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Li Qingzhao (1084-1155), a native of Zhangqiu, Jinan, was named Yi'an Jushi. A female poet in the Song Dynasty and a representative of the graceful school. Born into a scholarly family, he became outstanding in literary talent at a young age under the influence of his family. He is proficient in poetry, prose, calligraphy, painting and music, and his achievements in poetry are the highest. The lyrics are fresh and euphemistic, with sincere emotions, and present different characteristics based on the changes in life in the Northern and Southern Song Dynasties. In the early stage, it reflects the life, emotions and natural scenery of the boudoir, which is clear and bright. Later, due to the death of her husband and the pain of the country's subjugation, the poems became desolate and sad, expressing feelings of nostalgia and mourning, and also expressing strong thoughts of the country's subjugation. There are "Collected Works of Layman Yi An" and other works handed down from generation to generation. Representative works include "Slow Voice", "One Cut Plum", "Like a Dream", etc. His literary creation has a distinctive and unique artistic style, ranking first in the Wanyue school and having a greater influence on later generations. It is called "Yi'an style".

Li Qingzhao (born March 13, 1084 - died May 12, 1155), a female poet in the Song Dynasty, named Yi Anju, Jinan (now Shandong) Li Qingzhao (5 photos) (11 photos) Jinan) people. She was born on February 5 (March 13) in the seventh year of Shenzong Yuanfeng (AD 1084), and died on April 10 (May 12) in the twenty-fifth year of Emperor Gaozong's Shaoxing year (AD 1155). In his early life, he lived a prosperous life. He and his husband Zhao Mingcheng devoted themselves to collecting and organizing epigraphy, calligraphy and paintings, and they both engaged in academic research. Like-minded people lead a happy life. The Jin soldiers invaded the Central Plains and fled to the south. Zhao Mingcheng died of illness and Li Qingzhao was left alone. Throughout his life, he experienced the seemingly prosperous and crisis-ridden late Northern Song Dynasty and the turbulent early Southern Song Dynasty, when Jiangzuo was settled. The famous calligrapher Ding Jiageng wrote three poems by Li Qingzhao in small regular script

Li Qingzhao was a rare talented woman in ancient China. She was good at calligraphy and painting, was proficient in epigraphy, and was especially good at poetry. Her lyrics are unique and have been passed down through the ages, and she is known as "a major lineage of lyricists". Her words are divided into early and late stages. In the early stage, he wrote mostly about his leisurely life, love life and natural scenery, with beautiful rhythm. Such as "One Cut Plum" and so on. In the later period, I often lamented my life experience, recalled the past with nostalgia, and had a sad mood. Such as "Slow Voice". Her personality is as admirable as her work. She has the virtuousness of a woman and the fortitude of a man; she has the cynical sentiments of ordinary people and her lofty patriotism. She not only has outstanding talents and profound knowledge, but also has lofty ideals and heroic ambitions. She has made many achievements in the field of literature. Among her contemporaries, her poetry, prose and lyrics theory are all outstanding and outstanding. And the thing where she worked hardest throughout her life, achieved the highest achievements and had the greatest influence was the creation of lyrics. Her lyrics have reached a state of artistic proficiency. Formed its own unique artistic style - "Yi An Ti". She does not pursue beautiful decorations, but refines the expressive "octave rhythms of ordinary speech", uses line drawing techniques to express her keen feelings about the surrounding things, depicts delicate and subtle psychological activities, and expresses rich and diverse emotions. Experience and create a distinct and vivid artistic image. In her lyrics, sincere feelings and perfect forms are perfectly integrated. She developed the graceful style of "the words are exhausted but the meaning is not exhausted, the meaning is exhausted but the emotion is not exhausted" to its peak, so that she won the status of "the master" of the graceful poets. At the same time, her bold writing style and comprehensive narrative style made her unique in the poetry world of the Song Dynasty, which had a great influence on Xin Qiji, Lu You and later generations of poets. Her outstanding artistic achievements won high praise from later generations of literati. Later generations thought that her lyrics "not only look down on women, but also want to overwhelm men". She was called "the greatest female poet in the Song Dynasty and the greatest female poet in the history of Chinese literature". There are works such as "Collected Works of Yi'an" handed down from generation to generation. His representative works include "Slow Voice", "One Cut Plum", "Like a Dream", "Summer Quatrains", "Drunken Flower Yin", "Wuling Chun", etc. Li Qingzhao's literary creation has a distinctive and unique artistic style. He is one of the representatives of the graceful school and has a great influence on later generations. He is unique in the world of poetry and is called "Yi'an style". Her famous sayings are: Live as a hero, die as a ghost.

Biography

Li Qingzhao was born into a family of scholar-bureaucrats who loved literature and art. His father, Li Gefei, was born in Jinan and was a student of Su Shi. He was a member of the Ministry of Rites, Wai Lang. He has a rich collection of books, is good at writing, and is good at writing and writing.

