European-style calligraphy works are as follows:

Every stroke must be round and correct, and the strength is vertical and horizontal. When judging the word situation, all sides stop evenly and all sides are ready; Long and short fit, thickness compromise; The mind is accurate, and the density is correct. The least busy, busy is lost; Not thin, thin when withered, not fat, fat is turbid. The most important thing is to be careful and slow down, and naturally prepare for the body. On July 12, the sixth year of Zhenguan, I asked for a book to pay a good slave to grant a tactic.

a point is like a falling stone from a peak. L (vertical hook) is like the first month in the sky. A (horizontal) cloud is like a thousand miles away. What a (vertical) vine. (Oblique hook) Jinsong turns upside down and falls on the cliff. (cross-folded hook) is like a crossbow. Cut off the horn teeth of rhinoceros with a sharp sword. \ (Si) One quilt often writes three times.

European style is a regular script font created by Ou Yangxun, a great calligrapher in the Tang Dynasty. It is characterized by both Fiona Fang and Fang, strong stippling and cohesive brushwork. It is both steep and rigorous. Keep it steady in the side, compact without losing its sparseness.

Ou Yangxun's calligraphy first imitated Wang Xizhi's, but he was not confined to one family: it is said that Ou Yangxun once rode out and happened to see a stone tablet written by Suo Jing, a famous calligrapher in Jin Dynasty. He dismounted and watched carefully, but he didn't want to leave, so he simply laid a felt and sat down to ponder over it again and again. Finally, he sat down beside the monument for three days before leaving. Ou Yangxun was obsessed with calligraphy, and because he studied hard and practiced hard, he was able to find his own way.