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Can the Chinese music scene, which has been silent for ten years, recover after Fish Leong and Andy Lau joined The Voice of China?
The news that Fish Leong and Andy Lau will join The Voice of China in 2022 spread all over the network, instantly detonating public expectations. Some netizens found that the IP attribution of Fish Leong is displayed in Zhejiang. It seems that the good voice has been recorded this season. As a new tutor this season, I wonder what kind of sparks she will collide with with Liao Changyong, Ronghao Li and Hacken Lee.

Andy Lau's role as a "witness" in the voice is also full of expectations, and this is also Andy Lau's first variety show in the Mainland. As a successful senior singer and "queen of love songs", she rarely appears in mainland music ensembles. I should also be worried about the situation of Chinese music, hoping to bring out more good singers and find a "source of living water" for the industry.

The Chinese music scene has been stagnant for ten years, and the present situation of the Chinese music scene is not as good as that of the entertainment and film industry. In recent years, Jay Chou has been at the top of the music charts, which shows that not only the works of the post-80s, post-90s and post-00s can only be excavated.

This is not to say that Jay Chou's songs are not good, but that there is no successor in the Chinese music scene and there is a serious talent gap. Even with Charlie and Mao, it is difficult to support them in front, but one or two people are not enough to change the decline of the whole environment.

More than a decade ago, the grand occasion of music thought it was just the beginning, but I didn't expect it to be the peak. It's been going downhill ever since. Netizens can't help feeling: I really want to go back ten years!

Only by solving the root causes can the Chinese music scene be revived. What is lacking is a mature talent training and recommendation mechanism. Many musicians have made their mark on the show, but because of the immature mechanism, they can't get development opportunities, many people are unknown and even have to change careers.

Judging from the sales volume of Jay Chou's new album, the entertainment market is large enough and inclusive enough, and any kind of work is likely to catch fire. As long as you are backward compatible, many people will follow suit. Internal entertainment is too comfortable, which makes Japanese and Korean star artists who suffer from "involution" jealous beyond recognition.

The public's aesthetic needs to be improved, but it can't be solved overnight. Aesthetic level is related to many factors such as economy and education, so we should take it slowly. But mainstream platforms and authoritative media can guide people. Many times, it is not that the audience wants to listen to low-quality works, but that they have no choice, platform and media recommendation. Good works are submerged in overwhelming publicity.

Low-quality music works can win authoritative awards, people without acting skills can win the best actor in film and television dramas, and even some mainstream media and an annual party invite traffic idol platforms. Finally, something happened, which aroused public anger. Can it be said that "all pots and rice circles with flow" can be removed?