Existing on the north wall of the East Room of Konglinsi Hall in Qufu, there is a stone inscription on the first square stone from the south. It reads: "Important punishment, Li Gefei, on the twenty-eighth day of the first month of the first year of Chongning (1102), he led Brown, Guo, Jiong, Yi, Yuan, Mai, pay homage to Lin Zhong. "My mother is the granddaughter of the number one scholar Wang Gongchen, and she is very literary. Due to the influence of her family, especially her father Li Gefei, she was good at poetry when she was a teenager. Li Qingzhao's growth is also inseparable from the natural environment in which she lives. Li Qingzhao spent most of his childhood in Licheng, his hometown with picturesque scenery and a gathering of people. When she was about five or six years old, because her father Li Gefei became a Beijing official, she moved with her parents to Bianliang, Tokyo (now Kaifeng City, Henan Province). She grew up in Tokyo. At that time, the ruling class of the Northern Song Dynasty was enjoying themselves, and Tokyo was still very prosperous on the surface. As a lady of the scholar-official class, Li Qingzhao could not leave the house like a man due to the constraints of feudal ethics. Reach out to society at large. But after all, she was born in a city and was not as closed-minded as a woman from a rural landowner's family. Not only could she row a boat and play in the depths of lotus flowers, but she could also follow her family to the streets of Tokyo and watch the ingenious lanterns and bustling street scenes. All of this cultivated her temperament. Enriched her spiritual life. Li Qingzhao's nature-loving personality and ability to describe nature show that she was nurtured by her hometown of Shandong. And her "no hesitation" in describing love shows the influence of urban social customs and literary atmosphere on her. Li Qingzhao and her husband Zhao Mingcheng

At the age of eighteen, Li Qingzhao married Zhao Mingcheng. After marriage, a profile of Li Qingzhao said that Qingzhao and her husband were in love with each other, and they were like a couple. "The couple are good friends." After getting married, Li Qingzhao and Zhao Mingcheng, a student from the Imperial College, studied epigraphy, calligraphy and painting together and lived a happy life. Zhao's father was a well-known politician at that time and the official right prime minister. After her marriage, she devoted her whole body and mind to the further study of literature and art and the collection and research of epigraphy. She and Zhao Mingcheng worked hard on each other to create lyrics, and their techniques became increasingly mature. One year during the Double Ninth Festival, Li Qingzhao composed the famous song "Drunken Flower Yin" and sent it to her husband who was an official abroad: "The mist is thick and the clouds are sad and the day is forever, and the auspicious brain sells the golden beast. The festival is the Double Ninth Festival, and the jade pillow and gauze cupboard, It's cool in the middle of the night. After dusk, there is a faint fragrance filling the sleeves. The west wind blows behind the curtain, and the woman's loneliness and melancholy appear on the paper. According to "Gu Huan Ji", after Zhao Mingcheng received it, he was filled with admiration and unwilling to be outdone, so he thanked the guests behind closed doors and forgot to eat and sleep. For three days and three nights, he wrote fifty poems. He included this poem by Li Qingzhao and asked his friend Lu Defu to comment. Lu Defu played with it over and over again and said: "Only three sentences are perfect." Zhao asked which three sentences they were, and Lu replied: "There is no way to be ecstatic, the west wind blows behind the curtain, and people are thinner than yellow flowers." Li Qingzhao and Zhao Mingcheng

However, the good times did not last long. The struggle between the old and new parties in the DPRK intensified. A pair of mandarin ducks were torn apart alive. Zhao and Li faced each other across the river and suffered from lovesickness. In 1127 AD, the Jurchen tribe in the north (Jin Dynasty) captured Bianjing, Huizong and Qinzong and his son were captured, and Gaozong fled south. Li Qingzhao and his wife also fled to the south of the Yangtze River with the refugees. A brief introduction to Li Qingzhao, who has been wandering in a different place. The inscriptions, calligraphy and paintings collected over the years were all lost, which brought her a heavy blow and great pain. Later, the Jin people marched southward, and the Southern Song Dynasty became corrupt and incompetent, destroying the Great Wall. Zhao Mingcheng was full of passion, but he died before he left the army. Zhao Mingcheng died of illness in Jiankang (today's Nanjing) the next year, which added to her unbearable grief. When Li Qingzhao was lonely, Zhang Ruzhou took advantage of the situation and showed his kindness to Li Qingzhao in every possible way in order to defraud Li Qingzhao of his money. Li Qingzhao was helpless at the time, so he went against the secular trend and married Zhang Ruzhou. After the marriage, the two found that they had been deceived. Zhang Ruzhou discovered that Li Qingzhao was not as wealthy as he had expected, and Li Qingzhao also discovered Zhang Ruzhou's hypocrisy, and even the subsequent fistfight. Later, Li Qingzhao discovered that Zhang Ruzhou's official position was due to bribery, so he sued Zhang Ruzhou. In the social environment at that time, if a wife reported her husband, even if the husband was proven guilty, the wife would have to suffer in prison. After Li Qingzhao was imprisoned, because his family bribed the jailer, he was released after nine days in prison. This marriage, which lasted less than a hundred days, ended. Li Qingzhao, who witnessed the destruction of her country and her family, was "unyielding in spite of hardships and poverty." In her later years, when she was "searching and lonely," she devoted all her energy to compiling the "Inscriptions on the Stone" to complete her husband's unfinished work. The rampage of the Jin soldiers aroused her strong patriotic sentiments, and she actively advocated the Northern Expedition to regain the Central Plains. However, the decadent incompetence and partial peace of the Southern Song Dynasty made Li Qingzhao's hopes a phantom. Li Qingzhao also wrote a vigorous and unrestrained "Summer Quatrains" in the early days of his journey to the south: "You will be a hero in life, but you will be a hero in death. I still miss Xiang Yu and refuse to cross Jiangdong."

"Xiang Yu would rather die than surrender to satirize Huizong and his son for losing power and humiliating the country. The meaning was expressed vividly and vividly, expressing resentment towards the Song Dynasty. After many years of leaving home, her broken heart was criticized by the scholar-bureaucrat class because of her remarriage. Exaggerated, she suffered even more serious harm. She was helpless, had no way to complain, was poor and miserable, wandering, and finally died lonely in Jiangnan