He pointed out that he plagiarized with Jing M.Guo, and often hyped topics in variety shows.
The cause of the matter is this. First, Tan Fei wrote a Weibo. A screenwriter who started from plagiarism was teaching others how to act, and another director who started from plagiarism decided that Xiaorou, who could not act, would make great achievements in the future.
Pointing at JUNG WOO and Guo Jing
Subsequently, Wang Hailin forwarded a Weibo.
JUNG WOO's personal exit means that Tan Fei and Wang Hailin are a stinking pool.
Wang Hailin directly called Zheng Zheng a young man who slipped.
Insiders also stood on the side.
Tom Mu, as the former agent of Zheng Zheng, publicly supported Wang Hailin this time, saying it was a stain on his career.
Wang Hailin initiated a joint activity,11/film and television professionals boycotted Zheng He and Jing M. Guo.
In 2020, the most American drama in the entertainment circle officially began.
Who is Yu?
He claimed to be a China gold medal screenwriter. Where this title came from is unknown, but the loudest title in the Jianghu is "Ma Yu".
As the name implies, very girly.
Zhang Jizhong, who is also a remake of Jin Yong's martial arts "the legendary swordsman", once said that he was right on the Venus Show, and the things he made were very tacky, because he was also the temperament of that (mother).
JUNG WOO, whose real name is JUNG WOO, 1978, is from Haining, Jiaxing, Zhejiang.
Haining, a small town in the south of the Yangtze River, has emerged from such great men as Wang Guowei, Xu Zhimo and Jin Yong.
In the eyes of classmates, everyone not only thinks Zheng is very girly, but also behaves like a freak.
JUNG WOO's classmates once broke the news on Tianya:
At the New Year's Day Art Show in Haining Middle School, Ma Yu sang a song that made the gods cry, "Three Lane of Plum Blossoms"! At that time, when you sang the phrase "Plum blossoms break people's intestines, plum blossoms are hard to think about" on the stage, the evil spirits such as Sister Shenma, Sister Xifeng and Sister Furong later were just floating clouds compared with you at that time! Floating clouds! !
In those days, Zheng Zheng's performance was unanimously regarded by all students as an event that had a devastating impact on their adolescent sexual psychology and cognition.
Many years later, his classmates can still describe it clearly and accurately. It is conceivable how much psychological shadow this incident has caused to the friends.
Just after entering junior high school, JUNG WOO fell in love with Jin Yong's novels and "boasted" with his classmates: "One day I want to be a student of Jin Yong."
After graduating from high school, JUNG WOO thought she was good-looking and wanted to be the hero in the novel, so she applied for the performance department of Shanghai Theatre Academy.
He persisted in taking the exam for two years. Although I got full marks in the culture class, I failed in the professional class, and finally I had to attend the play as an auditor.
His classmates are David, William Feng and Kevin Yan.
After entering the play, he soon found that all his classmates were handsome and beautiful, and he could not be the leading actor at all.
When he played Thunderstorm, he thought he should play Zhou Ping (the first hero), and the role he could get was Gui Lu.
In the second year of senior high school, when he was reporting the performance, he was so nervous that the music jumped out before it started, and the audience burst into laughter.
His hands are shaking all the time.
Once, when I was in the crew, I was caught in four hours of heavy winter rain and was scolded by the director: "You played so badly!" " "
JUNG WOO found it difficult to get ahead in the show business, so he turned to screenwriters.
At that time, he wrote a script for the reality show "Dream Works" of "Star TV", and earned more than 1000 yuan in one episode, which was the most earned by the whole class.
At this time, he met the first "noble person" in his life, Li Huimin, a senior producer of Hong Kong-made TVB.
Li Huimin, a Hong Kong director who directed New Longmen Inn, stumbled upon JUNG WOO's notebook. He is quite clever in writing.
At that time, Hong Kong TVB Film and Television Company set up a branch in Shanghai and was recruiting.
In July 2000, JUNG WOO joined Li Huimin's creative team.
At that time, JUNG WOO was learning how to write plays.
"I rent a small house for 300 yuan a month, and it costs 40 yuan to take a taxi to Li Dao's house every day."
When I was writing a script in the cold and humid winter in Shanghai, my toes were frostbitten. When sleeping at night, a mouse climbed on his face.
Without salary, he chews a bread or steamed stuffed bun every day and writes hard.
All expenses depend on previous savings.
Here in Li Huimin, what he learned the most was to rip the script: "Sometimes you need to look at the director's previous works, rip off the plot and remake it, or the director will give some fixed script structure and fill in the content."
