Introduction-Life Story
Comrade Cang Kejia (1905.10.08 ~ 2004.02.05) died at the age of 99.
Zeng used the name Zang, pen names Sun Quan and He Jia, and was a disciple of the poet Wen Yiduo.
190510/kloc-0 was born in Zhucheng, Shandong Province on October 8th. Influenced by his grandfather and father since childhood, he laid a good foundation for classical poetry.
/kloc-in the summer of 0/923, he was admitted to the First Normal School of Shandong Province. During this period, I read a lot of new literary works and began to write new poems.
1925 first published his works in the national publication yusi with few signatures.
1927 was admitted to Wuhan branch of the Central Military and Political School to participate in the Northern Expedition.
1929, Qingdao Republic of China Daily published a new poem "Night Silence in the Forest" for the first time, signed by Ke Jia.
1930 was admitted to the national Shandong university, and was warmly taught and helped by Mr Wen Yiduo (then dean of Shanda College of Literature) and Mr Wang Tongzhao. His poems, such as Refugees, Old Horses and Some People, describe the miserable life of farmers in old China with concise poems. The long poem Black Hands of Evil exposes the evil and hypocrisy of imperialism. These poems are the representative works of his early poems and have become the classics in the history of modern poetry in China.
1932 started his new work and became famous with an old horse.
1933 published the first book of poetry, Brand, which was well received by predecessors such as Wen Yiduo and Mao Dun. The following year, the collection of poems "Black Hands of Evil" came out and became famous in the poetry circle.
1934 to 1937, taught in Linqing Middle School, Shandong Province, published a collection of poems "Canal" and a long poem "My Portrait", and created a collection of essays "Random thoughts".
1936 Joined the Writers and Artists Association of China.
After the outbreak of War of Resistance against Japanese Aggression, Comrade Cang Kejia closely linked his destiny with that of the nation and took an active part in anti-Japanese patriotic activities.
From 65438 to 0938, he joined the All-China Anti-Enemy Association of Literary and Art Circles and was elected as the director of Xiangyang and Yichang Branches.
1summer solstice of 1938 194 1 at the beginning of the year, he served as an instructor, secretary of the headquarters, member of the cultural work Committee, head of the wartime cultural work group and member of the 30 th Army in the Propaganda Department of the Anti-Japanese Youth League in the Fifth Theater.
194 1 autumn, he served as a member of the Senate of 3 1 and vice president and acting president of Sany Publishing House, preparing to publish the progressive publication "Dida Wen Cong", which was banned by the authorities after it was founded.
1July, 942, he resigned angrily and walked from Yexian County, Henan Province to Chongqing in the heat.
1943 was elected as an alternate director at the fifth annual meeting of the All-China Anti-Enemy Association of Literary and Art Circles in April. In the summer of the same year, he served as the Commissioner of the Relief Committee, responsible for editing the magazine "Education for Children with Difficulties" until the autumn of 1945.
1948 65438+In February, he was forced to dive into Hong Kong because of the serious white terror in Shanghai.
1949 In March, under the arrangement of the Central Party Organization, Comrade Cang Kejia came to Beiping. He has been a researcher in the Literature Creation Research Office of the College of Literature and Art of North China University, an editor of the General Administration of Publishing and People's Publishing House, an editor of Xinhua Monthly and a literary column editor of Xinhua Monthly.
1July, 949, attended the first congress of all-China writers and artists, and was elected as a member of all-China writers association.
1951June joined the China Democratic League and served as a member of the NLD Central Culture and Education Committee.
1956, Comrade Cang Kejia was transferred to the Secretariat of the Chinese Writers Association.
From 1957 to 1965, he was the editor-in-chief of Poetry magazine. After his contact, Mao Zedong's 18 poems were published for the first time in the inaugural issue of Poetry Journal, which had a great influence throughout the country.
1957 Co-authored Interpretation of Chairman Mao's Poetry with Zhou, which played an important role in the spread and popularization of poetry.
