Question 1: Qualified, agreed to acceptance. How to write it in cursive and good-looking

Question 2: Help me write the words "Evaluation is objective, basically consistent", it must be written in cursive Feel good about you! Here are three cursive writing methods for you to learn:

1. "Crazy cursive" writing method:

2. "Mao style" Cursive calligraphy

Question 3: How to write Song Fengming’s cursive calligraphy. Any calligraphy style has the requirement of being simple and easy to write in use, and there is a tendency to omit simple strokes and scribble. This tendency is the main reason for the evolution of writing. Whenever there is a period of social change and cultural development, characters are used frequently, individuals simplify and simplify, and variant characters appear faster. In order to make characters more conducive to application, corrections must be made.

There are traces of cursive writing during the Oracle period. "Wang Xuan of Zhou Dynasty wrote the official script", "Li Si wrote the small seal script", "Cheng Miao wrote the official script", and Cai Yong wrote the Xiping Shijing in eight points. They were all standardized by the two weeks, Qin and Han Dynasties. The promulgated standard typeface is also the beginning of the recognition of the new calligraphy style as the traditional Chinese style. But the trend toward simplicity does not stop there. As early as in the oracle bones of the Shang Dynasty and the bronze inscriptions of the Zhou Dynasty, which recorded the important events of emperors and ministers, there are simple and scrawled handwritings. In historical records, "Qu Yuan belongs to Cao Gao" and "Dong Zhongshu Gao Shu has not been published", which shows that the ancient inscriptions of the Warring States Period and the official script of the Western Han Dynasty were written at a rapid pace. The time is not right either. According to records from the Wei and Jin Dynasties, Liu Mu, King of Beihai in the Eastern Han Dynasty, was "good at history writing and regarded it as regular rules in the world." Before Liu Mu's death, Emperor Ming sent a post horse to "compose ten pieces of cursive script and ruler slips." During the reign of Emperor Zhang, Prime Minister Du Du was good at making examples of calligraphy. Emperor Zhang once ordered Du Du to write in cursive script. It can be seen that since the middle of the 1st century AD, cursive script is no longer just a hurried writing but a font that has been cherished and imitated. It can be seen from the Han bamboo slips unearthed in recent times that the official script of the provincial bamboo slips with characters and provinces was already in use during the reign of Emperor Wu of the Western Han Dynasty. By the Xinmang period, there were more elliptical and connected characters. In the 22nd year of Emperor Jianwu of the Eastern Han Dynasty (AD 46), the bamboo slips were completely in cursive script. However, from the Zhou Dynasty to the Xinmang period, cursive script was never listed as a calligraphy style. "Shuowen Jiezi" was written in the twelfth year of Emperor He (AD 100). Xu Shen said in "Xu" that "cursive script emerged in the Han Dynasty", which was the beginning of cursive script as a calligraphy style. At the end of the Eastern Han Dynasty, famous scholars such as Zhang Zhi and Zhong Yao emerged in large numbers, each forming its own school. At that time, Zhao Yi wrote "Not in Cursive Script", and Cai Yong had similar arguments to maintain the status of traditional Chinese characters. This reflects that cursive script has become extremely popular. From the end of the Han Dynasty to the Tang Dynasty, cursive script developed from zhangcao with the style of official script to modern cursive with graceful and graceful rhyme, and even to wild cursive with unrestrained and powerful momentum. Liu Tianyi's cursive calligraphy works

