The main materials and tools of oil painting are pigments, brushes, knives, canvases, varnishes, picture frames and so on.
① Pigments can be divided into mineral and chemical synthesis. Most of the original pigments were mineral pigments, which were ground into fine powder by hand and blended when painting.
In modern times, it was mass-produced by factories and put into tin cans, and there were more and more kinds of pigments. The nature of pigment is related to its chemical composition. When mixing colors, chemical action will cause some bad reactions between pigments.
Therefore, mastering the nature of pigment is helpful to give full play to oil painting skills and make the color of works unchanged for a long time. (2) Brushes, made of animal hair with moderate elasticity, are round, flat, short and flat, and fan-shaped.
(3) Painting knife, also known as color palette knife, is made of elastic thin steel sheet, which can be divided into sharp shape and round shape. It is used to evenly mix pigments on the palette. Many painters also use a knife instead of a pen, painting directly with a knife or partially forming pigment layers and textures on the canvas to increase expressiveness. (4) Canvas, a standard canvas, is made by stretching linen or canvas on a wooden inner frame, mixing it with white powder with glue or oil, and coating it on the surface of the cloth.
Generally, it is made into a foundation with a certain pattern effect without oil absorption, or a foundation with half oil absorption or full oil absorption according to the needs of creation. The thickness of the cloth pattern depends on the size of the picture frame and the needs of the painting effect.
Painters using canvas with background color can easily form a uniform picture tone, and can also inadvertently reveal the background color when painting. After painting, wood or cardboard that does not absorb oil can also replace the canvas.
⑤ Polishing: Generally, after the oil painting is dried, it is covered with varnish to keep the luster of the picture and prevent cavitation and fouling. ⑥ Frame, a complete oil painting includes a frame, especially an oil painting with strong realism. The frame forms the boundary of the viewer's vision of the work, which makes the picture appear complete and concentrated, and the objects in the painting develop in depth in the viewer's feeling.
The thickness and size of the picture frame depend on the content of the work. The frames of classical oil paintings are mostly made of wood and gypsum, while the frames of modern oil paintings are mostly made of metal materials such as aluminum alloy.
2. Oil painting tips
Hello, I am a student of the Academy of Fine Arts. My oil painting can't be expressed in a few words, but I still hope to give you some help!
The expressive force of oil painting lies in the diversity of its tools! Scraper is the most common tool, that is, a flat knife, which can be used to pick out pigments or paint colors. Sometimes, we just use a scraper instead of a brush to make the painting very atmospheric and colorful. Of course, the details will be decorated with pens. The pens used are also soft and hard, and the paintings drawn with thick and hard strokes are more textured.
As you said, the stripes and meshes of branches are drawn with gauze and fine barbed wire.
As for sand, it is usually provided by paint shops, so you can find it yourself, as long as it is fine and has a relatively high adhesion.
I don't know if you have started painting now. Generally, the preparation of oil painting is very complicated. You have to frame, polish the canvas, buy oil paints, oil pens, wood palette, turpentine, colored oil and so on. And these preliminary work must be prepared.
You can buy some professional books to read, and the gains will be even greater!
Whether you have a foundation or not, painting is a very enjoyable thing. May you be happy!
3. Basic knowledge of art painting
Pay attention to the lightness, fluency and thickness of lines, so that the picture can have a sense of space and layering. If you want to master it quickly, you can't achieve your goal just by testing theoretical knowledge. You must insist on sketching. Sketching is a necessary way to improve line quality and skills, and at the same time, it can improve your painting ability in all aspects. You have to copy the master's sketch, not only to see, but also to see how his lines are used in different directions, whether they are thick or not. Is it light or heavy? After a long time, you will find that although you can't see some lines on the screen with your eyes, you can feel the existence of lines there, which is the so-called unreachable meaning. Some places don't have to be expressed by lines, and the viewer can understand the truth, so that the lines of the whole picture are not complicated, and each line has its own meaning. Remember that meaningless lines are absolutely not added. Be precise, accurate and accurate.
Besides the necessary theoretical knowledge, color collocation is more important to appreciate the colors in life, which requires both perceptual knowledge and rational knowledge. Since it is art, perceptual knowledge is often greater than rational knowledge. The color collocation of many masters makes people look very innovative, but there is no lack of rationality, that is, on the basis of rational understanding, give full play to perceptual knowledge. Color also pays attention to the sense of space, layering and beauty, which involves many things, such as. Every hue is widely used in every field of life, so to improve the awareness of color matching, we should feel more about things in life, look at the color matching in French and other foreign fashion designs, and look at the classic color matching in famous oil paintings. If you look more, you will find that the color matching is rich and varied, not static. There is no right or wrong color matching, only beauty and ugliness.