Persecuted during the Cultural Revolution, he was forced to stop his literary creation and social activities and was sent to the May 7th Cadre School in Xianning, Hubei. 1972 back to Beijing.
1June, 976, Poetry Magazine was reissued, with Comrade Cang Kejia as consultant and editorial board member.
An outstanding poet in modern times, a famous writer and editor, a loyal patriot, a close friend of China's * * * production party, a member of China Democratic League, a deputy to the second and third National People's Congress, a member of the fifth, sixth, seventh and eighth CPPCC National Committee, a member of the seventh and eighth Standing Committee, the first and second directors of the Chinese Writers Association, the third director, consultant and the fourth consultant. Comrade Cang Kejia, honorary member and president of the 6th and 7th Chinese Poetry Society, honorary president of China Mao Zedong Poetry Research Society and honorary president of China Writing Society, died in Beijing at 20: 35 on February 5th, 2004 at the age of 99.
After the outbreak of War of Resistance against Japanese Aggression, Comrade Cang Kejia closely linked his destiny with that of the nation and took an active part in anti-Japanese patriotic activities. From 65438 to 0938, he joined the All-China Anti-Enemy Association of Literary and Art Circles and was elected as the director of Xiangyang and Yichang Branches. 1summer solstice of 1938 194 1 at the beginning of the year, he served as an instructor, secretary of the headquarters, member of the cultural work Committee, head of the wartime cultural work group and member of the 30 th Army in the Propaganda Department of the Anti-Japanese Youth League in the Fifth Theater. He was full of strong patriotic enthusiasm and risked the enemy bombing. He went to the front line of Taierzhuang for an interview and wrote a long reportage "The Story of Blood on the North Line of Jinpu". He led the wartime cultural work group of the Fifth Theater to carry out anti-Japanese literature propaganda and creation activities in rural areas of Henan, Hubei, Anhui and Dabie Mountains. Regardless of personal safety, he organized "literary and art workers to join the army"; He risked his life to go to the front line of Sui-Zao to engage in the cultural propaganda work of resisting Japan and saving the nation, and once participated in the Sui-Zao campaign. During this period, Comrade Cang Kejia created and published a collection of poems and essays, such as Joining the Army and Singing on the Huaihe River, Walking with Jujube, which enthusiastically eulogized the great patriotism and heroic deeds of the anti-Japanese soldiers and civilians. 194 1 autumn, he served as a member of the Senate of 3 1 and vice president and acting president of Sany Publishing House, preparing to publish the progressive publication "Dida Wen Cong", which was banned by the authorities after it was founded. 1July, 942, he resigned angrily and walked from Yexian County, Henan Province to Chongqing in the heat. 1943 was elected as an alternate director at the fifth annual meeting of the All-China Anti-Enemy Association of Literary and Art Circles in April. In the summer of the same year, he served as the Commissioner of the Relief Committee, responsible for editing the magazine "Education for Children with Difficulties" until the autumn of 1945. During this period, he created and published a long poem "Old Trees and Flowers", a memoir "My Poetic Life" and a collection of poems "Song of the Earth" and "Selected Poems in Ten Years". Cang Kejia (1905. 10.8-2004) was born in Chengnuo, Shandong. /kloc-Before the age of 0/8, he lived in the countryside of Jiaodong Peninsula. 65438-0923 entered the First Normal School of Jinan Province. Influenced by the May 4th Movement, he learned to write poems. 1925' s first novel "Bie Bie and the plough" contains "Yu Si". /kloc-in the autumn of 0/926, he was admitted to the Central Military and Political School to take part in the campaign against the reactionary army Xia Douyin. After the failure of the Great Revolution, he fled to the northeast. 1929 He entered the cram school of Qingdao University and published Tao Xin's Silent Night in the Woods. 1934 graduated from Chinese Department of National Shandong University. At school, Wen Yiduo and Wang Tongzhao encouraged and helped me to write new poems. 