first kind

First, the introduction of new courses.

Students, you must be surprised if someone tells you that you can carve all 300 F Tang poems on one hair. This is the most amazing micro-carving art in China. Today, we are going to learn the story of the nuclear ship, which is a wonderful display of the exquisite micro-carving skills in China folk art hundreds of years ago. (blackboard writing topic)

Second, the overall reading, grasp the basic content of the text

Let the students read the text once or twice by themselves. Pay attention to the following:

2. Look up the dictionary, annotate and explain the new words in the article, and mark the difficult sentences with a pencil.

Example: ① Wang, Yi, Xuan Chang, Ruopeng, Mi, Nan, Zou, Zhe, Ji, Yin, etc.

(2) Because of the potential hieroglyphics, each has its own modality.

3. Think about the following questions:

(1) What is the size of the nuclear ship?

(2) How many people and things have sculptors carved on such a small nuclear ship?

(3) How did the sculptor skillfully arrange these characters?

Read the text aloud. Each student reads two paragraphs. After reading aloud, the rest of the students evaluate this classmate's reading situation, or point out his mistakes in pronunciation, or correct his improper sentence breaks, or praise his success.

Verb (abbreviation for verb) Learn the first and second paragraphs of the text.

Dredge keywords. Pay attention to the following words.

There were smart people in the Ming dynasty: smart and clever; Kit Kat, superb skill.

Can use the inch-diameter wood as a palace: use it; Wood, wood, wood; Because, production, here refers to sculpture.

No matter what the situation is, there are different modes: no, no; Reason, according to; Yes, yes.

The object after the predicate "one" in this sentence is "Yu He Zhouyi", which is a double object.

Gai Da Supan Chibi Cloud: Gai, as mentioned above, can be translated as "Yes"; Boating; Cloud, modal particles, nonsense.

3. Think about the following questions:

What is the main content of this paragraph? Clear: The main content of this paragraph is to briefly introduce the superb skills of Wang Shuyuan, a sculptor in the Ming Dynasty, and explain the origin of the nuclear ship.

(2) In the introduction, the superb skills of craftsmen are explained from several aspects.

Qing: It shows that the craftsman's skill is superb and extraordinary from two aspects: First, the craftsman is good at micro-carving, and can carve palaces, utensils, figures and other shapes on the "diameter inch wood"; Second, what craftsmen carve on small materials, these materials have their own forms.

4. Learn the second paragraph.

5. dredge keywords and pay attention to the words behind.

① The length of the ship is about eight odd points: yes, it is used between integers and zero; Odd number, zero, remainder.

② The middle porch is a hut: the porch is high; Open, open; Because, yes.

3 open the window and see that the carved columns are facing each other: open, open; And, connect adverbial and predicate; Phoebe, it means right in front of you.

4 If it is combined, it will be carved right: then, it will be combined (see).

6. Think and discuss the following questions.

What is the main content of this paragraph? What's the rule?

Clear: The main content of this paragraph is to explain how and what the cabin part of this small nuclear ship was carved. The roof of the hut is covered with a canopy made of bamboo leaves, and there are four small windows on each side of the hut. These eight small windows can be opened and closed. When you open it, you can see the carved railings on the left and right. When you close it, you can see that the right window is engraved with the words "the mountain is high and the moon is small, and the bottom is clear", and the left window is engraved with the words "the breeze is Xu Lai, and the water waves are quiet", which is 16. This nuclear ship is only over eight minutes long, with only two yellow meters high. It has a 1 ceiling (you can see what it is made of), eight windows (which can be opened and closed), left and right railings (with patterns), and the words 16 are engraved in the cabin (the words are clearly visible).

(2) What is the main interpretation method used in this paragraph?

Clear: This paragraph mainly adopts numerical interpretation method. How big, how long and how high the nuclear ship is, and how many things are carved in the cabin, each with its own number, which is clear and clear. When compared with the other party, its meaning is clear at a glance.

Second, learn the third paragraph.

1. Query and point out related words:

If you have something to say, you will never look up than your knees.

2. Explain and evaluate translation. 3. Thinking and discussion: This paragraph introduces the bow part; What does it mainly explain? Clear: describe the attitude of the three people at the bow. 4. Read the sentences that students describe the expressions of Su Shi, Lu Zhi (Huang Tingjian) and Fo Yin respectively, and talk about what kind of mentality sculptors are trying to render here and now. Qing Dynasty: From Su and Huang read the scroll with one hand, Dongpo's left hand caressed his back, his right hand fingered the scroll with words, and his head held high, we can see that the sculptor's intention is to show their open-minded and open-minded mind, to show that they completely forgot the real troubles and were intoxicated with the beautiful artistic conception of the picture scroll in front of them.