4. What should I pay attention to when learning oil painting?
The main materials and tools of oil painting are pigments, brushes, knives, canvases, varnishes and so on.
① Pigments can be divided into mineral and chemical synthesis. Most of the original pigments are mineral pigments, which are ground into fine powder by hand and adjusted into nosebleeds when painting.
In modern times, it was mass-produced by factories and put into tin cans, and there were more and more kinds of pigments. The nature of pigment is related to its chemical composition. When mixing colors, chemical action will cause some bad reactions between pigments.
Therefore, mastering the nature of pigment is helpful to give full play to oil painting skills and make the color of works unchanged for a long time. (2) Brushes, made of animal hair with moderate elasticity, are round, flat, short and flat, and fan-shaped.
(3) Painting knife, also known as color palette knife, is made of elastic thin steel sheet, which can be divided into sharp shape and round shape. It is used to evenly mix pigments on the palette. Many painters also use a knife instead of a pen, painting directly with a knife or partially forming pigment layers and textures on the canvas to increase expressiveness. (4) Canvas, a standard canvas, is made by stretching linen or canvas on a wooden inner frame, mixing it with white powder with glue or oil, and coating it on the surface of the cloth.
Generally, it is made into a foundation with a certain pattern effect without oil absorption, or a foundation with half oil absorption or full oil absorption according to the needs of creation. The thickness of the cloth pattern depends on the size of the picture frame and the needs of the painting effect.
Some painters use canvas with background color, which is easy to form a unified picture tone, and can also inadvertently reveal the background color when painting. After painting, wood or cardboard that does not absorb oil can also replace the canvas.
⑤ Polishing: Generally, after the oil painting is dried, it is covered with varnish to keep the luster of the picture and prevent cavitation and fouling.
5. Ask for oil painting tips.
A painting with transparent vegetable oil mixed with pigments creates artistic images on materials such as cloth, paper and wooden boards. It originated and developed in Europe and became an important painting in the world in modern times. /kloc-before the 0/5th century, the egg-colored paintings in European paintings were the predecessors of oil paintings. While using the egg-colored painting method, many painters continue to look for more ideal blending agents.
It is generally believed that/kloc-Van Ecker, a Dutch painter at the beginning of the 5th century, was the founder of oil painting techniques. On the basis of previous attempts to dissolve pigments in oil, they used linseed oil and walnut oil as blending agents to paint, which made the painting smooth, the drying time of pigments on the screen moderate, and it was easy to cover and modify them many times in the painting process, forming rich color levels and glossiness. After drying, the coating has strong adhesion and is not easy to peel off and fade. They used new oil painting materials to create, which was very influential in the painting world at that time. Oil painting technology soon spread to other western European countries, especially Venice, Italy.
Oil painting materials and tools
The main materials and tools of oil painting are pigments, brushes, knives, canvases, varnishes, picture frames and so on.
① Pigments can be divided into mineral and chemical synthesis. Most of the original pigments were mineral pigments, which were ground into fine powder by hand and blended when painting. In modern times, it was mass-produced by factories and put into tin cans, and there were more and more kinds of pigments. The nature of pigment is related to its chemical composition. When mixing colors, chemical action will cause some bad reactions between pigments. Therefore, mastering the nature of pigment is helpful to give full play to oil painting skills and make the color of works unchanged for a long time.
(2) Brushes, made of animal hair with moderate elasticity, are round, flat, short and flat, and fan-shaped.
(3) Painting knife, also known as color palette knife, is made of elastic thin steel sheet, which can be divided into sharp shape and round shape. It is used to evenly mix pigments on the palette. Many painters also use a knife instead of a pen, painting directly with a knife or partially forming pigment layers and textures on the canvas to increase expressiveness.
(4) Canvas, a standard canvas, is made by stretching linen or canvas on a wooden inner frame, mixing it with white powder with glue or oil, and coating it on the surface of the cloth. Generally, it is made into a foundation with a certain pattern effect without oil absorption, or a foundation with half oil absorption or full oil absorption according to the needs of creation. The thickness of the cloth pattern depends on the size of the picture frame and the needs of the painting effect. Painters using canvas with background color can easily form a uniform picture tone, and can also inadvertently reveal the background color when painting. After painting, wood or cardboard that does not absorb oil can also replace the canvas.