Zhangcao originated in the Western Han Dynasty and flourished in the Eastern Han Dynasty. The handwriting is in the form of official script, and the characters are distinct and not intertwined. There have been different interpretations of the name of Zhangcao in the past dynasties. It is most ridiculous to say that Zhangcao got its name from the chapter character in "Jijiuzhang" after seeing that "Jijiuzhang" has been written in cursive since the late Han Dynasty. Some people say that Emperor Zhang loved cursive script, or that he ordered memorials to be written in cursive script, or even that he created cursive script. This is all speculation. There is a saying that the chapter of the constitution is synonymous with the chapter of the constitution book and the regular script, which is in line with the fact that early cursive script has a slight eight-point brushstroke meaning, the characters are not related to each other, and there are rules and regulations to follow in the omission of strokes. Many people in recent times believe this theory. There are two theories about when Jincao originated: Zhang Zhi in the late Han Dynasty and Wang Xizhi and Wang Qia in the Eastern Jin Dynasty. Judging from the handed down tables and posts, as well as the unearthed Han bamboo slips and Han bricks, it can be seen that at the end of the Han Dynasty, when the eight-point script was used as the regular script, writing methods that approximated the real script had already appeared. Cursive writing will also mutate accordingly. Cui Yuan, a cursive calligrapher who was slightly later than Zhang Zhi, wrote "Cursive Script Shi". He said that cursive script "looks like a series of beads, never separated", "the last stroke ends with momentum, and the rest is tangled", "the head does not hang down but the tail hangs down", and "the subtlety and subtlety are important". The description of "whatever is appropriate at the moment" shows that the cursive writing style of the late Han Dynasty was smooth and no longer rigidly adhered to the rules. There are no clear divisions in the evolution of calligraphy styles. To say that Jincao arose from Zhang Zhi is to look at the germination of the new style; to say that Jincao arose from Er Wang is to focus on the formation of typical styles. Since the Tang Dynasty, real books have been used to this day.

In the Tang Dynasty, cursive script appeared in the form of Kuang Cao, represented by Zhang Xu and Huai Su, and became an artistic creation that was completely divorced from practicality. Kuang Cao, also known as Da Cao, has unrestrained writing style and continuous style, such as "Qianwen Broken Stele" and "Ancient Poetry" by Zhang Xu in the Tang Dynasty. "Four Ways", Huai Suseng's "Autobiography", etc., Zhang Xu was called the "Sage of Cao" in history, and Sun Guoting's "Book Book" has different words and is not connected, but the writing style is lively and beautiful. "Big grass" and "small grass" are relatively symmetrical. The big grass is purely made of grass and is difficult to identify. Zhang Xu and Huaisu are good at this. Their characters are written in one stroke, with occasional discontinuities, but the blood flow is continuous. Feng Ban of the Qing Dynasty's "Buoyin Shu Yao" said about learning cursive calligraphy: "Learn Xianzhi from small grass, learn from Xizhi from big grass, and learn from Zhang Xu than Huaisu from Kuangcao." Huaisu's cursive calligraphy is easy to recognize, the handwriting is thin and visible, and the joints between the words are also clear and easy to write. Zhang Xu's glyphs change a lot, often with a number, and the momentum between the lines is constant and difficult to identify, forming a unique style. Han Yu's "Preface to the Master Gao Xian" mentioned that Zhang Xu's cursive script is "happy, angry, embarrassed, poor, worried." Sadness, joy, resentment, yearning, drunkenness, boredom, and injustice, if they are moved in the heart, must be expressed in cursive script." Therefore, it is difficult to learn from Zhang Xu. Derivation and development of Huaisu's calligraphy works

Recently, the common official calligraphy style has...gt; gt;

Question 4: Characteristics of cursive script Cursive script is a font of Chinese characters . It appeared earlier, from the early Han Dynasty, when writing official script was sometimes written "sloppily". Because Emperor Zhang of the Han Dynasty liked cursive script, it was called "Zhangcao", which is a kind of official script cursive script. The characters in Zhangcao are independent and close to running cursive, but difficult-to-write characters are not simplified much and the writing remains unchanged. Later, regular script appeared and evolved into "jincao", that is, regular cursive script. It writes quickly, often with upper and lower characters connected, and the last stroke echoes the beginning of the stroke. Each character generally has a simplified pattern, but it is sometimes difficult for people who are not familiar with it to recognize it. Generally, the cursive scripts of Wang Xizhi, Wang Xianzhi and others are also called Jincao. The basic method of simplification in modern cursive script is to use simple cursive script symbols to substitute the radicals in regular script into traditional regular script (although cursive script appears no later than regular script). Often many regular script radicals can be substituted with a cursive script symbol. For convenience, the characters The structure has also changed. Therefore, it is more difficult for unfamiliar people to identify. For the arrangement of cursive symbols, please refer to "Standard Cursive Script". By the Tang Dynasty, cursive script had become an art of calligraphy, and therefore evolved into "crazy cursive script". Its function as a tool for transmitting information has been weakened, and it has become a work of art. It pays attention to the black and white arrangement of shelves and paper, and whether people can clearly understand what is written. It doesn't matter anymore. In KuangCao, there is a "word couplet" symbol, which is to write two words (common phrases) into one symbol. Since writing at that time was mostly written in vertical lines from top to bottom, the design of word couplet symbols was also similar. "Dunshou", "Nirvana", etc. all have cursive word couplet symbols.

