? My brother You Shou: compassionate and kind, caring for the weak, enthusiastic about public welfare activities, with a lasting career, good relations with friends around him, and serious and responsible participation in public welfare work. He collects students from poor families who like painting everywhere. He not only teaches for free, but also provides them with all school supplies for free.
? Looking at You Shou's paintings, you can feel a painter's calm mind and his simple aesthetics in dealing with painting objects. Through his pen and ink, the scenery around us, such as insects, fish, flowers and birds, which we turn a blind eye to and take for granted, suddenly seems to be alive and smart, endowed with subjective thoughts and emotions, and suddenly makes the objective scenery give the audience infinite artistic conception and reverie ... Many people praise his pen for its deep meaning and literary talent.
? You Shou's paintings often use rockeries, flowers and fruits, origami and other traditional flower-and-bird painting elements to construct scenes, but it gives people a strange feeling that they have passed away and never come again. Painters use boneless meticulous techniques to shape objects and express images, just like bees build nests. However, just as it was repeatedly smeared and rubbed, a vague energy deconstructed the reality in the painting, making thick ink fill the clouds, thick colors reflect the water, and the empty background is getting farther and farther away. It turns out that this is not the image of things, but the image of time and space itself. It transcends history, but it reminds people of the eyes of nature.
Before I met You Shou, I was just a fake painter and basically didn't know how to draw. In his studio, he gradually began to really know Xu Beihong, Qi Baishi, Wu Changshuo, Zhang Daqian and other Chinese painting masters. Yesterday in the studio, we talked about Song Huizong, a painter with high artistic attainments, who was delayed by the times because he was a wrong emperor. Song Huizong's love for painting is very sincere. He used imperial power to promote painting, which made the painting art in Song Dynasty develop unprecedentedly. He also created his own calligraphy font, which was called "thin gold body" by later generations. He loves painting flowers and birds and has formed his own "courtyard". He was a rare artistic emperor in ancient times.
? Song Huizong developed court painting and trained a number of outstanding painters such as Wang Ximeng, Zhang Zeduan and Li Tang. He compiled books such as Xuanhe Pu Shu, Xuanhe Huapu and Xuanhe Bo Gu Map. It is a precious historical book in the study of art history, and it still has extremely important reference value.
? Song Huizong and Evonne are not only good at painting, but also have high attainments in calligraphy. On the basis of learning from Huang Tingjian, Xue Yao and Chu Suiliang, Evonne's calligraphy has created a unique "thin gold body", which is quite thin and smooth, with one side like lanzhu, which complements his meticulous painting. As can be seen from the glyph structure of the towel, Song Huizong was greatly influenced by Huang Tingjian. Huang Tingjian's calligraphy strokes are bold and unconstrained, showing his kung fu with big strokes and long strokes. His horizontal paintings are uneven and his vertical paintings are crooked. The parts of each word often cooperate with each other in a good or corresponding skewed shape, which is contrary to the flat and rigid structure of his predecessors, making his words look chic and magnificent. After reading Huang Tingjian's book, Song Huizong sighed: "Huang Shu is like a man who holds the Tao, sitting on a high horse, riding on a horse and holding it sideways, all of which are complete." Thin gold book refers to its gold, wealth and righteousness, and also boasts of its strength. Zhao Ji has many calligraphy works handed down from generation to generation. All kinds of calligraphy works, such as Kai, Xing and Cao, remain in later generations, with vigorous and elegant brushwork and distinctive personality. Among them, Square Calyx Poetry is a masterpiece of Bo Jin Shu with sharp brushwork and elegant style. However, Song Huizong's calligraphy also has the shortcomings of being gentle and frivolous, which may be caused by the times and his own artistic accomplishment. However, its unique artistic personality of thin gold body is imitated by later generations. Not only created a huge calligraphy school.