⑤ Polishing: Generally, after the oil painting is dried, it is covered with varnish to keep the luster of the picture and prevent cavitation and fouling. Freshman oil painting reminds you that it will take at least several months or even years for the new oil painting to really dry out. Insufficient drying and glazing will make the water unable to be eliminated and damage the long-term preservation of oil paintings.
⑥ Outer frame, a complete oil painting includes an outer frame, especially an oil painting with strong realism. The outer frame forms the boundary for the viewer to watch the work, making the picture complete, and the images in the concentrated painting develop in depth in the viewer's feeling. The thickness and size of the picture frame depend on the content of the work. The frames of classical oil paintings are mostly made of wood and gypsum, while the frames of modern oil paintings are mostly made of metal materials such as aluminum alloy. Freshman oil paintings remind you that ready-made frames are usually made according to the usual canvas specifications, but the sizes of many famous paintings are not the usual specifications, so you should consider the matching of sizes and frames when ordering replica oil paintings.
6. What should I pay attention to when I am a beginner in oil painting?
1: Prepare the required materials! Such as (paint \ oil painting pen \ turpentine \ special oil for oil painting \ oil painting palette \ waste newspaper \ oil painting knife) 2: It is best to use customized oil painting frames, usually wooden frames! Stretch canvas (linen)! Do whatever you want. Then brush the white latex three times! Be sure to brush it in place! You can draw when it's dry! These things are available in art shops! There are also near the university! If a frame is half open, the price of Gaby is around 20 yuan! If you have any specific questions, please leave a message below your questions! Then I'll solve it for you! There are special introductory books, starting with canvas and color matching.
You have studied gouache, so you should have a basic knowledge of sketching. I believe you will master it soon. There is also a layer of white latex (the thickness is controlled by yourself, and the effect will be different). As long as it doesn't leak oil, I often apply it like this in my daily practice, and the effect is quite good.
But this kind of painting is not conducive to preservation and exhibition. You can try to draw on the board and glue it on, which will feel good and easy to save. Oil painting and gouache are similar in painting. If you have a gouache foundation, you should be able to get started quickly, but oil painting is definitely not as fast as gouache, so you should use some tips when covering it: you can dry it and then apply it (don't completely dry it, as long as it doesn't affect the color coverage), that is, apply one layer at a time. Make the primer first, use quick-drying oil when making the primer, and then reduce the amount of quick-drying oil layer by layer. If you find it necessary to modify the color stack, scrape it off with a scraper. Then I will introduce the tools needed for oil painting: oil painting pigments (Marley and Windsor Newton had better not buy Smith Barney's), oil painting pens (mainly round bristles, fan-shaped pens, small sharp pens for describing details), picture frames, color oil, quick-drying oil, scraper, palette, and plastic paste (generally, the wooden palette just bought will absorb oil, so it is best to coat the surface with a layer of plastic paste). Tear the newspaper into small pieces to wipe the pen (the oil painting pen is dirty, unlike gouache, which can only be wiped with the newspaper), turpentine (which can be used for color matching or pen washing. The pen washing here refers to the method you use only when you finish painting for a period of time every day. If you don't clean the brush, the pen will be dry and difficult to wash next time, and it will almost be scrapped. These can almost satisfy your oil painting wishes ~ Finally, I remind you that oil painting needs a solid foundation and long-term hard practice, which can't be explained in one sentence. There is no shortcut to art, only practice more, see more, ask more questions, and frustration is the way to color the root of oil painting. After pressing the pen, it is slightly frustrated and then mentioned, such as calligraphy, which is solid and solid.
The colors of the nib and the root of the pen are different, and the light and heavy direction of the pen holder is different, which can produce many changes and interests. Pat with a wide oil painting pen or fan pen, and then pat gently on the screen.
Flapping can produce a certain undulating texture, which is neither very obvious nor very simple. You can also process the original strong strokes or colors to weaken them. Rubbing refers to the method of directly manipulating two or more different colors on the screen with a pen. After color processing, it produces natural mixed changes, obtains subtle and bright colors and contrast between light and shade, and can play a transitional role.
Lines refer to lines drawn by pen drawing. Oil painting lines are generally marked with soft and sharp clues, but in different styles, round heads, proofreaders and old flat pens can also draw thick lines similar to strong books. At first, both eastern and western paintings were modeled on lines. In early oil paintings, drafts were usually drawn with precise and rigorous line outlines. In tempura technique, the method of arranging cables is the main means to form light and shade.
