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Poker Magic (Text Introduction)
Effect: The magician shows the card for the audience to check, and then asks the audience to draw a card at will and sign it. Then the magician himself tore the card into four pieces, and then put the torn card in the palm of the audience's left hand and covered it with his right hand. Then the magician took out a rubber band and tied it to the remaining cards. Then take out the torn card from the stage and insert it on the tied card. The magician picked up the card and slapped it on his palm. Untie the rubber band and let the audience pick up the torn cards, only to find that the cards have been restored. The effect is amazing. Disclosure: * The magician prepared an ordinary deck of playing cards, rubber bands and pens. Show cards, let the audience randomly pick a card and sign it (there is no problem here), then pick up the card signed by the audience and put it face up on other cards (other cards are also face up). The magician picks up the whole stack of cards vertically, faces himself, and pretends to blow dry the signatures on the cards. At this time, the thumb secretly pulls down the first card (that is, the signed card) and picks up the second card with the right hand (this technique is only useful) so that the audience can lay one hand flat, and then put the back of the four broken cards in the audience's hand, and then let him cover it with the other hand, in order not to let the audience find it. At this point, the magician randomly washes the cards in his hand. In fact, he used three fingers to secretly pull the signed card to the last card on the back, and at the same time turned the upper part of the card into the back side up, and secretly folded the last signed card twice and pressed it under the card (just the key to magic, so try to be natural and small. In order to prevent the audience from discovering the little tricks in their hands, they can use some misleading methods, such as asking the audience to raise or lower the cards in their hands. Then take out the rubber band to tie up the cards (naturally, tie up the signature cards folded in half below), let the audience pick up the hand that covers the cards (be careful not to let the broken cards stick to the audience's hands, which will expose the filler), pick up four broken cards and insert them into the cards tied up with rubber bands (in this case, the rubber band binds a stack of cards, with half of the cards facing up and four broken cards on them; Below is a card with half face down, and at the bottom is a signature card folded in half twice. The magician picked up the card and slapped it on his palm. In the process of slapping, he secretly turned the card around (because the situation is similar from top to bottom, the audience will not find it) and let the signed card be on it. Look at the rubber band, and at the same time hide the rubber band with four broken cards (you can say: I put the rubber band in my trouser pocket), and then let the audience open the cards on it.

Magic teaching of finding cards

The magician took out a stack of cards and the audience randomly selected one. The magician can find out which card it is without looking at it in advance.

comment

Actually, this is very simple. Just look at the pattern and color of the card carefully. First of all, the magician has to take out these cards (of course, most of them are prepared in advance)

Spades A 3 5 6 7 8 9

Hearts A 3 5 6 7 8 9

Square: 7

Plum blossom: a piece of 3 5 6 7 8 9

You can only take these cards at most.

Then put these cards in order.

Smart people can see that these cards have a * * * feature, that is, the design of the middle horizontal is a little different from that of the side, but the horizontal is not the middle. For example, if you don't look at the middle of spades 3, look at both sides. Two spades are opposite, and the spades in the middle are biased like another change. It is said that an 8 spades is not in the middle, but in the middle.

So ... . We can use the characteristics of these cards to do magic, first sort them out and then let the audience draw one at random. . Pay attention at this time.

The critical moment has come. . You have to see how the audience draws cards. Try to circle the cards in the audience's hands and put them back for the audience to wash. After washing, you can open your eyes and see which card has arrived. The card you got is the one that the audience just drew.

Matters needing attention

This kind of magic is performed by using the characteristics of playing cards, which is more hidden than the magic performed by using the characteristics of fishing cards. It should be noted that it is best not to let the audience write cards and cut multiple lines at will.

Magic teaching of getting bigger and smaller cards

affect

A deck of cards becomes smaller when opened in the hand, smaller when opened, and larger when opened.

comment

This magic actually takes advantage of the audience's visual error, and the reason for the decrease is to move the thumb up and turn on the fan around half and (upper) third of the cards respectively. The key is to let the audience look at the sides of the four fingers, because when you turn on the fan, no matter the size of the card, you can only see the corner of the card, and when the four fingers are up, you can cover the lower part. It seems that the cards are getting smaller, but they are not, just an illusion! And let the audience have a look after the change, it will be exposed for too long!

Automatic card jumping magic teaching

Effect: The magician unfolds a deck of playing cards and asks the assistant to draw one at will. For example, if the red heart K is drawn, the magician takes it back and holds it high for the audience to see clearly. Then put it in all the cards, arrange it in a pile and hold it tightly in your hand. He blew the cards, and K of Hearts jumped out of all the cards by himself.

Commentary: There are two key cards in this deck. Tie a small hole in the middle of these two cards, run a 20 mm long rubber band between the small holes of the two cards, and tie a dead knot at both ends of the rubber band. In this way, the rubber band will not come out of the small hole. When performing, put these two key cards in the middle of the whole deck. After watching the drawn cards, the audience took them back and carefully inserted them between the two cards, pressed the rubber band hard, and then filled the cards to temporarily prevent them from popping up. Relax your fingers after blowing, and the drawn cards will be ejected by the rubber band. It seems that everyone will automatically jump out.