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We don't have a brief introduction and detailed information for tomorrow.
Synopsis (played by Jin) and (played by Liu Aren) are orphans, and their poor family made them drop out of school early. My steady brother Zhu Ji makes a living by helping people drive. No matter how difficult it is, he sticks to his musical dream-to hold a solo drum performance in the beautiful Maldives. Zhong Daze, who has nothing to do, doesn't want to live this ordinary and quiet life. He worked in the store for three days and surfed the net for two days. He likes to play with model guns, likes to study model guns, and dreams of being a gangster hero who can travel freely in the rain when he can have a real gun all day. One day, Zhong, who was involved in violence for no reason, got the real gun by mistake, and saved his brother, so they entered an uncontrollable life.

At the dawn of youth, can they see the light of their dreams?

Actor list

Ah Ren.-Yoo Ah In ... Zhong Da.

Jin bing Xi Jin ... qi xiu

Jae-Sung Choi Jae-Sung Choi ... Mr. King.

Li Donghao ... is as big as Han Zhong.

List of directors

Ludong City, Dong-seok Noh

dramatist

Ludong City, Dong-seok Noh

producer

Peter King ... Executive producer.

Shen Changji ... Producer

original music

Quan Shiying

Take pictures of ...

Zhao shangyin

montage

Ludong City, Dong-seok Noh

Production Company: Generation Yellow Movie

Issuing company:

Sponge [Korea]

Movie Messenger (2006) (Global) (All Media) (International Sales)

Behind the scenes tidbits, worrying about youth, white paper

This film is set in Daegu, South Korea, and is adapted from the best-selling novel Sad Sky published by Korea 1963. However, this struggling teenager with a noble heart and unwilling to lag behind has earned millions of tears and is regarded as "the Bible of Korean children's literature". It has been put on the big screen three times before, and its influence is self-evident.

Since the mid-1990s, Korean independent films have changed from student sports or simple and crude low-cost films to commercial films. In large enterprises and multimedia video channels, in view of the low penetration rate, the audience's contact with the film (psychological and material aspects) is like touching the sky and exploring a new way of life. Lu Dongshi, the director of this film, said frankly: "In order to communicate with the audience, it is necessary for me to show my inner hope. This is a film that is 80% based on the audience's perspective. "

Lu Dongshi, Jin Jide and others are all leading figures in Korean independent film industry. They are also committed to analyzing the embarrassing or beautiful aspects of reality and magnifying human nature in interesting images. If Jin Jide is Monet's impressionism-a lively and romantic imagination in a boring life, then Lu Dongshi is more like an authentic meticulous painter in China. He thinks carefully, does not waste every inch of film, and shows a plain but legendary life in a neat and delicate way. With Jia from China, this book will be wonderful. Nevertheless, there are many surprises and highlights in his films. For example, his famous film Our Generation successfully narrowed the distance between the camera and the audience through black and white and mixed colors, and was praised as "a brave filmmaker rare in South Korea in recent years". In this new work, he continues and matures this style. During Zhu Ji's and Zhong Da's campus time, the director painted the photographer with a faint cyan, which set off the dream that "teenagers don't know the taste of sorrow" and the hazy state of mind about the future. After the two entered the society, the color of the lens slowly turned dark green until the final gray-black, which implied the sadness and sigh of the ending. However, the theme of this film is also different from previous works describing brotherhood, such as Flying Tai Chi Flag and My Brother. The latter focuses on the warmth of people's feelings, while the plot of We Have No Tomorrow focuses on the seemingly cheerful and peaceful street life scene, highlighting the scars of the growth of the younger generation soaked by the distorted society. The experience of the two teenagers is ups and downs, which can be said to be a more ambitious idea.

In addition, the film basically adopts the way of cross-editing, intentionally or unintentionally mixing the experiences of two teenagers in different time and space with tense fighting scenes, eliminating the emotions of the characters in the rhythm of the camera, resulting in different aesthetic feelings. This film was shown in the "Today-Future of Korean Films" unit of Busan Film Festival in 2005, which claimed to show the innovative spirit and was highly praised. Since then, he has won the Best Technology Award of the first Anshan Film Festival in Korea.