It was only later that western oil paintings evolved into light and shade and heads, but even so, the midline factor in oil paintings was influenced by indelible colors. The use of slender, bold, neat or random lines and repeated overlapping make the language of oil painting richer, and it is more important to deal with different body lines.
The use of lines in oriental painting has also influenced the styles of many modern western masters, such as Matisse, Van Gogh, Picasso, Miro and Klee. Oil painting oil painting is a major kind of painting in western painting.
The art of painting by mixing pigments with quick-drying oil on treated canvas, boards, thick paper or walls. Early oil paintings used the technique of "Tempere", which used egg yolk or egg white as seasoning, mixed with mineral pigments, and then coated with a thin and transparent oil cover.
/kloc-who was the Dutch painter in the 0/5th century? Eco brothers changed to quick-drying oil such as linseed oil and walnut oil as blending agent, which made the color easy to blend and was widely used. It is characterized by free strokes and can be laid layer by layer, which can improve color brightness and fully show the realism and rich color effects of objects.
Since then, new materials and technologies have spread all over Europe. Where is it? The Echo brothers are therefore called the creators of European oil paintings.
At the beginning of the 20th century, more and more people studied oil painting in China, among which Li Shutong (1880- 1952) first studied oil painting and introduced this technique to China. This is indeed the question that all cartoonists are asking: drawing cartoons is a hard work, and the future doesn't look so bright. What shall we do? In this environment, I will not take the route of pure comics, but tend to find a more suitable direction between artists and cartoonists, and then I can take a different path.
Because you only draw cartoons, there are too few ways out, not to mention your family, and even you will lose confidence in yourself. Creation is an action. Ask yourself. Sometimes you can sleep two hours less and draw two more pages of cartoons. Arrange your own time, instead of sleeping for eight hours every night and then saying that there is not enough time.
But for now, few people work so hard to paint at all costs, but spend their time on other things. There is no hurry to settle down slowly ... because children don't pay attention to the importance of power and money, artists are most likely to ignore money and power like children and not set foot in these things to make good works.
This can be proved by previous artists. We should try our best to balance everything.
7. Art tips
Art usually refers to painting, sculpture, arts and crafts, architectural art, etc. They are carried out in space, expressed and appealed to human vision.
When this name was first used in Europe in the 17th century, it generally referred to painting, sculpture, literature, music and other things with aesthetic significance. When I began to use this word in general around the May 4th Movement, it also had the meaning equivalent to the whole art. ..
For example, when Lu Xun explained the word "art" in 19 13, he wrote: "art is a word ... translated from English love. People who love clouds are originally from Greece, and their friendship is art.
Soon after, China translated the word "love" with the word "art", and the word "art" became the name specifically referring to visual arts such as painting. Modeling expression means: the skills and means to create artistic images in plastic arts.
Such as painting with the help of color, light and shade, lines, anatomy and perspective; Sculpture depends on volume and structure. These techniques and means, through long-term artistic practice, have formed the unique and special artistic language of these plastic arts, which determines the different expression rules of these arts and is related to the success or failure of the plastic arts image and the appeal of artistic works.
The artist's constant exploration and improvement of the regularity of modeling expression means is a necessary condition for artistic creation to express new life content and meet people's developing aesthetic hobbies. The golden section is also called Huang Jinlv and the golden ratio.
On a line segment, the line segment is divided into long segments and short segments according to the optimal length-width ratio, or the optimal ratio of long sides to short sides of a rectangle is formed according to the optimal length-width ratio, that is, the golden section. Terms of two-dimensional painting.
Refers to the plane space composed of length (left and right) and height (up and down). In painting, in order to truly reproduce the image, we often use perspective, shading and other modeling methods to create the profound feeling and three-dimensional effect of the image on the plane of the second space, that is, to create the illusion of the three-dimensional space of natural objects with the second space.
Some paintings, such as decorative paintings and pattern paintings, do not require strong depth effect, but deliberately pursue the plane meaning of the second space in order to obtain artistic expression. Stereographic terminology.
Refers to the three-dimensional space composed of length (left and right), height (up and down) and depth (depth). In painting, in order to truly reproduce the image, it is necessary to show the three-dimensional sense and depth on the plane.
Texture painting, sculpture and other plastic arts show the characteristics of various objects in their works through different expression techniques, such as silk, skin, water, stone and other different qualitative characteristics, giving people a sense of reality and beauty. With the help of light and shade, color, lines and other modeling factors, the sense of quantity expresses the feeling of the weight, thickness, size and quantity of an object.