This year, he read April Day on Earth written by Wang Huiling: "It has a great influence on me, and I really want to be a screenwriter."
He also liked Xi Juan's Getting Married by Wrong Bus and began to read Qiong Yao's works. His favorite is plum blossom branding, which can make him burst into tears.
Later, his favorite "Plum Blossom Branding" became the object of his plagiarism.
When he was an apprentice in Li Huimin's studio, he said that he had written a 40-episode Legend of Jing Ke, and Li Huimin's wife said that she would give you a red envelope when it was finished.
After submitting the manuscript, he happily took the red envelope home and opened it. There is 5000 yuan in it.
His tears fell at that time. At that time, the market in Shanghai was 20 episodes of scripts for 80 thousand.
He spent all his savings and decided to leave.
JUNG WOO left Li Huimin's studio in 2003.
But at the end of 2004, The Legend of Jing Ke was being broadcast on CCTV 8.
The news popularity of "The Writer Asks for the Signing Right of The Legend of Jing Ke" far exceeds that of TV series.
At that time, the name JUNG WOO was unfamiliar to everyone.
In the face of media interviews, JUNG WOO claimed that he had written 40 episodes of The Legend of Jing Ke, whose name only appeared in an obscure position at the end of the film, and the real screenwriter became Li Furen.
This made him unhappy and felt insulted, so he sued the Hong Kong director Li Huimin and the producer for copyright issues.
He claimed that he and Lu Wei were the real writers of the play.
However, according to the screenwriter, in fact, the part being written does not meet the requirements of director Li and is rewritten by the screenwriter.
In Li Huimin Studio, JUNG WOO has never been an independent screenwriter.
The Legend of Jing Ke is the first signature on film and television works.
Many years later, JUNG WOO also said that The Legend of Jing Ke was written by himself and others.
Since he is not the lead screenwriter, it is very conscience to sign at the end of the film.
Wang Qiuyu once said, "Creators are not businessmen. They should pay more attention to creation than hype. "
Years later, when Li Huimin was asked about the events of that year, "JUNG WOO is very smart and knows how to make himself famous."
A screenwriter who doesn't understand hype is not a good producer.
After Zheng Yucheng became famous, some media asked him, who is your benefactor on this road?
JUNG WOO said it was Li Huimin, but the second part was, "I used to write plays for him day and night, and he couldn't afford the rent, but he didn't give me money."
How does that sound? Is it positive?
The writers' circle is not so easy to mix.
Zheng Zheng, who left Li Huimin, hit a wall everywhere and was cheated many times in succession.
His first agent didn't help him find a good project. Instead, he took the job with a 50% salary cut. After writing 20 episodes of the script, he didn't give him a penny.
There are also those who write 40 episodes and only pay 30 episodes, and those who earn a difference of 30 thousand yuan with the exchange rate of US dollars, and those who write the next episode without settling the previous episode.
In those years, JUNG WOO experienced all kinds of sadness.
In 2004, JUNG WOO's father was critically ill.
His mother called him, because investors were in a hurry to catch up with the script, and he was locked in the room by the director to write a manuscript.
JUNG WOO wanted to ask the director for leave, but the director responded coldly: "What's the big deal about my father's death? More than 2,000 people are still alive, and you will all die if you leave. "
Forced to climb down the window hose, my father was dead when I got home.
Another version of this story is that he left out a detail: Li Huimin, the former boss, lent Zheng Zheng 2000 yuan at that time, urging him to go home and visit his father as soon as possible.
Later, JUNG WOO set up his own studio and served as an independent screenwriter.
When I wrote Fireworks in March, JUNG WOO's plays were always rejected. "rotten, rotten, I feel that I can't write a script when I listen."
Just learn from the explosive TV series directly.
Tear down the plot structure and remake it.
In 2004, TVB's War and Beauty became popular all over Asia, and was called the "originator" of Gong Dou opera.
Thus, in 2006, there was JUNG WOO's Hou Qing Gong.
Although it was accused of plagiarism by the media, the ratings were red after the broadcast.
Zheng Zheng, who had been denied all along, suddenly tasted the sweetness.
As a result, Qing Palace became the starting point of Zheng Zheng's career and his plagiarism.
In the face of doubts, JUNG WOO replied: "When I first created it, I positioned the Qing Palace as a comprehensive work, which included the success of classic dramas such as War and Beauty, Daejang Geum, and Winter Love Song, with the aim of challenging the viewing miracle created by War and Beauty."
This year, Zheng Zheng clearly felt that he was "on fire soon".
At the same time, JUNG WOO also realized that he no longer needed to spend time and energy writing plays.
