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A Brief Analysis of the 30 Classic Sentences in A Dream of Red Mansions
There are 30 classic sentences in a dream of red mansions, each of which is worth reciting.

A Dream of Red Mansions is the first of China's four classical novels, and it is a novel written by Cao Xueqin in Qing Dynasty. It is also called The Story of the Stone and Jinyuyuan.

The novel takes the rise and fall of Jia, Shi, Wang and Xue as the background, the family affairs of Jia's family and the leisure of boudoir as the main line, and the love and marriage stories of Jia Baoyu, Lin Daiyu and Xue Baochai as the main line, depicting the beauty of humanity and tragedy of lovers centered on Jia Baoyu and Jinling Twelve Chai. Through family tragedy, daughter tragedy and protagonist's life tragedy, the end-time crisis of feudalism is revealed.

As one of the four classical novels in China, A Dream of Red Mansions is not absent from the college entrance examination almost every year, which shows its position in China literature, which makes it necessary to pay enough attention to A Dream of Red Mansions in the Chinese curriculum with China language and literature as the learning task. Teacher Ye has compiled some classic sentences in A Dream of Red Mansions for everyone. Children can recite these famous sentences and use them in their own writing. The way to get the printed version is at the bottom. Parents can print out the content, which is convenient for children to remember and learn.

1. Full of nonsense, a bitter tear. Dou Yun's author is crazy, who can understand the taste?

This poem was written by Cao Xueqin in his personal capacity, expressing his depressed mood of being unable to speak frankly and fearing being confused by the secular world.

2. It's so noisy, you sing me on stage, but you think other places are your hometown; That's ridiculous. It ended up in wedding dresses for other girls.

From the first time of A Dream of Red Mansions, here is Zhen's explanation of Song of Kindness, and it also roughly explains the ending of the main characters.

3. I just turned around in the sky and held it out, and all the surnames in the world looked up.

Reveals the inner world of ambitious politician Jia Yucun. It can be seen that Jia Yucun, who is looking forward to "the apprentice" day and night, exudes the stench of promoting to a higher position and making a fortune.

I only take a scoop of water, although it is weak.

Just take a spoonful of weak water and start with a story in Buddhist scriptures, warning people that "there may be many beautiful things in life, but it is enough to grasp one of them with your heart."

5. Crossing the crane shadow in the cold pond and burying the flower soul in Leng Yue.

This sentence is taken from Du Fu's poem "He Peidi Deng Xinjin Temple sends a king": "Cicadas gather in ancient temples, and birds talk in cold ponds." And Su Shi's "Post-Red Cliff Fu", "There are solitary cranes, and the Hengjiang River comes from the east". This poem has a unique artistic conception, and describes the elegance of cranes and the coldness of the environment with a cross.

6. One is Xianpa in Yuen Long, and the other is flawless jade. If there is no strange fate, I will meet him again in this life; If you say there is a strange fate, how does your mind eventually become empty?

The content in Virtual Eyebrows refers to Jia Baoyu and Lin Daiyu. The "love ideal" of the hero and heroine Baoyu and Daiyu was written with this song, but it was finally shattered for various reasons, and Daiyu died in tears.

7. Every grass and tree knows sorrow, but youth is bald, sighing who will get it in this life? Regardless, I went to marry Dong myself and put up with it for a long time.

This is the third catkin word in A Dream of Red Mansions, which is Lin Daiyu's Tang Duoling word. The whole word is as follows: powder falls to Baihuazhou, incense swallows the house and breaks down, and teams up. Wandering like a thin life, empty and romantic. Every grass and tree knows sorrow, and youth is bald. Alas, who will give up and accept this life? Regardless, I went to marry Dong myself and put up with it for a long time.

8. He is manna, and I don't have this water to return. Since he is a human being in the next life, I am also a human being in the next life, but I can repay him with my tears in this life.

This is the origin of "Mu Meng Qian". Jia Baoyu is a waiter in the sky, and Lin Daiyu is a crimson fairy grass in the sky. The waiter in the sky worked hard to water the crimson fairy grass every day, and the crimson fairy grass vowed to repay his kindness with tears.

9. Gold is easy to get, but bosom friends are hard to find.

This sentence was said by Lin Daiyu in the fifty-seventh chapter of A Dream of Red Mansions, which shows that bosom friends are rare and sincere friendship is precious.

10. I am a sad and sick person, and you are the beauty of the country.

When Zhang Sheng first saw Cui Yingying in The West Chamber, he was moved by the beauty of this young lady. He said to himself, "How can this child be really beautiful when he is so sad and sick?" Jia Baoyu here refers to himself and Lin Daiyu.

1 1. Never forget, never leave.