1932 published his first poem "Refugees" in the seventh issue of Volume 4 of New Moon. 1933 published the first book of poetry, Brand. Then he published two poems, Black Hands of Evil, Canal and a long poem, Self-portrait. From 65438 to 0936, Cang Kejia joined the Chinese Writers Association and was one of the pioneers of China's realistic new poetry. He inherited and developed the realistic tradition of new poetry from two aspects. First, he extended the singing of new poems to farmers and rural areas in old China. Before him, no poet could describe farmers and countryside so successfully. Secondly, he promoted the construction of China's modern narrative poems, that is, the blending of the poet's inner world and the outer world. Cang Kejia is a charming poet in China. He consciously absorbed nutrition from China's classical poems and modernized them, casting the China style of his works. His poems have implicit lyrical ways, emphasizing "hiding", poetry is outside the poem, and the pen has hidden front; His poems use a simple and refined way of speaking, which is refined and ingenious; His poems pursue a harmonious and pleasing musical way, and "knocking" is one of the criteria for Cang Kejia to refine Chinese characters. He seeks the harmony of syllables, sonorous and moving, and increases the aesthetic feeling of readers' hearing. In the history of the development of new poetry, there are few realistic poets with China style like Cang Kejia, which is worthy of further study in academic circles.
For the history of modern and contemporary literature in China, Cang Kejia is a rich existence, and his literary activities have lasted for more than 70 years. The Complete Works of Cang Kejia published at the end of 2002 has 12 volumes, with nearly 6.3 million words. Cang Kejia is an important page in the history of modern and contemporary literature in China and one of the pioneers of China's realistic new poems.
Cang Kejia is famous for his new poem, but his prose, covered by the title of this poem, has also made great achievements. It should be said that his prose and poetry are equally divided in the time and quantity of creation. Prose and memoirs, including Wild Shop, Frog, Meeting in the Cave, Sea, Fire and My Poetic Life, are a major topic for prose critics. In his later years, Cang Kejia was old and sick, unable to touch the fresh life, so he "turned his head upside down when he was old, and wrote more prose and less poetry". "I try my best to grasp prose to express the interest of my poems." Cang Kejia's poems rarely tend to be prosaic; On the other hand, his prose pursues poeticization-it contains the soul of poetry, which establishes the flavor of Cang Kejia's prose. Some partisans even say that "writing is not as good as poetry".
From a horizontal perspective, first of all, it seems that children who know nothing about the world and have not sweated are not sad enough; The second time was the "sweaty" father, whose melancholy mood showed poetry; Finally, grandpa who died of sweating showed his sadness. The life of a peasant in the soil! From a vertical perspective, the three images of children-father-grandfather represent not only three generations, but also countless generations. This is the embodiment of the life track of farmers from generation to generation in China, and each image is highly summarized. The meticulous observation, profound thinking, ingenious writing and strong aftertaste are beyond the reach of other poets. This alone, the achievement of Cang Kejia, a "peasant poet", goes without saying.
Cang Kejia put great emphasis on writing only what he is familiar with, which is a major feature of his realism. On the relationship between "the needs of the times" and "being familiar with oneself", he emphasized familiarity with the subject matter. Of course, with the changes of the times, poets should be familiar with the new and unfamiliar life in the past, which is complete realism. In his preface "A War in the Middle" written for Song of the Earth 1946 edition, he said: "When can I stop worrying, grieving and angry about their tragic fate and sing such ugly songs? When, let me sing a happy and liberated song for them-China farmers, in truth, just like they sing a sad song? " He was familiar with farmers in old China, so he wrote about farmers in old China. But he also longs for new people and a new world.