6. From which descriptions can we see that the sculptor's skill is ingenious, exquisite and meticulous? Clarity: There are many places to express this point, such as the description of Dongpo's appearance, the introduction of Dongpo's and Lu Zhi's Clothes Fold, and the explanation that Fo Yin's left arm is short of pearls.

1. Investigate the differences in the use of numerals between ancient Chinese and modern Chinese. Contact the previous section to see some examples:

(1) is about eight minutes long. (2) Four on the left, four on the right and eight on * *. (3) There are three people at the bow. (4)*** Read the first volume.

(5) lie on your back. (6) lean on the log. (7) There are four words * * * 30.

It can be seen that in ancient Chinese, numerals can directly modify nouns, which is different from the strict pattern of "numerals+quantifiers+nouns" in modern Chinese.

2. What rhetorical devices are used in this paragraph?

Clear: anthropomorphic: lying on the stern. Metaphor: The person who lives on the right has a bun on his back.

Ding Zhen: Touch the stove with your left hand. There is a pot on the stove.

3. How does this article explain the layout of the stern?

Clear: give priority to the total score structure. Say "a boat on the left, a boat on the right" first, and then say "a boat on the right" to "a boat on the left" 4. This paragraph describes the word "Mo" in the canopy, which is synonymous with the sound of "Mo" and is used in this article.

Zhou Zi "looks very moving". ...

"Right arm punting (-"bend ",bend. )

The chair on the left hand side has a wooden scale (scale-"horizontal", horizontal)

Cover bamboo slips with peach stones and trim them (Jane-"choose")

About eight points are odd (there is-"there is", which is used between integer and zero)

There are four words for * * * 30 (there is-"you", which is used between an integer and zero).

Wang Yishu, King of Yushan, just engraved (through "father", a man has a good name, often with words attached)

3? polysemy

Strange: There was a man called Wang Shuyuan in the Ming Dynasty-strange, rare and wonderful. The length of the ship is about 0/8, the remainder.

Yes: There is a clever man named Wang Shuyuan-yes.

The length of the ship is about seven-eighths-Tong You.

Uses: Carved into palaces, vessels and figures.

The corridor in the middle is the cabin.-Yes.

Ke: Gao Yue. Beads can be counted-yes.

End: Dongpo holds the tail in his right hand-noun, "right end"-adjective, "upright and straight"

.

5. Common words:

(1) The "board" of the "trap" is connected with the "version".

(2) The word "Ji" with "Yi", "Ji" and "Hou" means time.

(3) "Stop printing" and "Print only" are "Stop printing three or two copies".

Six "nuclear ships"

Study Guide

With the rapid development of science and technology, miniature sculpture is no longer unattainable. However, if we go back to the Ming Dynasty more than 400 years ago, it is not easy to carve all kinds of words and objects on a walnut that is not profitable. "The Story of the Nuclear Ship" will let us appreciate this world-famous handicraft and meet the outstanding artist Wang Shuyuan. When reading, we should pay attention to the method and order of writing numbers in this article and experience the concise and vivid language.

learning target

1. Explore the artistic conception of sculptors.

2. Explore the interpretation of spatial order.

Intensive teaching of basic knowledge

A complete explanation of the text

I. Background information

"The Red Cliff in the Great Soviet Union" is a well-known affair of literati for thousands of years.

In the second year of Yuanfeng in Song Shenzong (1079), Su Shi was appointed as the assistant ambassador who should be permanently stationed in Huanggang, Hubei. This is only an official position in name. After Su Shi took office, he was unhappy. He has been to Chibi outside Huangzhou for many times, and he has written Red Cliff Fu, Queen of Red Cliff Fu and Nian Nu Jiao? Historical masterpieces such as "Red Cliff Nostalgia" are used to express his thoughts and feelings when he was in exile. It can be seen from the article that although the sculptor borrowed from this incident, he was not bound by the process of this incident itself. He emphasized a concrete, vivid and highly concentrated generalization method. He tried to reproduce the facial expressions and movements of the characters without separating the characters from their surroundings. In his artistic conception, carefully designing every detail is closely combined with highlighting the overall image of things.

