There were few blue and white porcelain wares in Yuan Dynasty. Now there are a pair of eleven-year-old blue and white elephant ear bottles collected by David Art Foundation in Britain (135 1). They are written in blue and white, with five lines and 62 words: "Zhang, a disciple of Dejiao Jingtang Society in Shuncheng Township, Yushan County, Xinzhou Road, has a pair of incense burners and vases, praying for the blessing of his family and children. I remember the beautiful days of April in the 11th year of Zheng Zheng. At the Xingyuan Ancestral Hall, Marshal Hu Jingyi made a confession. " This is a special trust written on the donor, with the donor's name and specific age on it, which is of great reference significance for identifying the age of the utensils. It is the year number of Shun Di at the end of Yuan Dynasty, and this pair of bottles should be the representative works of blue and white porcelain at the end of Yuan Dynasty.

It also records the blue-and-white glazed red tower four-spirit jar named "Dayuan to Wuyin June" and the blue-and-white glazed red pavilion warehouse engraved with "Later to Wuyin May". "Wuyin Year" is the last four years of Yuan Dynasty, namely 1338.

The blue-and-white glaze jar with five characters of "Seven Years in Zheng Zheng" in the blue straight book should be AD 1347. A blue-and-white ganoderma lucidum jar engraved with "Year of Wuzi" is the eighth year of Zheng Zheng. 1348. A pair of blue and white dragon-patterned elephant ear bottles carved in the 11th year of Zheng Zheng (135 1).

The blue-and-white twin phoenixes in Pingxiang Museum, Jiangxi Province, have a blue-and-white "blessing" in their hearts. This kind of auspicious language lasted from the Yuan Dynasty to the Ming and Qing Dynasties, and it was very common in blue and white porcelain in folk kilns.

In addition, some Yuan blue-and-white porcelain have one or two words written in ink on the bottom or cover, and some have blue-and-white inscriptions in the bowl. 1980 A blue-and-white Gao Zubei cursive script unearthed from the cellar in Gao 'an County, Jiangxi Province, is poetic and bold, which conforms to the nomadic character of Yuan people.

Finally, I'd like to mention the blue and white cultural relics of China Yuan in the Iranian temple of Atbil. Some of these objects are written or carved in Arabic on the bottom of Gaskin. According to relevant experts' research, these Arabic characters are the name of Iranian King Abbas or the dedication of Abbas, and some are Tibetan symbols. /kloc-In the 6th century, Iranian King Abbas presented China Yuan Blue and White to the temple for collection, which shows the worship of Yuan Blue and White in Islamic countries. However, according to the analysis of Iranian experts, the seal on the Yuan blue-and-white ware is Persian, and it is inferred that it is a signature, which may be the name of the craftsman for his work.

Shandong Tibetan: Yuan Qinghua Dragon's binaural picture is complete, with a height of 37.5 cm, a mouth of 8.5 cm and a bottom of 12.8 cm. The drum diameter of the body is relatively large, and the outer walls of the neck, abdomen and bottom are clearly visible. The story pattern of the characters in Zhou Yafu Xiliuying is even rarer in Yuan blue and white porcelain.