he went to the ancestral temple, and Liang's father chanted it with regret... The first couplet praised Kong Ming, this one was Yang. The second couplet devalued it. Adou's surrender
This is suppression.
The fifth sentence takes over the first couplet, and the sixth sentence takes over the second couplet.
The technique of this song is very unique.
Also, it doesn’t have to be a compliment and a disparagement to be called uplifting and suppressing. You can also use this method of inheritance in emotional changes.
(Insert two sentences. The inheritance and transfer of poems do not necessarily have to be coordinated with each scene and situation, so the emphasis here is on the ups and downs, and avoid talking about the situation alone. Secondly, the inheritance, transfer and integration of poems are popular The statement is not absolute. )
Another example: Qi Lu's "Song of Snow" "Snow is like life, easy to separate, life is like snow, bitter and uneven.
Dance thousands of miles with the wind. , Occasionally borrow a plum branch to perch.
Who knows that the indifferent feelings are far away from the sky, and the noble and proud people have always said that since ancient times, spring has come late, and there are many different ways to return. "Look at this example.
The process of snow falling from falling to melting is relatively short-lived and can be used to describe separation in life; the number of snow flakes varies, and each has its own name
There are countless names and colors: one piece is called bee; two pieces are goose feathers; three pieces are called zuansan; four pieces are called four pieces; five pieces are called plum blossoms; six pieces are called six pieces. Different, here is a metaphor for the ups and downs of life.
The second couplet begins with a sentence, ostensibly about snow blowing thousands of miles with the wind, or falling on plum branches.
In fact, it describes the wandering life.
Although there is a branch to live on, the future is ultimately slim.
This is mixed with people’s sighs of pursuing certain ideals or ambitions that have not been realized.
The fifth sentence inherits the first couplet, and the sixth sentence inherits the second couplet.
At this time, I have not separated from Xue.
Life’s occasional habitats are not random. The nobleness or nobleness of plum blossoms are used to describe Xuehe’s certain noble sentiments.
The fourth couplet completely puts aside the snow. In fact, spring does not represent spring, but represents the realization of people’s ideals or ambitions.
It is said that late bloomers come to fruition, but in fact it is difficult for people to realize their ideals.
There is both loss and comfort here.
Mainly look at the transfer aspect.
The third method is to advance step by step.
This type of technique was also commonly used by the ancients.
That is to say, the transfer method is to proceed layer by layer, but the next layer should be higher than the previous layer.
Finally, the beginning should be natural and the transition should be up and down.
About transfer.
That’s it for us.
Because the techniques of inheritance are mostly related to the emotions and content expressed in the poem, there is no fixed pattern.
So everyone just needs to remember the above three common techniques.
You must also remember that the ups and downs of poetry must be subject to the content of the poem and the emotion to be expressed.
We will discuss the ending of the poem next week.
Okay, today’s discussion is over.
The end of the poem.
Let’s discuss several common techniques for ending poems:
1. Ending with scene language
This type of technique was most commonly used by the ancients. , which is also one of the more common techniques used by our online writers now. This kind of technique is easy to achieve profound results and endless aftertaste.
Let’s take a look at the following example: He Zhu’s “The Sapphire Case” Lingbo could not reach Hengtang Road, but he watched and Fangchen left.
Who can spend the golden years? The Yueqiao Garden, the narrow windows and red doors, only spring is known.
The flying clouds slowly come into view at dusk, and the colorful pen inscribes new heart-breaking sentences.
How many leisure and sorrows are there? A river of tobacco, the city is filled with wind and rain, and the plums are yellow and rainy.
"Yichuan tobacco, the city is full of wind and rain, and the plums are yellow and rainy." This is a typical example of ending with a scene language.
There are many such examples, another example is Bai Shi's. "The bright moon in Huainan is cold over thousands of mountains, and no one will care about it when it returns."
2. Ending with love
"The Order of Guanhe" by Zhou Bangyan (Northern Song Dynasty) "The autumn clouds gradually turn sunny towards dusk, turning the court into a desolate place. Standing still to listen to the sound of cold, the clouds are deep The shadow of the wild goose deepens the silence.