Liu Yaren: Low-key and gorgeous.

Yoo Ah In's KBS TV drama "Yulin Growth Diary 1", which debuted as a member of the singer group "Beautiful Boys Trio", became a hit because it played Go Ara's boyfriend. Handsome looks were praised by the audience. In order to get rid of the label of "beautiful teenager", try to successfully transform his role and show his acting skills with a deep attitude, he took over the family comedies "Bad Home" and "We Have No Tomorrow" directed by Yun-Cheol Jeong in one breath. In the former case, Liu Yaren thought that he was a confused young man in his previous life. His outspoken personality is a little neurotic, and he successfully completed the task of making jokes. In this film, he interprets a free and easy young man who works in a car dry cleaner with his brother after dropping out of school. He said that "Zhong Da" is very similar to himself. "I had a similar life at that age, entangled in troubles, and it was not difficult to perform." At the media premiere held on May 4th, when asked by a reporter whether he would participate in such a low-cost film in the future, he said that he was born with a desire to perform. He said with certainty: "If it is a work I want to shoot, I will pay for it and I will be very happy." "As a new actor, I don't use the word' choice'. If you ask me what my future plan is before I become an actor, it is that my dream is not specific and gorgeous, but I just like to perform in the camera and breathe freely. " In the entertainment circle, which is famous for its impetuous fame and fortune, Liu Aren, who insists on her pure dream, is really bent on her own way. Although low-key, but predicted by many well-known media as "the transfer student of the film emperor", he has a strong sense of performance. If there are more diversified roles to play in the future, he will definitely make a difference. "

King: Amateurs have great wisdom.

Compared with Liu Aren, who held the "entertainment rice bowl" at a young age, Jin, another star in the film, is an out-and-out "unintentional", but the road to interpretation is increasingly "infinite in spring". Without any performance experience, he used to do odd jobs in cafes and was recognized as the protagonist of our generation by Lu Dongshi. Jin Bingyong, who feels that he is not generally lucky, described it as a "wonderful journey". As a "royal actor", this is the second collaboration between the two in this film. In this film, he plays the shy Zhu Ji. Although he is his brother, he has no backbone. Only in music can he boldly release his true self. In order to make the form and spirit of the performance more convincing, Jin also specially went to private drum training for a month. After the talk, he said that he was going to apply for a performance major course at the university. After all, he is not a trained person, so he should systematically study and cultivate his performance ability and temperament.

Jae-Sung Choi: A masterpiece with high hopes.

Many years ago, Cui Zaicheng, who became famous by a TV series with amazing ratings, spent a long period of semi-retirement at home. In the year of no doubt, he agreed to go out this time and play the pivotal figure in the film, President Jin, all because he valued Lu Dongshi's sharp and persistent talent: "I have seen his previous" Our Generation "and was deeply shocked. Although President Jin is a supporting actor, I am very happy. He felt that the two brothers who lived recklessly and enthusiastically in the film both had their own shadows when they were young. Perhaps because of this, he paid more attention to Jin Bingzhe and Yoo Ah In, and taught them some introverted performance skills accumulated over the years.

Encounter the protagonist of "a world apart"

The two protagonists, Jin and Liu Aren, are past the age of high school students. In order to get rid of the suspicion of "act young", they all deliberately read the original works before turning on the computer, and repeatedly recalled and practiced the unique behaviors of teenagers in their prime, down to the tone and rhythm of speech, in order to "confuse the real with the fake". In a scene shot on campus, Kim Jong-un buried his position in the stairs. Suddenly, a classmate came to ask for his signature with a pen and paper. Jin Bingzhe, who was unprepared for this, "felt stupid" at that time. Later, his classmates dug up a newspaper with the news that "Our Generation" won awards at home and abroad, and he realized that he was already a "famous big shot". Compared with Jin, who tasted the sweetness of a star for the first time, Liu Yaren's luck is much worse. In order to experience the role, he volunteered to give a "practical exercise" to the local * * * store. After serving many guests at the end of the day, his hands peeled off. But in an interview, he put on a happy expression and even said it was worth it, and waited for an opportunity to "sell" his kung fu.