The word "Ji" at the end of the title of this article refers to the style. The "extreme" body appeared very early and reached its peak in the Tang and Song Dynasties. It can remember people and things, mountains and rivers, artifacts and buildings, so it is also called "Miscellaneous Notes". In writing, most of them are mainly narrative, with both argumentative and lyrical elements.

Second, text analysis

1. Highlights-Features of the article structure

This paper adopts the structural mode of "total-sub-total".

The first part is a general introduction, which introduces Wang Shuyuan's outstanding achievements in sculpture technology and points out the theme of the sculpture "Nuclear Ship". "It can be used as palaces, utensils, figures, even birds, animals and wood", which shows that the volume of raw materials used is very small and the range of performance is very wide, which shows that he has made many achievements; "No matter what the situation, each has its own modality", which shows that he is ingenious in conception and superb in technology. After such a general introduction, the theme of the sculpture "Nuclear Ship" is pointed out: "The Great Soviet Union Pan-Red Cliff". This clearly shows the intention of this paper, that is, to prove that the author's evaluation of Wang Shuyuan's skills is realistic with concrete works.

In the middle is a brief introduction: the structure, characters and titles of the "nuclear ship" are introduced in detail. Can be divided into two layers:

The first floor (paragraphs 2 to 4) introduces the front of the ship, which is the main part to show the sculptor's ingenious ideas and superb skills. It can be divided into three layers:

The first floor (the second paragraph) introduces the volume of the "nuclear ship" first, and then writes the middle part of the ship, that is, the cabin. Among them, the small window next to the hut is mainly introduced, which can not only be opened and closed, but also be engraved with couplets with sixteen Chinese characters, which shows the exquisiteness of carving; "Look out of the window" and "look through the fence", which shows the ingenuity of the sculptor.

The second level (the third paragraph) introduces the bow part, describing the appearance and expression of the tourists on board-Su Shi, Huang Luzhi and Fo Yin. This layer plays an important role in expressing the theme of sculpture, and the author's introduction is also the most detailed. In addition to writing the characters' clothes and postures carefully, he also deliberately described Su and Huang's feelings when rowing. From the descriptions of "Su and Huang read the scroll with one hand", "Dongpo touches the back with his left hand" and "the right hand refers to the scroll, if there is something to say", we can see that they have completely forgotten the troubles of reality and are intoxicated with the beautiful artistic conception of the scroll. How open-minded they are! As for Fo Yin's "condescending", it gives people a free and easy feeling. This naturally becomes the foil of Su and Huang, which makes the picture not monotonous.

The third floor (every 4 paragraphs) introduces the stern part, and writes the expressions and movements of the ship. The expressions of the two sailors also "don't belong": one is "like whistling", which is very leisurely; A song "Look at the End of Silence" is very focused. This shapes the image of the ship, highlights the theme of "rowing" more effectively, and also renders the relaxed and happy atmosphere inside the ship, echoing the scene at the bow.

The second floor (paragraph 5) introduces the top of the ship. This layer is omitted. This paper only introduces the title and seal of the book, and once again shows the sculptor's superb skills with the words "as thin as a mosquito's foot, one hook and one painting". The title is black and the seal is red, which is in sharp contrast, showing the sculptor's intention.

Finally, the full text is summarized, and the number of people, windows and other things carved on the ship and the total number of words are counted. With the echo of "counting its length, not making an inch", it began to emphasize that the material volume is small but the carving capacity is large, and then ended with "hip-hop, amazing skills".

The language of this article is plain and concise, especially the description of the characters on board. Every sentence comes from the author's examination, vivid and vivid, without exaggeration. After reading it, people have a feeling of seeing the "Great Soviet Red Cliff".

2. Excellent writing style

This is a commendable and distinctive essay. Its main features are three:

The first is a detailed description. What the author remembers is a specific handicraft-a small and exquisite nuclear ship.

The second is an orderly hierarchy. The author's description of each part of the nuclear ship is always written first and then written separately; From right to left, from top to bottom, it conforms to the order in which people observe things and is very organized.

The third is imagination. The story of the nuclear ship is a static object, but the author moves in silence and writes with great interest.