Structural characteristics of cursive script

1) Simplicity is the basis, and stipples are used instead of paintings. If the structural stipples of regular script are used as the standard, running script has increases and decreases, and increase refers to the hairspring. Subtraction is an abbreviated way of writing in running script, while cursive script mainly uses subtraction, such as "Fu, Qi", etc., which are drawn with one algebraic point; such as "行,思", etc., which are drawn with one algebraic point. 2) The jumps are uneven and the changes are extreme. Cursive writing should be read as a whole, as a whole line, or at least as a combination of the upper, lower, left and right characters. In fact, sometimes two or three characters in cursive script are connected into one, forming a "comprehensive structure". Therefore, each word does not necessarily have a stable center of gravity, as long as the energy is sufficient and the momentum is full. The glyphs should be varied and varied, allowing for maximum variety. 3) Small circles and large circles, continuous ups and downs of cursive stipples with many twists and turns, and it is better to use the pen-turning method. Avoid horizontal and vertical strokes, and use hairspring traction. Therefore, the stipple lines move and are mostly arc-shaped. In order to ensure smooth strokes, there are many circles. . In particular, the numbers on the continuous grass are intertwined with each other, making it difficult to distinguish them from each other. 4> There are cursive methods for cursive writing. It is a common practice that some of the knotting methods in cursive script come from seal script, some conform to the regular script and xing method, and some are unique knotting methods of cursive script, which are called cursive writing methods. This includes the cursive writing of different forms and other forms. The grass method is established by convention. There are certain basic rules.

In addition to the cursive method, the stroke order of cursive script is different from that of running script and regular script. This is also one of the reasons for the special structure of cursive script. In short, cursive script requires the knots to be white and white, full and full.

Features of cursive writing. Cursive writing is divided into three categories: chapter grass, small grass, and large grass. Therefore, when it comes to cursive stippling, the writing styles of these three types of cursive writing should be separated.

The brush strokes of small grass and large grass belong to the same category, so the stipple painting of grass will not be described here. The changes in brushwork between small grass and large grass are endless. Sun Guoting said: "Grass is noble and flowing." In other words, cursive writing should be fluid and smooth. The so-called flow means that the pen should be flexible and not restrictive. A pen can be used smoothly, reversely, directly, sideways, heavily, lightly, imaginatively, and practically. It can be used naturally and freely. It can be relaxed and closed, and the pulling of threads is natural, but there are still frustrations when using the pen. The so-called smoothness means being able to gain momentum in the air and gallop freely without any hindrance. It has the solemnity of a real book, but it must not be carried over by the pen, and it must not be sloppy with the pen, nor can it be entangled and lost, only to increase complexity. In short, the use of cursive writing has its own certain rules and characteristics: simplification of the use of writing, variation and interconnection of stipples, circles and reduction of frustrations, the order of strokes can be reversed, radical substitutions are extremely complex, etc. Due to the inheritance and development of more than a thousand years, the use of cursive writing has formed its own system, and some of them have become established rules, which cannot be mistaken. Therefore, one should have the ability to accurately identify the writing method of dot painting. (1) Lines are the basic elements that constitute glyphs. The stippling of Chinese characters is composed of various lines such as thickness, length, and straightness. "Line" is the basic element that constitutes glyphs. Therefore, some people directly call the beauty of calligraphy the beauty of lines. Straight lines give people a feeling of strength, straightness and strength, while curved lines give people a feeling of roundness, change and softness. However, straight lines without any change appear stiff, while excessive bends and excessive arcs appear weak and will make people think of "ugly". Calligraphy artists are good at expressing their innermost feelings in the form of "lines". The *** in the artist's heart sometimes looks like a roaring sea or a gushing volcano; sometimes it looks like trickling water or the gentle sound of a piano. By...gt;gt;