But the lonely lamp on the wall reflects the light, and the wine has been awakened. How can we spend the night forever?
The above two ending techniques were used by the ancients. The most common technique is to pay attention to the combination of virtuality and reality.
For example, when ending with scene language, the key is to pay attention to the transition in the poem. In the poem, pay attention to how to change the beginning and end with love language. Pay attention to the echo between the beginning and the end. In addition, you should also pay attention to the sense of rhythm in the words.
3. End according to the title. There are generally three ways to end according to the title.
A. End based on the title. The title of our poem usually refers to the title of the poem.
For example, I once wrote a poem that broke the title, and the end of the poem was closely tied to the title.
< p> "With gray hair and empty pockets, one needs to drink too much, and one's passion is still waiting to be renewed. ”B. End with the topic, which means ending with certain emotions or thoughts we wrote based on the topic.
That is to say, we use these to end the thoughts or emotions we want to express.
The front is foreshadowing, and the last sentence expresses your emotions or thoughts. In this way of ending, the last sentence should be the central sentence of the whole text.
C. Use a blank pen to end the title. For example, Lao Du's painting of an eagle ends with "How should it strike a mortal bird, and its blood will be sprinkled on the ground", which means: the eagle comes down from the painting to fight the mortal bird. Bird, to set off the superb painting skills of the person who painted the eagle
Four. End with discussion
Five. End with questions, etc.
The ending techniques are all More common.
However, it is impossible to classify these techniques. Based on the content and emotion of the poem, the classification cannot be too detailed. For example, "If I meet Empress Chen underground, why should I ask again about "Flowers in the Back Garden"" This kind of ending can be regarded as ending with a question, or it can be regarded as ending with love words or discussion.
When we discuss the ending method of poems, we only tell you how to end according to the content, rather than classifying the ending methods of poems.
We have finished talking about the end of the poem, so I will go back and summarize, from the beginning of the poem, to the transfer, to the end.
Let’s sum it up in one sentence: The beginning of a poem should be natural, the transition should be ups and downs, and the ending should be profound.
3. Quote poetry to make your composition sparkle
1. Put the finishing touches and carefully draft the title.
“Half of the essay is good.”
The title is the eye of the composition.
If we can embed a pair of beautiful and bright big eyes into the composition, readers will fall in love with this article at first sight, then our works will win more favor at first sight.
The title needs to be innovative and highlight the word "new" to be novel, unique and original.
Classical poems are rich in symbolic meaning and connotation. Using them as titles is unconventional, novel and refined, making people feel shocked.
Secondly, readers like to read and see it, and it is full of intimacy.
Taiwanese writer San Mao's novel "Looking Back Suddenly" uses the phrase "The crowd searched for him thousands of times, but suddenly looked back, and that person was in the dim light" in "The Sapphire Case? Yuanxiao" by Xin Qiji, a poet from the Song Dynasty. Phrases; Peng Jingfeng's "The Pear Blossoms on the Post Road" is an adaptation of Lu You's poem "The Pear Blossoms on the Post Road are blooming everywhere."
Qiong Yao's "The Courtyard is Deep" also uses the phrase "How deep is the courtyard".
Using poetry in the title brings out many beautiful features.
Such as "Only because I am in this mountain" (a poem by Su Shi), "Only on a tall building" (translated from Wang Guowei's words), "Let the wind and rain pass through my life" (transformed into "a raincoat and let the wind and rain pass through my life"), etc. .
Another example: The essay on the topic of "Integrity" is titled "Searching for It in the Crowd", and the essay on the topic of "Missing" is titled "The So-called Beauty, on the Side of the Water", both of which quote poems. The famous sentences not only have a strong lyrical color, but also contain profound pun meanings.
You can also write a subtitle when quoting poetry.
For example, in Lu Guang's "Chinese Girl", there is a section about Yuan Weimin's almost cruel and ruthless training of the women's volleyball girls. The subtitle is "The Tao is ruthless but sentimental", which is a utilization of the poems of Liu Yuxi, a poet of the Tang Dynasty. .