Such as the solemnity of rocks and the lightness of wind and smoke. All realistic objects in painting are required to convey their unique weight and realism.
Using the comparative relationship of quantity, we can produce diverse and unified effects. In painting, according to the principles of geometric perspective and air perspective, the sense of space describes the relationship between objects such as distance, level and interpenetration, thus conveying a profound three-dimensional sense in plane painting.
Terms of volume painting. Refers to the visual objects displayed on the painting plane can give people a three-dimensional sense of occupying three-dimensional space.
In painting, any visible object is determined by the structure of the object itself, which is composed of blocks in different directions and angles. Therefore, it is necessary to grasp the structural characteristics of the object to be painted and analyze its proper relationship in painting in order to achieve a sense of volume.
Theoretical terms of perspective painting. The word "perspective" comes from the Latin word "perspclre".
At first, perspective is to look at the scenery through a transparent plane, and accurately draw the scenery on this plane, that is, to form a perspective view of the scenery. Later, according to certain principles, the science of expressing the spatial position, outline and projection of an object with lines is called perspective.
Terms of light and dark painting. Refers to the brightness change of light, backlight and reflective parts of objects in painting and the expression method of this change.
An object has three bright and dark states under illumination, which are called three major surfaces, namely, bright surface, middle surface and dark surface. The light and color of the three major surfaces are generally dark in the middle.
The light and shade of the three major surfaces are generally manifested in five basic levels, namely, five tones: ① the bright surface is always illuminated; (2) Gray surface-middle surface, half bright and half dark; (3) the dividing line between the bright part and the dark part; (4) a backlight part on the dark side; ⑤ Reflect the dark and bright parts of a single surface affected by ambient reflection. It has always been the basic method of square painting to describe objects according to the level of light and shade.
During the Renaissance, vasari once said in "Biography of Artists": "When painting, after drawing the outline, use shadows to roughly distinguish the light and shade, and then carefully display the light and shade in a single room, so does the bright part." Rembrandt is a master of shadow techniques among European painters.
Terms of contour plastic arts. Refers to the edge line that defines the range of performance objects.
In painting and sculpture, whether the outline is correct is regarded as the key to the success or failure of the work. Terminology of composition and plastic arts.
Refers to the structural configuration method of artistic images in works. It is an important means for plastic arts to express the ideological content of works and gain artistic appeal.
One of the important factors of color painting. It is a complex phenomenon that various objects absorb and reflect light to varying degrees and act on people's audience.
Due to the different textures of objects, the absorption and reflection of various colors of light are different, so everything in the world has formed ever-changing colors. The qualitative appearance that tonal colors can present.
Different colors in nature are infinitely rich, such as purplish red, silver gray and orange yellow. Chromaticity refers to the inherent lightness of the color itself.
For example, among the seven basic colors, purple * * * is the darkest and yellow * * * is the brightest. Tone is also called tone.
Under the irradiation of light source color with certain hue and lightness, the surface of the object is shrouded in a unified color tendency and color atmosphere, which is hue. Colors have no attributes.
Colors are basically divided into warm colors (also called hot colors) and cool colors (also called cool colors). Red, orange and yellow are warm colors, giving people a warm, warm and outgoing feeling.
8. What is the common sense of painting and how to master it?
The art of painting common sense usually refers to the art of painting, sculpture, arts and crafts, architectural art and so on, which is carried out in space, expressed and appealed to human vision.
When this name was first used in Europe in the 17th century, it generally referred to painting, sculpture, literature, music and other things with aesthetic significance. When I began to use this word in general around the May 4th Movement, it also had the meaning equivalent to the whole art. ..
For example, when Lu Xun explained the word "art" in 19 13, he wrote: "art is a word ... translated from English love. People who love clouds are originally from Greece, and their friendship is art.
Soon after, China translated the word "love" with the word "art", and the word "art" became the name specifically referring to visual arts such as painting. Skills and means of creating artistic images in plastic arts.
Such as painting with the help of color, light and shade, lines, anatomy and perspective; Sculpture depends on volume and structure. These techniques and means, through long-term artistic practice, have formed the unique and special artistic language of these plastic arts, which determines the different expression rules of these arts and is related to the success or failure of the plastic arts image and the appeal of artistic works.