Question 5: Basic information on Yu Youren’s standard cursive symbols Publisher: Golden Shield Press Author: Yu Youren Yuyuan ISBN: 978-7-5082-6245 -1 Folio: 16 Binding: Paperback Price: 22.00 yuan Publication date: March 2010

Question 6: Introduction to Yu Youren’s standard cursive script symbols Cursive script is the most abstract calligraphy art and has been used by calligraphers of all ages It is regarded by many as the highest state of calligraphy art and has many admirers and followers. Yu Youren's standard cursive script is the most standardized and conventional cursive script. It is also the most popular introductory cursive script textbook and the best model for learning cursive script. This book will "catch up" all the essence of Youren Standard Cursive Script. In addition to focusing on the authoritative version of Youren Standard Cursive Script symbols, it will also include the "Double Hook Edition" of "Standard Cursive Script? Thousand-Character Essay" with the source of standard cursive script clearly marked. , as well as the "Taiwan Edition" of the "Standard Cursive Script Thousand Character Essay" finalized by Yu Youren, are included together. It is not only a rare teaching material for beginners of cursive script, but also a precious edition worthy of appreciation, exchange and collection by the Fang family.

Question 7: Introduction to cursive script Cursive script is a font of Chinese characters, characterized by simple structure and continuous strokes. It was formed in the Han Dynasty and evolved on the basis of official script for the convenience of writing. There are Zhangcao, Jincao and Kuangcao. They feel beautiful in the madness.

Question 8: The format requirements for hard-pen calligraphy are the same as those for brush calligraphy. The horizontal and vertical fan formats are just slightly smaller. It can be A4, A3 or normal letterhead.

1. Banner: Use long rice paper in full Open and split (half-cut or half-folded), straight writing works are banners.

2. Couplet: A banner with two separate banners, with the upper and lower couplets written separately, also called couplets, couplets or couplets.

3. Nave: Banners with the paper fully opened or slightly smaller than fully opened and hung alone or together between the couplets.

4. Dou Fang: Cut the rice paper into about eight squares (about 1 foot square).

5. Banner: Also called horizontal banner, the banner is framed or engraved on a wooden board and hung on the wall.

6. Strip screen: Use nave, banner and other similar size materials to write a group of works, according to the length of the poem.

7. Fan surface: The size is like a fan shape. There are wan fans and folding fans. They can also be framed or rolled into volumes.

8. Album pages: Small works are framed for easy reading, combined into an album, and unfolded into album pages. The contents are either coherent with each other or stand alone.

9. Hand scroll: It is also a horizontal axis and is inconvenient to hang. It is only suitable for stretching on the desk and viewing the banner work after rolling it.

Question 9: Is there any mobile phone input method that supports cursive and cursive writing, which is more standardized and has a higher degree of discrimination? That is to say, write cursive directly when inputting, and the alternative is 10 points. We are currently studying how to transplant the original input into the input method, but the simple cursive input method has already been released, which belongs to the structural input method, and can also input characters from other countries

Question 10: What is the basis of calligraphy! What are its requirements? The traditional concept is that we should start with Tang Kai script, go against the times, and further practice Nanxing, Beibei, Han Li, and Qin Zhuan on the basis of writing regular script well. Another idea is that starting from the immature development of hand muscles in teenagers, one can start with Qin Zhuan, which has fewer changes, and proceed with the times, from running cursive to regular script. There is truth to both concepts. But I think the hard-pen calligraphy we learn is fundamentally different from the brush calligraphy mentioned above, so we cannot follow its practice methods, let alone be fooled by the traditional concept of learning brush calligraphy first and then learning hard-pen calligraphy. We now widely use hard pens. If you can't write calligraphy with calligraphy, you can still write hard pen calligraphy well. There is no need to make detours.

