1. Tian Chengtai

Tian Chengtai’s pursuit of wood burning is a subversive and opposite direction. He no longer pursues the purity of the ancients, but tries his best to present the original color of gray, the luster that can be seen everywhere in nature.

2. Peng Zongwen

The collection value of Mr. Peng Zongwen’s pottery cups lies in the author’s unique creative ideas. Each of Mr. Peng Zongwen’s works has its own characteristics, and they all have the momentum and uniqueness of others. Power makes people lose their hearts.

3. Huang Maijiu

Associate professor of the Art Department of Jingdezhen College, Master of Chinese Arts and Crafts, member of China Arts and Crafts Society, member of Jiangxi Artists Association, Jingdezhen Artists Association Vice Chairman, good at Chinese calligraphy and ceramic blue and white decoration.

4. Li Mingsong

Taiwanese health master Teacher Li believes that everyone must have at least one firewood beaker for daily drinking water and tea, so that the tea soup tastes sweet and the water is purified. energy. Even if you don't use it to drink tea, you can still put it in your hands and touch it, which can still achieve the health-preserving effect.

Extended information:

Characteristics of firewood beakers:

The difference between firewood-fired pottery works and ordinary kilns is that ashes and flames directly enter the kiln, producing The fallen ash is melted at high temperature to form a natural gray glaze. Its color is warm, rich in layers, and its texture is rough and powerful. It is different from ordinary gorgeous and bright glazes. It is not repetitive and difficult to predict the results of kiln firing.

If it is a cross-fire kiln, the fired work will have yin and yang changes and flame marks on the fire-receiving side and the back-fired side. It exudes a simple, rich and ancient beauty, which is why wood-fired pottery artists are fascinated by it and pursue it wholeheartedly.

Wood-fired pottery has a high degree of mobility. As long as the general principles are grasped, other manifestations are regarded as random effects. The characteristics of firewood-fired pottery are not that precise in nature. In addition to the expected effects, , there are some unexpected wonderful effects. This is also the fascinating part of wood burning. No one is sure before leaving the kiln, and there are always unexpected gains.

On the surface of the work, you can feel the kiss marks left by the flames on the body and the ash glaze produced by the ashes after burning the wood. The overall presentation is a rough and natural texture and a simple and honest color. , deep and restrained quaintness, bringing more surprises and artistic enjoyment to the creators, which is also beyond the reach of electric kilns or gas kilns.

For wood-burning works, the creator’s persistence is more important than the refinement of skills, because skills have long been dissolved in the harmonious earth symphony of man and earth, kiln and firewood, fire and nature. Reborn from the ashes as a vibrant tea vessel.