Using the title "The moon waxes and wanes" to describe the joys and sorrows not only has a clear theme, but also makes people think about it.
Using "The storm is about to come and the wind fills the building" to write about the turmoil of the parent-teacher meeting can make people be infected by the tense atmosphere as soon as they come into contact with the topic of the composition.
2. Use flexible quotations to stimulate words
It is impossible to write an article every word. To make the article "outstanding", you can use poems and other fragments and local witty quotes. , to "light up" readers' eyes and show your language skills.
Let your articles shine.
Quote the beginning of the poem.
A good beginning, novel, vivid and engaging.
If you put the ancient poem at the beginning and use its clear structure to guide the whole text, it will play the role of "the leader of the group",
Example: (1 ) "My Aunt" "...If you don't think about it, you won't forget it. Thousands of miles away, there is no place to talk about the loneliness." This year is February 5, XX, which should be ten years ago.
Ten years ago today, my aunt passed away.
……
(2) "Asparagus brings me joy" "I will not let go of the green mountains, and let the wind blow from east to west, from north to south." Zheng Banqiao once praised the green mountains. Bamboo, many people also like green bamboo.
But I only love the petite asparagus because it brings me joy.
(3) "My Happiness" People have joys and sorrows, and the moon waxes and wanes, but I still have my happiness.
These three articles all start with quotations from poems, which build momentum for the article from the beginning, triggering the following and setting the lyrical tone.
Quoting poetry, bright language
If you put ancient poetry in the text and use its unique ideas to rhetorical sentences, this will not only make your point of view find a powerful The backing plays an "even more powerful" role, and can also make your article more vivid and your language more beautiful.
Among the famous articles selected in the junior high school Chinese textbook of the People's Education Press, there are many quotations from poetry.
In "Spring", Zhu Ziqing quoted the poem "The Willow Wind Blows on the Face Not Cold" from the "Quatrains" written by the monk Zhinan to describe the gentleness of the spring breeze; Hao Mingjian quoted this in order to express the exploratory spirit of scientific workers. Qu Yuan, a poet from the Chu State, said in his Li Sao: "The road is long and long, and I will search up and down."
In "Lychee Honey", Yang Shuo only used "eat three hundred lychees a day, and he will live a long life as a Lingnan native" (from Su Shi's "Huizhou Yijue") to write about the beauty of lychees. .
Some excellent compositions also rely on quoting poems.
Example 1. "Today's Basketball Game" Our class lost the last basketball game, and this is the last chance.
Somehow I felt the tragedy of "the wind rustles and the water becomes cold, and a strong man will never return".
Teacher Chen's whistle sounded, and my heart tightened: "It's time to play!"
2 From "Heaven will give a great responsibility to a person, and he must first work hard on his determination. From "Working one's muscles and bones, starving one's body and skin, and depleting one's body", I understood Mencius's efforts; from "Spring silkworms die when silkworms are dead, wax torches turn to ashes before tears dry up", I understand the depth of responsibility.
From "Whoever speaks an inch of grass will be rewarded with three rays of spring", I understand the sincerity of children towards their parents.
From a small photo of Lu Xun, I understand the broad mind of "I recommend Xuanyuan with my blood".
Excerpted from "The Call of Responsibility"
3. Searching for ancient times in the sun is Tao Qian's leisurely "picking chrysanthemums under the eastern fence and leisurely seeing the Nanshan Mountains"; it was Emperor Wei It is the heroism of "The autumn wind is bleak and the flood waves are rising";
It is the joy of Yi An's "returning to the boat late after all the excitement and straying into the depths of the lotus flowers"; The free and easy spirit of "never forgetting to tell the old man when offering family sacrifices"; looking for the past in the daytime, is the perseverance of "never regretting it when the clothes are getting wider, and making people haggard because of Yi"; it is the "Arctic court will never change" of Du Gongbu, The self-confidence of "Xishan bandits and bandits have a blind date"; it is the surprise of "people have searched for her for thousands of times and suddenly looked back".