The artist's constant exploration and improvement of the regularity of modeling expression means is a necessary condition for artistic creation to express new life content and meet people's developing aesthetic hobbies. The golden section is also called Huang Jinlv and the golden ratio.
On a line segment, the line segment is divided into long segments and short segments according to the optimal length-width ratio, or the optimal ratio of long sides to short sides of a rectangle is formed according to the optimal length-width ratio, that is, the golden section. Terms of two-dimensional painting.
Refers to the plane space composed of length (left and right) and height (up and down). In painting, in order to truly reproduce the image, we often use perspective, shading and other modeling methods to create the profound feeling and three-dimensional effect of the image on the plane of the second space, that is, to create the illusion of the three-dimensional space of natural objects with the second space.
Some paintings, such as decorative paintings and pattern paintings, do not require strong depth effect, but deliberately pursue the plane meaning of the second space in order to obtain artistic expression. Stereographic terminology.
Refers to the three-dimensional space composed of length (left and right), height (up and down) and depth (depth). In painting, in order to truly reproduce the image, it is necessary to show the three-dimensional sense and depth on the plane.
Texture painting, sculpture and other plastic arts show the characteristics of various objects in their works through different expression techniques, such as silk, skin, water, stone and other different qualitative characteristics, giving people a sense of reality and beauty. With the help of light and shade, color, lines and other modeling factors, the sense of quantity expresses the feeling of the weight, thickness, size and quantity of an object.
Such as the solemnity of rocks and the lightness of wind and smoke. All realistic objects in painting are required to convey their unique weight and realism.
Using the comparative relationship of quantity, we can produce diverse and unified effects. In painting, according to the principles of geometric perspective and air perspective, the sense of space describes the relationship between objects such as distance, level and interpenetration, thus conveying a profound three-dimensional sense in plane painting.
Terms of volume painting. Refers to the visual objects displayed on the painting plane can give people a three-dimensional sense of occupying three-dimensional space.
In painting, any visible object is determined by the structure of the object itself, which is composed of blocks in different directions and angles. Therefore, it is necessary to grasp the structural characteristics of the object to be painted and analyze its proper relationship in painting in order to achieve a sense of volume.
Theoretical terms of perspective painting. The word "perspective" comes from the Latin word "perspclre".
At first, perspective is to look at the scenery through a transparent plane, and accurately draw the scenery on this plane, that is, to form a perspective view of the scenery. Later, according to certain principles, the science of expressing the spatial position, outline and projection of an object with lines is called perspective.
There are three perspectives: 1 color perspective, 2 vanishing perspective and 3-line perspective. This is summed up by Leonardo da Vinci, and the most commonly used is line perspective. Perspective occupies a large proportion in painting. Its basic principle is to imagine a piece of glass between the painter and the object to be painted, fix the position of the eyes (see with one eye), and connect the key points of the object with the eyes to form a line of sight. Reconnect with the imaginary glass. The position of each point on the glass is the position of the three-dimensional object you want to draw on the two-dimensional plane. This is the application method of perspective in western classical painting. For example, the perspective application of Chinese painting: (1) Multi-viewpoint Chinese painting is good at expressing rich plots, while western painting pays attention to single viewpoint (similar to photography). The rich plot emphasized by Chinese painting can't be completed from a single viewpoint. Therefore, Chinese painting is represented by multiple viewpoints (similar to splitting and recombining multiple lenses of a camera). For example, (2) the height of the camera is represented by a slightly oblique perspective, and mountains with high mountains are often drawn in the distance, which are connected by clouds. Show a feeling that people are higher than mountains. Chinese painting does not use close-ups to represent mountains. (2) Long-distance Chinese painting emphasizes "fighting for a tree and taking an inch of beans." Therefore, painters must express themselves with telephoto. Picasso's works break the basic law of perspective and show the front and back of an object in two-dimensional space. To understand Picasso's paintings, we must first abandon perspective. Now the painter has begun to ignore all the rules and try to break them. But these practices are in a basic philosophical rule-breaking old rules and creating new ones. Angle of view Center point: that is, the painter's eyes are facing a point on the horizontal line of his eyes.
Viewpoint: It is the position of the painter's eyes. Line connecting the viewpoint and the center, at right angles to the horizon.
Vanishing point: an angular object, not parallel to the picture, reaches the vanishing point on both sides of the center of the apparent horizon in perspective. Celestial point: it is an inclined object (in front of the roof of the house) and disappears above the obvious horizon.
Location: It is an inclined object (behind the roof) near high and far low, disappearing below the obvious horizon.