From the eighth chapter of A Dream of Red Mansions: "Don't forget what you lost, immortal Heng Chang"; "Never leave, never give up." .

12. False is true, true and false, and inaction is everywhere.

This is a couplet in a dreamland, true and false, false and true, repeated, everything is like this.

13. Even if the skin is naturally good, the abdomen is inherently rough.

Literally, every sentence is a mockery and denial of Jia Baoyu, but in essence, every sentence is a compliment and praise to him.

14. thick soil and high sky can't help sighing about the past and the present; Finding someone to marry, poor romantic debts are hard to pay.

This couplet is written on the door of the "dreamland", and the horizontal approval is "boundless love"

15. It's most frustrating to get together and go. It's better not to get together, so I always like to go rather than get together.

Parting is the hardest thing since ancient times. There is no such thing as a banquet that must come to an end, so let's get together and leave.

16. Daughters are made of water and men are made of mud. Seeing my daughter refreshed me; Seeing a man makes me feel turbid and smelly.

This is what Jia Baoyu said and Cao Xueqin said. I wonder how men feel when they hear it.

17. Endless acacia tears throw red beans, and spring flowers bloom all over the building. I can't sleep well. After the storm and dusk, I can't forget the new worries and old grievances.

Excerpted from the 28th chapter of A Dream of Red Mansions, it is a red bean poem sung by Jia Baoyu, and it is also a love ode.

18. The person who buried the flowers today is stupid. Who did he know when he buried them?

Lin Daiyu compares herself to a flower, implying that her fate is not as good as that of a fallen flower, and has exhausted her persistent bitterness.

19. It is better to clean up the quality than to sink into a ditch.

This sentence is a poem in Lin Daiyu's Burying Flowers. Daiyu met Baoyu when she was burying flowers. Baoyu said that she would put the flowers in the water. Daiyu said that the water here is clean, but it will be polluted when it flows out. It is better to bury them in the soil and clean them with soil.

20. When the world is clear, I have learned everything and human feelings.

When Jia Baoyu saw this couplet, he said, "Even if this room is exquisite and beautifully decorated, he will never stay here. He quickly said, "Get out! Get out! "

2 1. Centipede is dead but not stiff.

The second time in A Dream of Red Mansions: "The ancients said,' A hundred-legged worm dies without being stiff'. Although it is not as prosperous as the previous year, it is different from ordinary officials. " The original sentence comes from the Three Kingdoms and Cao Wei's Six Generations: "A hundred-legged worm will not be stiff until it dies, and those who help it will be numerous."

22. Lofty, whoever hides, the same flower will end late.

This is the most novel and unique of Lin Daiyu's three poems about chrysanthemums, which best represents Daiyu's personality and has a feeling of "being cold and thin".

23. The authorities are too smart to miss your life.

It is also a true portrayal of Wang Xifeng that cleverness is replaced by cleverness.

24. A bed of spring leeks is green, and ten miles of rice flowers are fragrant.

When Yuan Fei visited his mother, Yuan Fei asked Baoyu to write four poems. This is the poem in the fourth poem. In fact, Daiyu wrote for Baoyu.

25. As beautiful as flowers and jade, how can the enemy be like water?

From the tenth poem of Tang Xianzu's Peony Pavilion: "For you, it's as beautiful as a flower, like water passing by."

26. Without sad songs for me, I don't know what happened!

These are the last two sentences in Lin Daiyu's "Flowers Buried", which is a pun and a lament for herself.

27. Steal a pear core and borrow a plum blossom soul.

This is a poem in Lin Daiyu's Bai Hai Tang Fu, which describes the white of begonia with the white of pear flower and the soul of plum flower, and describes people with flowers, implicitly showing the poet's noble, ethereal and elegant character.

28. A long shed is built thousands of miles away, and no banquet will come to an end.

From the mouth of Xiaohong in the twenty-six chapters of A Dream of Red Mansions: "Don't be angry with them. As the saying goes,' a long shed is built thousands of miles away, and there is no banquet that must come to an end'. Who will watch over who all his life? But after three or five years, everyone went to do their own thing. Who cares who at that time? "

29. In the past 20 years, I have argued between right and wrong, and the flowers in Liu Hua are shining in the palace. Three spring fights for the early spring scenery, and the tiger meets the dream.

This is the judgment of the elder sister's life in Yuan Ying Chun Tan Chun Xi Chun Four Seasons. Yuan Chun entered the palace as a concubine in his early years, and the scenery was infinite. Later, she died in a cruel political struggle.

30. It's like eating all the birds and throwing them into the forest. It's really clean to land on a piece of white land.

The fifth episode of A Dream of Red Mansions is the ending of Twelve Chai Qu, and it also shows the scene of Jia Fu's "falling trees".