——Excerpted from "Classical Plot"
"The river goes eastward, the waves are gone, and the romantic figures of the ages" I found a kind of pride; "When will the spring flowers and autumn moon come? Know the past." "How much" I found a kind of looking back; "I have an appointment and I don't come in the middle of the night, I knock the chess pieces and drop the lanterns" I find a kind of tranquility; "I smile to the sky from the horizontal knife, leaving my liver and gallbladder intact" I find a kind of silence Heroic; "Clear water brings out hibiscus, and nature removes the carvings" I found a kind of simplicity
——"Chasing my dream"
These paragraphs are all selected from the high school entrance examination. Composition.
It is because the author is good at using poems and phrases at his fingertips that the language of the article is bright, poetic and elegant, refreshing like the fragrance of tea, and making people fascinated.
The author's thoughts are infiltrated into some classical plots and become more and more profound.
It better reflects the candidates' literary accumulation and cultivation, giving people a refreshing feeling.
These are also the articles. The main reason why the article can stand out among many compositions.
The end of the poem is the icing on the cake
There are many ways to end, or to summarize the whole text to reveal the main idea; or to show the future to inspire fighting spirit; Or express feelings to enhance the appeal of the article; or use implicit words to make readers still think about it.
Quoting poems cleverly wraps up the text, leaving endless aftertaste and thought-provoking.
This is the charm of quoting poetry.
If the poem can be quoted flexibly at the beginning and end of the article, and can echo back and forth, the effect will be better.
For example, in 20XX. The essay "Youth's Sorrow" with a perfect score for the high school entrance examination is written like this.
Beginning: Xin Qiji once recited this poem: "Young people don't know the taste of sorrow, so they fall in love with the upper floors; falling in love with the upper floors makes them stronger." Talk about sorrow. "We young people who have crossed the century have already tasted the feeling of sorrow.
This is not a "forced talk" but a "truthful talk" of young people's sorrow. Day by day, it is suppressing the tenderness of our young arms.
Ending: But no matter what, I still want to say to all the students who "don't know sorrow" and have tasted "the taste of sorrow": "Young people must understand the taste of sorrow. A young man should look forward to the taste of sorrow, a young man should not forget the taste of sorrow, and a young man should not be afraid of the taste of sorrow. ”
——The poem of Xin Qiji is quoted at the beginning; it is used flexibly at the end, which has a sublimation effect;
Of course, when quoting poetry, it must be natural and harmonious, and you must not quote for the sake of quoting. .
In short, cleverly quoting and using ancient poems can make your composition vivid and literary, and it can also show the author's rich literary quality and extraordinary writing skills.
I hope that teachers will guide students to accumulate more famous poems and quote poems flexibly, so that students’ compositions will be inspiring and our classical culture will be promoted, so that ancient poems can shine today
The beginning and end of the quotation from the ancient poem are excerpted as follows:
1. I am born with talents that will be useful, and I will come back after all the money I have spent. The poem written more than 1,200 years ago still makes people's blood rush when reading it today. The ups and downs of emotions gushing out from the poet's giant pen make us feel the momentum and power that shakes ancient and modern times. This is the charm of ancient Chinese poetry. Starting today, we will embark on a poetry journey with you to review those timeless classic poems. I think this kind of reviewing the past and learning the new can brush away the dust above our level, and the feelings and wisdom of ancient literati can also light up our lives today. Life has its own poetry, come and join our poetry carnival!
2. Let the spring fragrance rest at will, and the kings and grandsons can stay. Mountain forests, autumn rain, the bright moon, clear springs, and the woman washing clothes, these seemingly ordinary scenes, in Wang Wei's works, have an added artistic conception of being far away from the hustle and bustle and washing away the dust. The poet's noble character of expressing his love for the landscape behind his words also brings us a revelation about how we should live a poetic life now.
3. The wildfire never burns out, but the spring breeze blows it again. The poem "Farewell to the Ancient Grassland" written by Bai Juyi when he was sixteen years old may be regarded as one of the most widely circulated ancient poems in China. Almost all of us memorized it when we were young. Of course, as we grow up, we will have a newer understanding of the meaning of the poem. Just like today, the wildfires are burning and the spring breeze is blowing again. For all the players on the scene, it means that a new game has begun. We can also seize new hopes and new opportunities to go Create new achievements and wish you all good luck.