Cang Kejia is always attracted by the natural scenery of the countryside. As long as the conditions are met, his inspiration will come easily, so one excellent work will come out. 1942, he finished Song of the Earth, which is Cang Kejia's most important work besides the satisfaction of the brand and the poet himself. After the beginning of the Anti-Japanese War, poets and writers reflected on their own creation-empty enthusiasm disappeared, high-profile cries became hoarse, and some poets and writers returned to familiar themes, looked at old themes with new aesthetic eyes and wrote new works in the new era. So Ba Jin wrote Spring (1939) and Autumn (1940). Cao Yu writes about Beijingers (1941); Mao Dun wrote that frost leaves are as red as February flowers (1943); Cang Kejia wrote his 1 1 poetry collection Song of the Earth. Compared with those urgent chapters that sing current affairs directly, Cang Kejia said: "I am best suited to sing such songs, but maybe I can only sing such songs." During the period of 1944, when he edited Selected Poems for Ten Years, few works directly representing the bonfire of the Anti-Japanese War were selected.
Cang Kejia's poem is a philosophy brewed in lyricism, and it is a philosophical poem. Wen Yiduo once had an incisive conclusion, "There is not a poem of Ke family that does not have extremely real life significance." This "extreme truth" comes from the poet's philosophical summary of his concern and grasp of the essence of life. "Three Generations", a "very true" lyric short poem, has simple, concise, cold and profound artistic characteristics.
During the War of Liberation, Comrade Cang Kejia participated in many progressive activities, such as "truce and peace". In Chongqing, he was invited to attend a symposium of cultural figures held by Comrade Mao Zedong in his Zhang Zhizhong apartment. In Shanghai, he edited literary supplements of the Voice of Overseas Chinese, such as Xinghe, Learning Poetry, Writing Poetry and Wenxun, and United a large number of progressive writers. Angry at the dark corruption of politics, he wrote a large number of political lyric poems and political satire poems, and published poems such as Baby, Zero Life and Winter, which had a wide influence. 1948 65438+In February, he was forced to dive into Hong Kong because of the serious white terror in Shanghai.
1949 In March, under the arrangement of the Central Party Organization, Comrade Cang Kejia came to Beiping. In May, he published a group poem "What he saw, heard and thought" in People's Daily, expressing his joy after he arrived in the liberated areas. Later, he served as a researcher in the Literature Creation Research Office of the College of Literature and Art of North China University, an editor of the General Administration of Publishing and People's Publishing House, an editor of Xinhua Monthly and a literary column editor of Xinhua Monthly. 1July, 949, attended the first congress of all-China writers and artists, and was elected as a member of all-China writers association. 1951June joined the China Democratic League and served as a member of the NLD Central Culture and Education Committee.
1956, Comrade Cang Kejia was transferred to the Secretariat of the Chinese Writers Association. From 1957 to 1965, he was the editor-in-chief of Poetry magazine. After his contact, Mao Zedong's 18 poems were published for the first time in the inaugural issue of Poetry Journal, which had a great influence throughout the country. During this period, he devoted himself to the organization and leadership of prospering and developing socialist literature, played an important role in the publication and development of Poetry Magazine, and made remarkable achievements in prospering poetry creation and strengthening the construction of poetry team. At the same time, full of infinite love for the motherland, the party and the people, I am tireless and diligent in creation. As a passionate and prolific poet, he was active in China poetry circles in 1950s and 1960s, and ushered in another peak of his creation. He has published poetry anthology "Selected Poems of Cang Kejia", "Triumph" and long poem "Li Dazhao". Among them, some people-in memory of Lu Xun's feelings, Chairman Mao's smile on the Yellow River and other well-known works have been selected into middle school Chinese textbooks many times. 1957 Co-authored Interpretation of Chairman Mao's Poetry with Zhou, which played an important role in the spread and popularization of poetry.
Comrade Cang Kejia was persecuted in the "Cultural Revolution", forced to stop his literary creation and social activities, and was sent to the "May 7th Cadre School" in Xianning, Hubei. 1972 back to Beijing. 1June, 976, Poetry Magazine was reissued, with Comrade Cang Kejia as consultant and editorial board member.