? Hui Zong loved art, and when he was in office, he raised the status of a painter to the highest position in the history of China, and established the Hanlin Painting and Calligraphy Institute, which was then the Palace Painting Academy. Taking painting as the examination method of imperial examination promotion and taking poetry as the topic inspires many new creative stories every year. All these have greatly stimulated the development of artistic conception of Chinese painting. Xuan He Hua Pu recorded his collection of 2,786 flower and bird paintings, accounting for 44% of the total collection. It can be seen that its preference is deep. "Painting with" records that Zhao Ji once wrote "Cloud Village and Crane Map". Evonne's flower-and-bird painting has always been regarded as the highest artistic achievement by critics. Evonne's artistic originality and influence on later generations are mainly reflected in his flower-and-bird paintings. This is manifested in the following three aspects: Evonne's "One Man in the World" bet on Evonne's "One Man in the World" first, and the uniqueness of the arrangement of objects and images. Commercial location is the main requirement of the painter, so there are many different ways to arrange the picture because of the complexity and simplicity of the subject matter. There is a universal method that everyone can learn; There are also special methods, which need the ingenuity and ingenious arrangement of the author. The composition of Evonne's flower-and-bird paintings is sometimes ingenious. As a result, Liu, Li, Ma, Xia and others initiated the changes of landscape painting composition in the Southern Song Dynasty. Second, the uniqueness of realistic techniques. A foreign expert who studies the art history of China once called the realistic technique of Evonne's flower-and-bird painting "magical realism" because it gave people "magical allure". It is not uncommon for Northern Song Dynasty painting theory to attach importance to verve, but in Evonne's era, there were strict requirements on form and spirit. "Charming and invisible, quality is better than literature; If there is a similar shape without charm, it is flashy. " . Shape is similar to things, and God is similar to heaven. The ideal state is from form to spirit. The so-called lifelike sketch should not only have the correct shape, but also be full of lively spirit. In his creative practice, Evonne has been striving to be similar in form and spirit. Legend has it that Evonne made the finishing touch with the feathers painted with raw lacquer and hid them in beans, which were higher than paper and made him want to stop. This is a technical attempt to achieve the spirit likeness from the modeling. Third, the uniqueness of the combination of poetry, calligraphy and printing. Evonne's paintings, especially flower-and-bird paintings, often have imperial poems, signs and seals. Poems are generally inscribed on paintings belonging to Seiko's rich road, such as the lotus and golden rooster picture. In the lower left corner, there is a cluster of autumn chrysanthemums, a hibiscus slightly upturned, and a golden rooster leaning on a branch of flowers and birds. Looking back at the butterflies flying in the upper right corner, I followed the eyes of the golden pheasant and led to the poem in the blank space on the right: "Autumn is full of frost, and I am crowned with golden pheasant; All five virtues are known, and freedom is better than embarrassment. " The whole picture opens and closes in an orderly way, and the poem makes the painting unfinished, and the painting is more complete because of the poem. In fact, the title of this poem has skillfully become a part of the picture composition, from which we can see Evonne's bold attempt and remarkable achievements in the integration of poetry and painting. The inscription and signature on the painting are generally in his unique "thin gold body", beautiful fonts and beautiful pictures, which set each other off. In a word, "Emperor Hui Zong's heaven is sacred, and his art is superb" ("With Painting"), poetry, calligraphy and painting have all reached a certain artistic height, especially painting, regardless of landscape flowers and birds figures, everything can be "obtained by objects, created by pens at will, and everything can be completely physiological"? . It can be said that Huizong Zhao Ji is the only emperor with high artistic accomplishment and painting ability in history, and he is a real painter.
? There are two stories about painting: "Walking on flowers brings back the fragrance of horseshoes". One day, Zhao Ji returned home in spring, and his elegance was strong, so he held a unique painting exam in the imperial garden with the theme of "coming back with horseshoe fragrance after stepping on flowers". Here, "flowers", "return" and "the sound of hooves" are all well expressed, but "fragrance" is an intangible thing, which is difficult to express by painting. Although many painters have the reputation of being skillful, they all look at each other and can't write. Some paintings show a rider returning from a spring outing with a flower in his hand; Some horseshoes still have a few petals, but they can't show the word "fragrance". Only a young painter is clever and willing to write. The conception of the painting is unique: several butterflies are flying around the running horseshoe, which vividly shows that the horseshoe still has a strong fragrance when it comes back from flowers. Song Huizong leaned down to have a look, clapped his hands and praised, "Wonderful! Wonderful! Wonderful! " Then he commented, "The beauty of this painting lies in its wonderful conception and deep artistic conception. Invisible flowers are' fragrant' and tangible on paper, which makes people feel fragrant! " When all the painters heard this, they felt ashamed.
? Zhao Ji used the topic of "Ancient Temple in the Deep Mountains" to test the students of the Academy of Painting. The first student painted the whole temple and the surrounding mountains. The second student drew a corner of the ancient temple with mountains and dense forests in the background. The third student did not draw an ancient temple, but only a stone road in a dark valley in the deep mountains. Finally, a monk was pumping water by the stream, and the trees were shaded. I wonder where the temple is. "The Ancient Temple Hidden in the Deep Mountains" is intended to make a fuss about the word "hidden" and give people the artistic enjoyment of "endless painting and endless meaning". "People who are good at hiding don't show up until the beginning, and people who are good at showing up don't show up until the beginning." Painting pays attention to natural, ingenious and poetic concealment.
