Qingpingle Wild Flowers and Grass is a poem written by Wei Zhuang, a five-pronoun person in the late Tang Dynasty. This word is written by the author on behalf of the thinking woman, with 22 words on the first page and 24 words on the next page, to write about a woman who misses her husband and feels sorry for herself in the boudoir.
Creation background: In the Tang Dynasty, the social strength was strong, the economy was highly developed and prosperous, wars were frequent, and the land and water transportation was relatively developed. The floating population who traveled from south to north to make a living gradually increased, which directly led to a large number of couples living apart, and the boudoir lyrics mainly focused on the sadness and hatred of the homesick women who had been separated from their husbands all the year round. Specifically, the reasons for the separation of husband and wife are reflected in the following aspects: First, frequent wars. During the 3 years since the founding of the Tang Dynasty, wars continued, and a large number of young people fought in the frontier fortress all the year round. It has become a common and serious social problem that the husband and wife can't reunite after long-term separation because they have been recruiting people for a long time. It can be said that the boudoir love words that reflect the feelings of soliciting women are the product of the long-term border war in Tang Dynasty, and they account for a considerable proportion in boudoir love words. Therefore, in the Ming Dynasty, Ruxun said, "always in my heart, a man of the Tang Dynasty, mostly solicited women's words."