4. The yellow crane will never return, and the white clouds will remain empty for thousands of years. Looking around, whether it is Yueyang Tower or Yellow Crane Tower, whether it is Tengwang Pavilion or Penglai Pavilion. Nowhere is there left behind the famous works and extraordinary writing styles of the ancient sages. These famous sayings have made buildings world-famous cultural monuments. More importantly, they have also traveled through time and space, cultivating the sentiments of generations of Chinese people. This is our wealth and our root. So here again we warmly invite all our friends to join us in our poetry carnival.
5. Good rain knows the season, and spring will happen. In ancient Chinese poetry, there are so many good lines describing rain. We can not only feel the freshness of "after the new rain in the empty mountain", but we can also feel the deep feeling of "when the rain falls on the mountain at night". We can not only feel the philosophy of "the sun rises in the east and rains in the west", but we can also feel the melancholy of "it is already dusk and I am sad alone, and the wind and rain are even worse". Of course, we hope that the Chinese Poetry Conference will be a "happy rain on a spring night". In this beautiful season when winter turns to spring, it will nourish our souls like spring rain. The spring breeze turns into rain, moistening things silently.
6. To the east is the Jieshi to view the sea. The ancients said that poems express ambitions and songs express chants. Therefore, Cao Cao, who was facing Jieshi in the east, must have had his family and country in his heart and his aspirations for the world. Even today, we can still feel the determination and calmness of more than 1,800 years ago through poetry. This is a heroic poem, facing the vast sea, thinking about the world. I also hope that all my friends can feel the power and find direction from the poems. I also hope that everyone here will shine like the sun, moon and stars on the journey of the Chinese Poetry Conference.
7. When children see each other but don’t recognize each other, they laugh and ask where the guest is from. What is nostalgia? Nostalgia is the old house that cannot be returned to, nostalgia is the path when leaving home, nostalgia is the mother's hands waving in the wind, and nostalgia is the hometown accent that the poet wrote and cannot change. We gather together because of poetry, and we also hope that the Chinese Poetry Conference can become a hometown and a pure land in each other's hearts. My hometown is where my heart is at ease.
8. Three visits have troubled the world, and two dynasties have helped the hearts of veterans. Among the more than 1,400 four poems written by Du Fu that have been handed down to this day, there are dozens of poems that mention Zhuge Liang, but the one that is recognized as the best is "The Prime Minister of Shu". Zhuge Liang's career, fame and worries are described by the poet in just four sentences. It's like a giant pen that stretches across the universe. So today, let us walk into the pages of magnificent poetry with an innocent heart. Let us inspire words together and talk about the past and present.
9. Far above the Yellow River, among the white clouds, is an isolated city called Wanren Mountain. There are only six quatrains by Wang Zhihuan that have been circulated to this day, and two of them have been famous throughout the ages. In addition to "Liangzhou Ci", there is also one, "Climbing the Stork Tower". "If you want to see a thousand miles away, go to the next level." ". If you want to see further, you have to climb higher. It also reflects a life attitude of active exploration and infinite progress. Today is the seventh competition of our poetry conference. I hope that all contestants can still be passionate and high-spirited to embrace the thousands of miles of mountains and rivers and infinite scenery in the world of poetry. Blessings to all.
10. Since ancient times, no one has ever died, leaving a loyal heart to illuminate history. The Chinese nation is a great nation, and a great nation breeds great heroes. From ancient times to the present, countless Wen Tianxiangs have stepped forward in times of national crisis, sacrificed their lives for righteousness, and turned the tide. He also left behind pieces of magnificent patriotic poems. At the beginning of today, I would like to review Wen Tianxiang's "Crossing the Ocean" with everyone, and I also want to use this to inspire every player present to be upright, not forgetting the original intention, and keep moving forward.
Vulgarity: If you don’t do anything and don’t stop, you can be killed and can’t be humiliated. Turn de