? After talking about Song Huizong, we talked about the patriotic feelings and heroic feats of a generation of famous anti-Japanese war star Zhang Zizhong. Master Xu Beihong, who combines ancient and modern Chinese and foreign techniques, shows superb artistic skills and extensive artistic accomplishment. He is a model of making the past serve the present and making foreign things serve China. He plays a great role in the history of China fine arts and is good at sketching, oil painting and Chinese painting. He integrated western artistic skills into Chinese painting and created a novel and unique style. His sketches and oil paintings are permeated with the charm of Chinese painting. His creative themes are extensive, and landscapes, flowers and birds, animals, people, history and myths are all lifelike. His masterpieces, such as Tian Heng 500, Mourn for Me Later, Chinese painting Jiufanggao and Gong Yu One Mountain, are full of patriotic feelings and sympathy for the working people, showing their indomitable perseverance and indomitable spirit, and expressing their anxiety about national peril and yearning for bright liberation. His frequent paintings of galloping horses, lions and morning chickens give people vitality and strength, showing an exciting positive spirit. In particular, his "Running Horse" is world-renowned and has almost become a symbol and symbol of modern Chinese painting. Xu Beihong has long been committed to art education. He discovered and united many celebrities in the art world. Among the students he trained, many have become famous artists and the backbone of China's art world. His outstanding contribution to the construction of fine arts team in China and the development of fine arts in China is unparalleled and far-reaching.
? I also talked about my personal understanding and views on the words "based on heaven and earth, based on life for the people, based on the past, based on eternal peace", and conducted a root-seeking exchange:
1, "Heart is heaven and earth", Cheng Yue said: "Heaven and earth are unintentional, but creatures are hearts." He said, "Heaven and earth were formed unintentionally." Heaven and earth are unintentional, and people have a heart. The human heart is the heart of a benevolent person who can help others, and the heart of a sage of Dagong. In fact, compassion is the heart that can't bear others, which is what Confucius said, "Don't do to others what you don't want others to do to you", which is the starting point of benevolence. In this way, Mr. Ma Yifu concluded: "Scholars should not seek benevolence with knowledge, and be kind and heartless, but should be based on the heart of heaven and earth. "
2. "Making a living for the people" comes directly from Mencius' thought of "making a living". There is a saying in Mencius: "He who does his best knows his nature. If you know its nature, you will know its nature. Keep your heart and cultivate your nature, then things will be natural. I want to live a long life, and I cultivate my self-cultivation, so I am very firm. " Through self-cultivation, if a person can finally achieve such a state that he can maintain his sexual integrity regardless of his life span, then the individual can be said to have settled down. The "life for the people" marked by Zhang Zai is actually "life for the people, the life of my compatriots", and its life lies in teaching, and "cultivation is called teaching", which is the so-called.
3. "The past is not forgotten", so those who "go to the holy" are the first to promote Confucianism represented by Confucius and Mencius; Juexue is Taoism advocated by Confucius and Mencius. As far as Confucianism is concerned, Confucius is certainly a master, and the Song Dynasty masters such as Lian, Luo, Guan and Min pushed the development of Confucianism to a brand-new stage. Only Confucianism in Song Dynasty can truly carry forward Confucius and Mencius.
4. "Harmony is the world" expresses the eternal political ideal of pre-Qin Confucianism and Song Confucianism. The expectation of "openness" is called. Only by "making peace for the world" and realizing the cultural ideal described in Zhang Zai's Mingxi can ignorant modern people return to the honest spiritual home of mankind.
Ye Caijie: "Heaven and earth take life as their heart, and saints and counselors educate them, so that everything has its own life and is also the heart of heaven and earth;" Clarifying justice and principles and cultivating principles are also the way for the people; Following Juexue means to describe orthodoxy; When peace is achieved, it is said that if there is a king, Fallise will be occupied and it will last forever. Press: Neo-Confucianism in the Song Dynasty believed that Taoism came from Yao, Shun, Yu, Tang,. As for Confucius, as for Mencius. Mencius did not, nor did his Tao spread. It was not until Song Ruxing that he advocated knowledge that had not been handed down for thousands of years. Therefore, it is called "a lesson from the past". Make way for the people. The anthology of Hengqu is called Nature for the People.
