Mo Yan, a mainland Chinese writer, a member of the Communist Party of China, and vice chairman of the Chinese Writers Association. Below are Mo Yan’s classic quotations that I have carefully compiled for you to share with you. A complete collection of Mo Yan's classic quotations

1. The past is history, and history is winter in spring, summer in autumn, spring in summer, and autumn in winter.

2. This is a melancholy elegy for burying one’s childhood. I used these works to build a gray tomb for my childhood.

3. "Red Sorghum" is the first cornerstone of another tomb I built. In this tomb, the souls of some of the folks from my hometown will be buried. I hope that this tomb is magnificent and glorious. On the marble tombstone in front of the tomb, I hope that a red sorghum can be engraved on it. I hope that this red sorghum can become a symbol of the great souls of my fathers and fellow villagers.

4. "Red Sorghum" is a work that transcends my life experience and emotional experience in a comparative sense. My memory has crossed the threshold of myself and entered a world. A broader world. There is the world of sorghum, as vast as the sea and as brilliant as blood.

5. I support root-seeking. Everyone has his own roots, everyone has his own way of searching, and everyone has his own understanding of roots. I am rooting in the process of finding my roots.

6. My "Red Sorghum" series is rooted in literature. My roots can only be rooted in the black soil of Northeast Gaomi Township. When I love this black soil, I love my motherland. When I love this black soil, I love my people.

7. The love for the land, the countryside, must not be blind. The first essence of love is to criticize cruelly, otherwise it will lead to cruel games because of the blindness of reason.

8. I plan to spend ten years dreaming of a sorghum dream. A sorghum dream for ten years. It is true that "people are not as good as a thousand days, and flowers are not as beautiful as a hundred days."

9. It is a greater pleasure to be able to write articles that are criticized than to write articles that are praised.

10. I believe there is still a road ahead of me. Because of God’s guidance, because I know that I am half beast and half man, I can still move forward.

11. Pee into God's golden cup - this is literature!

12. A good blacksmith always looks forward to the birth of a good piece of steel, and then uses it in a unique way , making it obey its own will and turn into a sword.

13. Because of you in my life, I did not waste my youth.

14. Under the moonlight, I use complicated and protracted words to pay tribute to my youth, to commemorate my dead friendship and belated love.

15. In the annual life. We are beautiful because of our ignorance and absurdity.

16. The impact of a work must be discovered by readers. Some works are very famous, but they really have little literary and ideological value. Therefore, reputation cannot be used to judge value. There are things more valuable than reputation.

17. I will never write for a prize, whether it is the Mao Dun Literature Prize or the Nobel Prize for Literature.

18. I am just "there is no hero in the world, only one who becomes famous".

19. Writers only write based on their own feelings. Every writer knows that he should convey his own unique things.

20. Creators must have unbridled madness and majesty. Both in terms of creative thinking and artistic style, there must be a bit of evil.

21. After a writer writes for a long time, he will always think of finding his own language.

22. If a certain language has been lingering in the mind for a long time, it will have a kind of power that is ready to be used. Once it is written, it will have an impact.

23. When I write, I often feel that I can’t control it. It’s not that I can look for a certain language, but that once a certain narrative tone is determined and there is something to say, the language of the novel will Jumping out on your own, talking to yourself, and carnivaling on your own, there is no need to think too much about how to say or write. When the time comes for the characters to appear, the characters will appear, and when it is time to narrate, the narration will be done.

24. People in the 1950s were relatively pure, people in the 1960s were very fanatical, people in the 1970s were quite timid, people in the 1980s were observant, and people in the 1990s were very observant. The people of that era were extremely evil.

25. It is said that you need to be knowledgeable to write prose essays, but I have no knowledge. All I have is some wild village dialects heard from hearsay; it is said that you need to have noble sentiments and beautiful ideals to write prose. I have both of these things. No, there are just ordinary people’s thoughts and physiological feelings, so I dare not put these things together and show them to the public.

26. Just as my existence makes those male writers who are more beautiful than Pan An who have always laughed at my ugly appearance more Pan An, the publication of my collection of prose essays will also make China’s collection of prose essays The profound ones appear more profound, the profound ones appear more profound, the noble ones appear nobler, and the beautiful ones appear more beautiful.

27. In fact, in this era, one more book or one less book is like one more cabbage or one less cabbage in the vegetable market, or even worse.

28. A man who likes prostitution likes to write articles praising his wife. A person who has been miserable overseas can write about his glorious experiences in the United States, about his swimming pool and back garden, and about being invited by Clinton to the White House to drink wine, and Hillary also gave him a piece of lace. underwear.

29. A few years ago, some people criticized Sanmao from Taiwan, saying that her essays about the desert were made up. I think these people are really pedantic. Who told you that all prose and essays are true? If you look back at our famous prose and essays over the past few decades, how many of them are true? Everyone has tacitly made up how many of them. It’s been ten years, why aren’t people allowed to make up nonsense?

30. You have to think about it, the more works written by the so-called masters of prose and essays, the more daring their nonsense is. What are the clever things in the world? Maybe he encountered them all? If you often look through the very best-selling "Reader's Digest", you will understand that those touching articles about "personal experience" are actually clones.

31. Those "interviews", "autobiographies", "biographies" and "diaries", I advise everyone to read them as third-rate novels. Anyone who takes them seriously will be fooled by the author. when.

32. As soon as people go online, they immediately become shameless and bold.

33. The reason why I agreed to open a column online is to use the Internet to brazenly praise myself and to use the Internet to boldly criticize others.

