The reasons why Lu Zhongnan's handwriting can't be practiced are as follows:

1. Lu Zhongnan's handwriting may be too standardized and lacks variety and flexibility. His glyph structure is relatively square and his strokes are relatively standardized, but this overly standardized glyph may make practitioners feel monotonous and lack of change and flexibility. Lu Zhongnan's words may lack individuality and innovation.

2. Although his glyph structure is neat, he lacks some individuality and innovation, which may affect the interest and enthusiasm of practitioners. Lu Zhongnan's handwriting may have some difficulties in strokes. For example, his handwriting often has some difficult strokes, such as long horizontal, long vertical, long left, etc. These strokes require practitioners to have certain calligraphy foundation and skills to master.

3. Lu Zhongnan's handwriting may not be suitable for beginners. Lu Zhongnan's handwriting style is mature, which may be difficult for beginners to master. Beginners are usually more suitable to practice some simple and easy-to-master glyphs in order to establish a correct writing posture and foundation. Lu Zhongnan's handwriting may not be suitable for people of different ages.

4. People of different ages have different writing habits and styles. Lu Zhongnan's handwriting may be more suitable for adults or people with a certain calligraphy foundation to practice. Lu Zhongnan's handwriting may not be suitable for people in different occupations or fields. People in different occupations or fields need to practice different glyphs and techniques to meet different writing needs.

5. For example, people engaged in handwriting may need to practice more neat and standard fonts, while people engaged in creative design may need to practice more personalized and innovative fonts. Lu Zhongnan's handwriting may not be suitable for modern society.

6. With the development of modern technology, when people use computers, mobile phones and other electronic devices for word processing, they pay more attention to the readability and clarity of words, but Lu Zhongnan's handwriting may not be prominent enough in this respect. Lu Zhongnan's handwriting may not be suitable for different writing instruments.

7. Different writing tools, such as pens, pencils and ballpoint pens, have different effects and characteristics when writing. Lu Zhongnan's handwriting may be more suitable for writing with soft pens such as brush. There may be some cultural background and style restrictions on Lu Zhongnan's words. Lu Zhongnan's words may be more in line with the aesthetic characteristics of China's traditional culture, which may be unacceptable to people who are not familiar with China's traditional culture.

introduction of Lu Zhongnan

1. Lu Zhongnan (December 195 ——) is a contemporary calligrapher and politician in China. Originally from Hunan, he was born in Ji 'an, Jiangxi. In 1973, Lu Zhongnan worked as a projectionist and propaganda officer in the propaganda team of a division in shenyang military area command and the propaganda team of shenyang military area command Logistics Department respectively.

2. After changing jobs in 1977, he served as editor of Qianjin Newspaper of shenyang military area command Political Department, secretary head of shenyang military area command Military Grand Meeting Preparatory Group, and editor of Bayi Film Studio. He is currently a director of China Calligraphers Association, a member of China Calligraphers Association, a vice chairman of Beijing Calligraphers Association, a director of China Young Calligraphers Association, and distinguished professor of China Calligraphy and Painting Correspondence University.