? Finally, we interpret what is "good" from our respective positions. Don't harm people, don't make people whole, don't do bad things, sympathize with the weak, help the poor, give to the public, and don't kill people, okay? Therefore, I have to talk about Mr. Huai Jin of Heather, "Self-interest, benefit people, make the past serve the present". The good root of faith, goodness and all goodness is goodness ",which brings profound problems of Buddhism. I think this is a good question and helps to clarify some basic problems of learning Buddhism. The reason is that this question involves one of the most basic definitions of Buddhism:
"All evil must be done, all good practice and self-purification are all Buddhism." As can be seen from the above, in a sense, the starting point of the whole Buddhist system is the view of good and evil. If you talk about Buddhism without knowing good and evil, I'm afraid what you say will become a castle in the air.
"Three Questions and Three Answers on 500 Knowing and Doing" only says: "Good is in this life and the afterlife, for self-interest" and "evil is in this life and the afterlife, for self-interest".
Therefore, we call what is good to him in this life and good to him in the next life good; Call what is harmful to his life and the afterlife evil.
So, what are "benefits" and "losses"? Happiness is bitterness. These two personal feelings are the ultimate basis of Buddhism's "goodness" and "evil".
This step is not over yet. Because bitterness and pleasure are relative. For example, even the extremely bitter feelings in our world can be said to be bliss for all beings in hell. I'm afraid the bliss of being rich and expensive on earth is as unbearable as a filthy toilet for 33 days. But the pleasure of thirty-three days is still bitter in Lohan's eyes, like licking honey on a sharp blade. Only those who get rid of all troubles, habits and ignorance can enjoy ultimate, absolute and true happiness. We call such people "buddhas".
So good and evil should also be divided into relative and absolute.
Then, the motive and result (here refers to the direct result) mentioned by the subject have nothing to do with good and evil (that is, the bitterness and joy of the final result)? That was not the case.
Buddhism's analysis of karma generally discusses the so-called "four branches", that is, the four conditions that karma needs to rely on: environment, enjoyment, addition and termination.
An object is an object.
The so-called pleasure is motivation.
The so-called "trip to Canada" and "after all" are the process of doing things and the achievement of goals.
I think it's time to explain this step. When it comes to real and concrete events, we should know that the world is extremely complicated and human nature is more complicated, so there will often be a mixture of good and evil, which is consistent with our bittersweet and unsatisfactory feelings in daily life. Therefore, if you adjust your "good" intentions, but do good deeds, Mo Wen's future will often have unexpected surprises.
? My brothers in You Shou and I have always understood the simplest and most popular concept of goodness: when we do something, it is good for ourselves and others, and it will not harm our own or others' interests. Such behavior is called "goodness".
Title: What is a good work in Chinese painting? A style. Two pens and ink.
Character; Style. Don Jiang Fang's Biography of Huo Xiaoyu: "Therefore, the youngest daughter of Huo Wang is named Xiaoyu ... Yesterday she sent someone to say hello to the play." Wei Wei's Oriental, Part I, Chapter 4: "She is particularly careful, alert and decisive ... all reveal the heroic demeanor of the commander." .
Scenery, scenery. Tang Zhang Qiao's poem "Stay in Liu Wen's Study": "Don't hide the window and the moon, the natural style is high." Song Chenliang wrote in "Yongmei Red Lip Moon": "Do you know? Rain clouds, the style is still the same. " Li Jianwu's Climbing Mount Tai in the Rain: "Mountains and water are different styles here, changing and harmonious."
The rhythm of poetry. It also refers to the artistic style of the work. Song Zhao ganoderma lucidum "Backstreet Record" Volume 5: "Love every word, meaning every sentence. Serve the singer, first set the style, then listen to the lyrics. " Liu Yuan's poem V: "Now, the stylistic syntax is detailed, which is very similar to that before his death." * The eleventh time of the thorn: "The height is tight and slow according to the palace merchants, and the severity is in accordance with the style." Qing Dai Mingshi's Preface to Ye Xiangting's Poems: "Those who have one or two abilities are only critical of sound and pay attention to style."
The explanation of word decomposition lattice divides empty columns and frames into: grid paper. French plaid, standard: pattern. Metric format. Motto qualified. Qualification. Display quality: style. Style. Personality. National dignity. Character. Obstacles: out of place. Fight: Fight. Murder. Inference: arrangement of case sounds (tones) Interpretation: Tone order. Call. Scheduling (? )。 Transfer. Transfer. Adjust the defense. Send troops. Visit and understand: investigate. Research. Musically, a group of harmonious and pleasant sounds, as well as the rise and fall of words: tones. Key signature. Mode. Tone. Tune. Major. Minor.