Which font should you start with when practicing hard-pen calligraphy? I think: starting from the development characteristics of teenagers' hand muscles and the characteristics of uniform thickness and less changes in hard-pen calligraphy strokes, we should start practicing fonts that do not require changes in the speed and weight of the strokes. It is best to use boldface characters in print. The beauty of this font is mainly reflected in its structure. We can grasp the structure of the characters by analyzing the boldface characters. On this basis, we can choose our favorite font and practice hard according to our own personality and hobbies.

2. What should you practice when practicing calligraphy?

First of all, you need to train your eyes, that is, read the posts carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients did not always rely on copying to learn to write. They often hung the ancient calligraphy works on the walls, watched them with concentration, and then started writing when they saw it correctly." Ouyang Xun of the Tang Dynasty discovered Jin Dynasty's calligraphy works. I couldn't bear to leave the monument written by Dai Suojing, so I simply sat down and read the monument for three days. The more posts you read, the sharper your eyesight will be, and you will know how to write well and what is good about it. There is an idiom called "high eyes but low hands". I think: high eyes are the prerequisite for high hands. If you can't discover beauty and don't know what beauty is, you can't even talk about creating beauty. Many students think that sloppy writing is the so-called running script. The reason why they regard ugliness as beauty is because they have "low eyesight and low hands".

Secondly, we need to train our brain or our heart. On the basis of careful observation, you should also firmly remember the well-written fan characters in your heart and engrav the shape of them deeply in your brain. Whenever you mention this character, you can immediately think of it. shape on copybook. Be sure to have a clear mind and a clear mind.

The third thing is to practice. The purpose of eye training and brain training is to figure out how to write characters. The mind can think of the best effect of writing, but the hand may not be able to produce this best effect, because the brain may not be able to direct the hand, and the hand may not be able to direct the pen. Practicing hands is to achieve the state where mind and hand are consistent, and hand and writing are consistent, so practicing hands is also crucial. Hand training mainly involves practicing finger strength, wrist strength and hand feel. If you write for a long time, your fingers will hurt, your wrists will become sore, and your hands will not obey the command. This phenomenon will disappear if you exercise more. Students who often help teachers copy questions on the blackboard and students who write blackboard newspapers often write quickly and well. Their finger and wrist strength are developed in this way. You should also pay attention to practicing the feel of the hand, so that the brain can direct the hand, and feel that the pen has become a part of the hand, an extension of the hand. The hand can easily direct the pen, as fast as you want, as slow as you want, as slow as you want, as light as you want. , think about it as seriously as possible, and write whatever effect you want to achieve.

The fourth step is to practice structure, because the key to practicing calligraphy is to master the structure of words. The structure of a character refers to the length ratio of the strokes of the character and the interpenetrating and avoiding relationships between the strokes.

Xie Xiaodong sang in the song "Chinese": "The characters I love to write the most are the square characters taught by my husband. I have to be like him when I am square and upright..." "Square and upright" summarizes the structural characteristics of Chinese characters. After mastering the structure of Chinese characters, he can write square and beautiful blackface characters. By slightly changing the strokes, he can write various fonts such as Song style, Wei style, regular script, imitation Song style, Pang style, Sima style, and official script. Chinese characters. If you cannot grasp the structure of Chinese characters, no matter how you modify or beautify the strokes of the characters, it will become an ugly superfluous thing, which will become more and more ugly. Therefore, mastering the structure of characters and writing bold characters well are the key and foundation for practicing all calligraphy well.

The fifth step is to practice your strokes. Many students have practiced calligraphy. They started practicing regular script and have forgotten many rules of how to use calligraphy. They only remember the strokes. As a result, the characters written out are cumbersome and look like ghostly symbols. I encourage everyone to start practicing with boldface characters, grasp the glyphs, and eliminate pauses. Below I will introduce to you several common writing methods of strokes and the mistakes that most students tend to make when writing these strokes:

① Point, move the pen from the upper left to the lower right. There is a process of moving the pen. Note that "point" also has a length and cannot be a round point.

②Horizontal, write equally from left to right. The key is to "horizontally be flat", not one end high and the other low, or the strokes should be wavy. Control the length according to the font shape of the square font, not too short or too long.

③Vertical, move the pen vertically from top to bottom. Key...gt;gt;