He found a way to complete a high-rated script in the shortest time, that is, through various quotations, and then "synthesize".
In this way, Zheng Yucheng has a prolific screenwriter, who can write more than three plays a year.
In June 2009, one month before the film started shooting, Zheng Zheng showed the script to his agent Tom Mu.
Before Tom Mu opened the script, JUNG WOO stopped him and tentatively asked: When I wrote it, I borrowed from an online novel called The Ups and Downs of Weiyang. Do you think it is necessary to contact the author to buy the copyright?
Tom Mu was dumbfounded at the first sight, which is a reference. This character is exactly the same as the main line of the story. Are you waiting for the defendant not to buy it?
Too late to question, Tom Mu quickly contacted the author of the book, paid the money first, and then made up the contract.
The popularity of Beauty's Calculation made JUNG WOO more convinced that his "comprehensive" operation was a panacea for ratings.
JUNG WOO knew that ratings were his biggest bargaining chip, so he started his own road of "buying a house" drastically.
Rouge snow copied the Phoenix Quartet.
A good wife and a good mother plagiarize the greedy heart and spend a full moon.
Lock Clear Autumn was copied from Li Yanfang's Hate Locking Golden Bottles and Plums.
20 1 1 "palace lock heart jade" drama fire.
At that time, some media claimed that the play was an instant hit because it was a masterpiece.
From the content to the actor's interpretation, Palace is like a pot of stew, whatever is popular, Qingchuan is like the "Little Swallow" in Princess Pearl, the tossing in the meteor garden, the war and the harem drama of beautiful women.
At that time, there were as many people who scolded Zheng Zheng as those who cooperated with Zheng Zheng.
"When I was at my best in the palace, I received fifty or sixty phone calls every day, and many people praised me."
In addition, JUNG WOO gloated in the media, saying that he was not copying, but learning from it.
20 14 The screenwriter Qiong Yao reported to SARFT in the form of an open letter that Zheng Zheng had copied his own plum blossom brand from Palace Lock Together.
On the day Qiong Yao published an open letter, Li Yaling, the screenwriter of the TV series "Clouds in Beijing", revealed that Zheng Yu had asked her to copy "Plum Blossom Branding".
Run Niandong, the screenwriter of the movie Love Flowers, Yu Baimei, the screenwriter of breakup guru and Liu Liu, the screenwriter of the TV series Dwelling House, all expressed their views in Weibo: "Finally! Copyright protection in China kicked off. "
Liu Liu is more frank, and JUNG WOO is greedy for money and shameless.
Lawyer Qiong Yao testified in court that there are 2 1 paragraphs in "Palace Locked Together" suspected of copying the plum blossom brand, including stealing dragons to turn phoenix, the second son complaining that his cronies suffered, the emperor's marriage was not consummated for many days, his face was sacred, and the princess's peace was misunderstood.
Wang Hailin is the expert assistant Qiong Yao sought in this lawsuit.
But in the end, he lost the case, was awarded compensation of 5 million yuan, and apologized to Qiong Yao.
I lost the money, but I haven't apologized yet.
JUNG WOO, who claimed to have numerous friends in the circle, contacted many people.
No one wants to be an expert assistant for him.
After the first trial, People's Daily commented on this matter and directly called Zheng Zheng a "literary thief": "If you copy your wealth and hype your blog, even if the whole world knows it, you can't escape the legal sanctions."
This incident has dealt a great blow to Zheng Zheng.
He once complained to the media that Qiong Yao accused me of being an elder who suppressed the younger generation.
Only Zheng Zheng can make plagiarism so fresh and refined.
The outside world's evaluation of Zheng is a businessman and an expert who knows the psychology of TV viewers.
Not what he called a gold screenwriter.
Because he has been fired from the scriptwriting industry in China.
This time, I mentioned Zheng's plagiarism again and asked him to apologize directly.
Really opened a positive scar again.
As the saying goes, new hatred and old hatred.
Wang Hailin directly responded, "If you don't sue, you are a younger brother".
This time, the drama of the three people officially kicked off.
People who eat melons have lined up.
Over the years, JUNG WOO won many stars, but many people left him.
No one wants to speak for him.
Zheng Zheng signed WeChat, "A scholar, arrogant for half his life, has a play in his heart and is arrogant."
Participating in Jiang Sida's "Only Three Days to See", JUNG WOO was asked: "Have you ever pursued fame and fortune?"
JUNG WOO replied: "I never pursue fame, only profit."
# "Copying Coffee" Entertainment Circle # # Wang Hailin and JUNG WOO's "New Hatred and Old Hatred # # Entertainment Focus #
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