Mandarin dictionary style gé diào? 1. The rhythm of poetry. It also refers to the artistic style of the work. "Jin Ping Mei. The first time ":"Tightening the palace merchants is slow, spitting jade and spraying pearls; The severity of the disease depends on the style and the embarrassment of gold. " Scholars. Chapters 5 and 5 ":"His handwriting is the best, but he refuses to learn ancient books. He just created his own style and wrote it in words. "1. People's character and demeanor. Don Jiang Fang's Biography of Huo Xiaoyu: "Yesterday, I sent someone to say hello, and some people said Shiro. "Don Qin Taoyu's poem" Poor Girl ":"Who would have known that her simple face was the cutest of all, and she was frugal in poor times. " 1. Style and scene. Zhang Tangqiao's poem "Stay in Liu Wen's study": "If you don't hide the window and the moon, the sky will be high and the style will die." Song. Cat's words "red lips. One-night lovesickness ":"Do you know? Rain clouds, the style remains the same.
Pen and ink, in this sense, refers to the unique aesthetic feeling of calligraphy in pen and form, which has also become an important aspect of landscape painting pen and ink pursuit. Compared with western painting, which emphasizes the accurate shaping and visual impact of objective images, landscape painting pays more attention to the expression of subjective interest. Natural landscape, the painter's life situation, cultural psychology and aesthetic ideal are all concentrated on the composition of pen and ink. The play of pen and ink makes landscape painting have a unique picture, as described in Shi Tao's "Painting Quotations": "Fu painting is the flexible solution of the world, the essence of the situation of mountains and rivers, the edification of ancient and modern creation, and the popularization of yin and yang tolerance. Tao Yong is also about me. " It is undeniable that after the Ming and Qing Dynasties, the supremacy of pen and ink became a program divorced from reality, and the life span of pen and ink declined. Pen and ink should be based on the painter's spiritual subject, and the epochal nature of pen and ink lies in the painter's interest in nature. The communication and dialogue between the ancients and landscapes can never replace the understanding and interaction of contemporary painters on landscapes. In ancient times, landscape was obviously not a simple objective existence, but a living existence. The relationship between the painter and the landscape is not a one-way state of understanding and recognition, but a relationship close to communication and interaction. "I see how charming Castle Peak is, and I expect Castle Peak to see me like this." Castle Peak is not a simple lifeless landscape form, but a spiritual atmosphere. The spiritual interaction between the painter and the landscape is realized through pen and ink.
There are too many things written on it, which is really informative. For example, a woman who comes out of a scholarly family dresses appropriately and follows the rules; Compared with a modest, frivolous, pretentious and vulgar woman, the former has grades, while the latter has no grades.
What we understand about pen and ink is the ups and downs of strokes, the ups and downs of lines, the size and thickness, the natural harmony, Fang Bi, round bars, hooks, folds and strokes, which are rich and diverse, not repetitive, orderly in chaos, not complicated, pleasing to the eye, beautiful in mind and endless in artistic conception ... So Chinese painting calligraphy is definitely the top grade.
Look at You Shou's paintings and see that he devotes himself to creating beauty with pens and pigments in his hands; Listen to You Shou's knowledge of Chinese painting appreciation, and listen to his historical allusions and feelings of home and country; Let us review the patriotic deeds of our predecessors and feel the cultural essence of China together. While we are proud of the precious wealth brought by traditional culture, we encourage each other and look forward to how to cultivate our cultural self-confidence. Culture is the blood of a nation and the spiritual home of its people. Chinese excellent traditional culture is forward-looking and adaptable. It was conceived from the development of Chinese civilization for five thousand years. It is an inexhaustible motive force and rich nourishment for the continuous development of the country and individuals, and it is also a fertile cultural soil rooted in revitalizing China, strengthening the country and enriching the people.
I am an ordinary person who is a drop in the bucket in time, and my energy is not enough to govern the country and benefit the public. But I only hope that I can grasp this short life time and pursue a sense of meaning in the short process like a moth to a fire!
This article, with allusions, circumstantial evidence, is eloquent, with the format of pulling tiger skin as the banner, putting on airs and coming naturally. But I don't care that much. I have my own income, and I can also form words. Regardless of value or not, I have improved my full cultural self-confidence. This attitude is positive energy, and my spirit is commendable. It is worth popularizing. I will continue to work hard in the future and will not care about worldly eyes and comments.