In the explanation, the writing methods of combining the total score, introducing in turn and describing one by one are adopted, which gives people a deep and clear impression. The first part is a general introduction, which gives readers a general impression of Wang Shuyuan's superb technology. The second part always begins with a sentence, pointing out the size of the nuclear boat, and then makes a detailed explanation according to the position of the east and west parts: write the cabin first, then the bow, then the stern, and finally the top of the boat. The third part is a general introduction, which refers to the beginning of the article, but goes further than the first part. It uses serial numbers to make comprehensive statistics, so that the nuclear ship explained will leave a clearer impression on readers and strengthen the explanation effect. Three parts, first sum, then divide, and then merge. At the end of the full text, "Xi, the skill is also strange", which is the same as the "kit kat" explained at the beginning.

3. Difficulties-Interpreting objects according to spatial order.

To explain the shape and structure of an object, we usually say the whole first, and then say its parts one by one. This is called spatial order. As for how to say the whole and how to arrange the order of each part, it is necessary to take advantage of the situation and there is no certain law. There are only two sentences about the whole nuclear ship in this paper, one is the length and the other is the height, which highlights the compactness of this sculpture. The following parts are written: the positive reflection of the sculptor's artistic conception is the main part of sculpture and should be put in the first place; The above is the inscription, which is an accessory part of the sculpture. This is reasonable and not surprising. Surprisingly, the bow is not written in the order of "bow-middle-stern", but the order of bow and middle is reversed. Why do you want to write like this? There are probably two reasons: first, the middle part of the nuclear ship is the cabin, which is tall, spacious and eye-catching, and the window next to the cabin can be closed, which can arouse readers' interest; Second, famous sentences describing scenery in Su Shi's Poems on Chibi and Poems on the Back of Chibi are engraved on the window, so that readers can perceive the beautiful environment of Su Shi's boating in Chibi through imagination. This latter reason is particularly important-if the nuclear ship is compared to a painting, then the bow of Su, Huang and three boatmen is the main part of the painting, and the cabin is the background part; Getting out of the background first can not only be fascinating, but also give readers a preliminary understanding of the special atmosphere in this environment. If you write the bow first and then the cabin in the normal order, this artistic effect will not be produced. As for the stern, there is no need to elaborate. These two boats are obviously used to foil the three swimmers at the bow.

A thorough solution to the problem

The Artistic Conception of the Sculptor

The reason why this article is so exquisite that people can imagine the content of this work of art through its words is mainly because the author has a deep understanding of the sculptor's artistic conception. This should start with the theme of this work "The Great Soviet Union is Pan-Red Cliff".

Specifically, there are the following points:

(1) When Su Shi visited Chibi Collection, he also "dressed up, walked on rocks, put on velvet, lived in tigers and leopards, climbed dragons, climbed storks' dangerous nests, and leaned against Fengyi's secluded palace". However, according to the two works before and after Red Cliff Fu, most of the time it is "boating under the red cliff". The peach stone, the raw material of sculpture, has the characteristics of "narrowing" and is suitable for carving into a boat shape. For these two reasons, sculptors naturally have the idea of focusing the whole process of sightseeing on the "boat" to express it, forming the theme of "boating".

(2) Su Shi is the protagonist, but there are also fellow travelers. Before and after the two poems "Red Cliff Fu", it was mentioned that "guest" accompanied, but it was not named. The sculptor thought of Su Shi's good friends and Huang when he lived in Huangzhou. Su Shi's "I am too proud to stand up" is recorded in history books and easy to show. Fo Yin is a monk, and it is not difficult to describe his appearance. This further formed the thought of taking Su Shi as the center and Lu Zhi and Fo Yin as the periphery. Then, "Su and Huang * * * study" is used to express their leisurely mood, and it is placed in a prominent position in the bow of the boat to highlight the main part of the picture.

(3) The place of the tour is Chibiji (Su Shi mistakenly thought it was Chibi), so it is difficult to express it in three-dimensional details on the "nuclear ship" anyway. Therefore, the sculptor skillfully carved the sentences of "the wind is cool in Xu, the water waves are quiet" and "the mountain is high and the moon is small, and the truth is white" in Su Shi's poems "On the Red Cliff" and "After the Red Cliff" on the small windows around the cabin. This is a bold artistic creation by the sculptor. In fact, it is a "transplant" technique to show the real picture of life through the imagination of the audience.

(4) In order to give viewers a real feeling of boating on the river, the sculptor carefully designed the details of the "raft lying across the stern". There are two boatmen separated, one sitting on a log and the other burning tea, which are very leisurely, just like "Let it go, let it stop" in Shi's "Ode to the Red Wall"

(5) In addition to the above design, there is another detail that is also very expressive: one is Fo Yin's "looking up", and the other is the right boat's "right hand climbing on the right toe, if it screams". The former makes people feel that Fo Yin is overlooking the sky and the mountains on both sides, while the latter makes people feel that there is a "breeze" blowing slowly on the river, showing a vast artistic space outside the "nuclear ship".