34. Before entering into the creative process and during the creative process, the hardest, happiest, simplest and most complex labor for a writer is imagination.

35. Without imagination, there is no literature. Literature without imagination is like a dog with its cerebral hemisphere removed. Although it is alive, it has no aura. Even though it is alive, it is still a useless dog.

36. Although a literary work without imagination does not lack "parts", it lacks the most important aura, so it cannot be regarded as a true literary work.

37. Life is the only source of creation. This is undoubtedly true, but life alone is not enough, because everyone is living, but not everyone can write. Many of those who write are just joining in the fun and cannot write truly meaningful literary works. Their problem is that they lack genius and aura.

38. A writer’s genius and aura are concentrated in his imagination. Imagination, similar to insanity, connects several unrelated things together, melts them into a furnace, stews them into a pot, mashes them into a ball, cuts them continuously, cannot tear them apart, and pulls the tail and head to move, this is imagination Simple formula and general purpose.

39. After entering into the imagination process, the writer must use imagination to give flying wings to the original life materials. Of course those who can fly are good, but those who cannot fly are the rookies who need to be eliminated.

40. Only things that have been imagined are very smart and lively. You can only understand the ineffable things, otherwise it will become rigid, aging, fixed and stylized. Selections of Mo Yan's classic quotations

1. If you want to create, you must dare to break through the shackles of the old frame and carry out new explorations to the maximum extent, just like a tiger descending from a mountain and a dragon entering the sea, like ten people being released all at once on National Day. Thousands of pigeons, like Sun Wukong punching and kicking in Princess Iron Fan's belly, tossing and turning, the sky is dark, the earth is dark, the sun and the moon are dim, one Buddha is born, two Buddhas are born, spit out lotus flowers, wear golden light on their heads, wave five strings, watch as the giant pierces the clouds, cracks rocks, overturns the sea, overturns the river, scorpions Poke a stick in the nest.

2. In the creative process, everyone has their own unique tricks, including Yangguan Avenue and single-plank bridges. If they insist on unification, most of them will be pretentious and hypocritical. Because there are many things that cannot be explained or explained clearly. I’m going to hit you with a mace, where is the pain point?

3. A work in the true sense should be a condensation of spiritual energy.

4. In the process of creation, you can learn from it and imitate it, but what supports the backbone of the work must be and will not be the writer's aura.

5. Only people with imagination can write, and only people with rich imagination can become good writers.

6. Putting the theme first may not result in excellent works. Come up with the theme first, and then make up the story, and make it so that it has a nose and eyes, and even the eyelashes can flutter. This is also a great skill.

7. Literature should have no taboos on specific meanings, and it should be bold and bold in writing. The truths expressed in the absurd may not be absurd, just like uttering the truth after drinking.

8. Creators must have unbridled madness and majesty. There should be a bit of evil in both creative thinking and artistic style. Beat gongs and sell candies, we each do our own thing. You are the one whose fairy music lingers for three months without stopping. That is your blessing. I am the ghost crying and the wolf howling. The cows, ghosts and snakes come out of the cage at the same time. Do you dare to say that it is not my blessing?

9. In the final analysis, literature is not a sports competition. Who can't get along with whom? Writers are actually destined, and it doesn't mean much to say this or that.

10. I have always believed that talk about creation should never be trusted, and anyone who believes it will go astray.

Later, I only believed in dreams, and only believed that novels were records of dreams.

11. The living standard of urban dogs in China greatly exceeds the living standard of the Chinese people. When the people can live the life of urban dogs, then China will enter a "Dakang" society, not a "Zhongkang" society. ", let alone "well-off".

12. When we talk about the folk, we will think of backcountry and barren mountains, and associate the words remote and backward with them. But I don’t think its meaning should be so narrow. I can write about Gaomi County because it is my folk; and Wang Anyi can write about Shanghai because it is her folk. The folk is the hometown in everyone's heart, but it appears in different forms.

13. I believe that excellent literary works should transcend party, class, politics and national boundaries.

14. There is no doubt that writers have nationalities, but excellent literature has no national boundaries. Excellent literary works are human literature, describing human emotions and destiny. It should stand from the standpoint of all mankind and should have universal value.

15. I admire children who rebel against their parents, because I believe that the first children who dare to raise the flag of rebellion must be the fledglings of heroes in troubled times or in troubled times. Just because parents can love is not enough, because hens can also love, not to mention that the other side of the most sincere love is often the most oppressive cruelty. Parents must receive training and have considerable quality.

16. The four things in life: coming is accidental, going is inevitable, take it for granted and let it take its course.

17. The most taboo thing in the world is to be perfect. Look at the moon in the sky. Once it is full, it will soon become tired of it; once the fruit on the tree is ripe, it will soon be full. To fall. There must always be a little bit of something missing in everything to be able to persevere.

18. But the author often forgets to cover up this kind of piecemeal article, which is called prose, essay or essay, so it is easier for the author's true face to be exposed. If you are more beautiful than Pan An, it is a blessing to be exposed; if you are more beautiful than Mo Yan, wouldn't it be troublesome if you are exposed?

19. It is important for people to have self-awareness, and I have self-awareness. It is said that you need to be thoughtful when writing prose essays. I have no thoughts, just some vulgar random thoughts.

20. A river can only be fresh if it flows, and ideas can only be dynamic if they change. If I can constantly criticize my own literary views, my novels may always have a fresh breath. I know it's not an easy thing.

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