Learning method guidance

Sentence translation method

1. The word order is exactly the same in ancient and modern times, and it can be translated word for word in the original order.

2. Some of them contain quantifiers, which can be translated according to the original word order according to the context, such as "stern paddle". You can also change the word order appropriately and translate it into "one oar at the stern"

3. The expressions of "Man Five" and "Window Eight" do not conform to modern language habits, so the word order should be changed when translating: "There are five people engraved on this ship with eight small windows".

It should be noted that the modifier should be placed before the head word when the attribute is postpositioned.

Outdoor training

1. appreciation of the story of the nuclear ship

The author vividly introduced the superb carving skills and unique talents of Wang Shuyuan, a sculptor in the late Ming Dynasty, and enthusiastically praised the artistic achievements of ancient folk artists in China by using the brushwork of combining description with description in The Story of the Nuclear Ship.

The article begins with "Gedasu Pan-Red Cliff Cloud" as the first paragraph, telling readers concisely that Wang Shuyuan has extraordinary carving skills, and he can carve works of art with different shapes on "inch-long wood" at will. However, more importantly, he can use the natural patterns and shapes of wood to express their respective forms. "pictographic without potential", emphasizing "shape"; "Each modality" highlights "spirit likeness". In this way, it also highlights that Wang Shuyuan is a "kit kat" person. The word "Gai" in Gai Da Su Pan Chibi Cloud is used as an adverb here, which means "probably". Judging from the people and scenery carved on the nuclear ship, it is "Red Cliff of the Great Soviet". However, Su Dongpo did not say that Huang Luzhi and Fo Yin accompanied him, although he wrote about boating on the Red Cliff in "Fu on the Red Cliff". This indirectly shows that sculptors are good at imagining according to Su Dongpo's original text. The nuclear ship is engraved with Su Dongpo's visit to Chibi, which shows the main contents depicted by the whole nuclear ship. Gedasu Pan-Red Cliff Cloud plays a "bridge" role in the whole paper. This paragraph is only over 50 words. It is economical, concise, vivid, clear and rich in content, and it also shows the superb skills of nuclear ship sculptors.

The second paragraph is from "the captain is about eight points strange" to "alas, his skill is also strange" This paragraph can be divided into five sections. At the beginning of writing, the author described it as detailed as peeling bamboo shoots, which was very layered. First, write the length and height of the nuclear ship, which is "about eight minutes long and two meters high", to show the exquisiteness of the nuclear ship's handicrafts by its compactness; This metaphor is also surprising. The article then goes into the specific description. Write "a spacious cabin is a cabin" first, focusing on the height and spaciousness of the cabin and its position in the nuclear boat under this specific condition. Small boats are not satisfied with the "size" and "spacious" cabins. One is in sharp contrast with the other, forming a complete picture to show the characteristics of the carving art of nuclear ships. Then, it can be opened and closed, so "opening the window to see" means "carving a fence face to face". When the window was closed, the famous sentences before and after "Red Cliff Fu" appeared: "The mountain is high and the moon is small, the bottom is clear" and "The breeze is Xu Lai, and the water waves are stagnant". Carving words, scenery, people and things on the "nuclear ship" which is about eight minutes long and two meters high is exquisite, realistic and poetic. Its wonderful taste is superb enough to show Wang Shuyuan's exquisite carving skills. However, the author vividly expressed poetic and picturesque ideas in exquisite handicrafts, and also showed his artistic skill.

The second and third sections focus on the five characters on the nuclear ship to enhance the vitality of the works. If readers pay close attention and taste carefully, it is not difficult to see that sculptors have amazing imagination. The article "Boating under the Red Cliff with the Guest" in "Red Cliff Fu" does not explain who the guest is, but the sculptor chose Huang Luzhi and the monk to concretize the characters and personalize them in the process of concretization. Therefore, the description of the mental state of the three of them in the work has become the most glorious part of this handicraft. Wang Shuyuan, a folk sculptor, gave full play to the talent of drama director when carving. At the bow of the small nuclear boat, three people do not occupy the only space on average, and each has its own characteristics to "sit". The author sometimes uses thick lines in his brushstrokes, such as Dongpo, Fo Yin on the right and Lu Zhi on the left. Sometimes meticulous techniques are used, such as "Dongpo holds the tail in his right hand and caresses Lu Zhi's back with his left hand. Lu Zhi has the end of the scroll in his left hand and the scroll in his right hand, so he has something to say. Su and Huang became one, making them "read the volume with one hand", especially "in the bottom folds of hidden volumes", describing the most subtle scenes with a very delicate pen angle. At this time, the monk in Fo Yin, "bared his chest, held his head high", "lying on his right knee, propping up the boat with his right arm, and standing up his left knee", was intoxicated by the cool breeze and bright moon. What is especially wonderful is that there are countless beads hanging on the left arm of monk Fo Yin. Write from the smallest place, carve its appearance and spirit. Verbs such as "hug, caress, point, say, correct and look" make the finishing point, and there is movement in silence and silence in movement, which makes the characters vivid. The performance of the characters, the clothes on their bodies and the props in their hands set off each other in a specific situation, reaching a high degree of harmonious beauty. For the two boatmen at the stern, the author's description is not reduced. " Lying on your side, the carving artist's knife method is vividly displayed. Lying on your side means that the oars stop paddling and the boat ripples with the waves in the river. At this time, you can go boating in the river and roam the picturesque poems of Chibi. And the two boatmen, one "like a whistle" and the other "see without saying a word, if you listen to tea. "Two faint strokes suddenly glow, and the two boats enter the designated situation and are outlined vividly, and the modality of the boat echoes the modality of the rowing protagonist, which is neat and beautiful.

In the fourth and fifth sections, Wang Shuyuan carved the title and seal on the back of the nuclear boat, and made statistics on the people and things carved on the nuclear boat. The inscription and seal on the back of the nuclear ship are not dispensable, because it ensures the integrity of the craft and embodies superb art, "as thin as mosquito's feet, it is outlined", with fine strokes and clear lines. The inscription on the back of the ship is "seven-color ink", the seal character is "seven-color Dan" and the color is black and red. In addition, the sixteen characters in the cabin are "Shi Qing Tan Zhi". From the bow to the stern, the colors are harmonious, and the artist's creative attitude is meticulous from beginning to end. "Ce Zhou" uses nine words "Wei" to list in detail, presenting the nuclear boat to readers with vivid, concise and three-dimensional description. Many people and things are carved on the "narrow" peach pit, and the skills have reached the realm of perfection.

At the beginning, the article introduces the exquisite skills of Wang Shuyuan, a folk sculptor, and the contents of the nuclear ship. Then, the length, height, cabin, bow, stern and stern of the nuclear ship are written in turn. At last, the figures of people, objects and characters carved on the nuclear ship are counted, which echoes the beginning and ends the article by praising Wang Shuyuan's wonderful workmanship, just like a silk thread with pearls and jade strung on it. The whole article has more than 400 words, and the choice of each word is like this ingenious nuclear ship. The nuclear ship is a carving handicraft, which directly gives people a visual feeling. Through the author's delicate and vivid description, the reader's imagination is aroused, the reader's visual impression of the nuclear ship is deepened, and its unique aesthetic function is completed. This article has profound artistic conception, rich imagination and clever contrast. The nuclear boat is small in size and has many people and things; Vividness of expression and delicacy of modality; There is stillness in motion, and there is stillness in motion; The simple words are in sharp contrast with the profound artistic conception, which shows the exquisiteness and poetic beauty of carving art, and at the same time, we should also mention the extraordinary knowledge of the sculptor. As we know, Su Dongpo's well-known "Before and After Red Cliff Fu" has aroused enthusiastic response in the history of literature, and its outstanding artistic achievements are well-known. On the other hand, it directly reveals the emptiness of the whole life, while Huang Luzhi's official career is bumpy. During the reign of Zhe Zongshao, the New Party, considering the situation, demoted him to Fuzhou driver and placed him in Guizhou. He died in Yizhou (now Yishan, Guangxi) in his later years. They are frustrated politically, and in this state of mind, they are bound to be in tune with Fo Yin monks who converted to Buddhism. Therefore, the sculpture artist added the specific character "Ke" in "Fu on the Red Wall", and his artistic imagination is reasonable. Indeed, The Story of the Nuclear Ship sublimates the sculpture of the nuclear ship to a new artistic realm, and at the same time, the nuclear ship enhances the artistic charm of the Story of the Nuclear Ship.