After the downfall of the Gang of Four, Comrade Cang Kejia, who was over 70 years old, was full of literary thoughts and ushered in the spring of creation. He sang a heartfelt hymn to the new period of socialism, and published poems such as Recalling Xiangyang, Falling in the Red Dust and Cang Kejia's Old Style Poems. Prose collections such as Huai Ren Ji and Poetry and Life; Random Thoughts on Learning Poetry, On Poetry by Ke Jia, Appreciation of Classical Poetry by Cang Kejia, etc. The Complete Works of Cang Kejia, a 12 volume that condensed his life's sweat and hard work, was also published in June 5438+February 2002.
Cang Kejia's works have won many awards and have been translated into many languages, which have a wide influence at home and abroad. 1April, 1988, won the honorary award of the first literary periodical editor of Chinese Writers Association; 1In August, 990, Appreciation of Mao Zedong Poetry, edited by him, won the Golden Key Award of the National Book and the first prize of the Fifth China Book Award. 199 1 10 received special government allowance from the State Council. June, 5438+October, 2000/KLOC-0 won the lifetime achievement award of the first "Xiamen-Singapore Cup China Poet Award"; In June165438+1October of the same year, he won the Lifetime Achievement Award of the First Dragon Culture Gold Award of the International Yanhuang Culture Research Association. From June 5, 2002 to 10, he was awarded an honorary doctor of literature by the World Congress of Poets and the World Art and Culture Society. In 65438+February of the same year, he was awarded the gold medal of "China Contemporary Poetry Soul" by the 7th International Poets' Pen Club. From June 5438 to February 2003, The Complete Works of Cang Kejia was nominated for the 6th National Book Award.
Comrade Cang Kejia loves the Party, the people and socialism, and earnestly studies Marxism–Leninism, Mao Zedong Thought, Deng Xiaoping Theory and Theory of Three Represents. In his creative career of more than 70 years, no matter during the revolutionary war years or during the period of socialist revolution, construction and reform and opening up, he cared about the future of the country, the destiny of the nation and the development of literature with great enthusiasm, enthusiastically eulogized the cause of revolution, construction, reform and opening up and socialist modernization led by the Party, and actively advocated writers to go deep into life with short poems, old poems, essays, critical letters and novels. He adheres to the direction of "choose one from two" and the policy of "letting a hundred flowers blossom", unites and cares for middle-aged and old-aged poets and enthusiastically cultivates young poets. He witnessed the whole history of China's new poetry from birth to development, and made outstanding and indelible contributions to the development of China's new poetry.
Comrade Cang Kejia's life is a life of unremitting pursuit of light, a life of consciously expressing the times and serving the people wholeheartedly, and a life of diligent writing, painstaking efforts and constant climbing of artistic peaks. He is keen in thinking, clear in love and hate, kind and upright, optimistic and open-minded, decent in style, simple in style, approachable, open-minded and cheerful, frugal in life and strict with himself. He devoted his whole life's energy and painstaking efforts to the literary cause of the party and the people selflessly.
Mr. Cang Kejia died in 2004 and was buried in the Overseas Chinese Cemetery in Beijing Wanfoyuan.
With the death of Comrade Cang Kejia, China lost a master of literature, a pearl of contemporary poetry and a respected and beloved teacher. We will always learn from him and miss him.
Comrade Cang Kejia is immortal!
The work "Wen Yiduo's words and deeds" is included in the seventh grade lesson 13 of People's Education Publishing House.
The work "Some People" is included in Lesson 25, Volume 2, Grade 8, Jiangsu Education Publishing House.
[Edit this paragraph] Published poems
Brand, the first book of poetry published by 1933, is his most influential work. This collection of poems sincerely and simply shows the decline of rural areas in China, the sufferings of farmers, perseverance and national worries.
Since then, he has published poetry collections, including Black Hands of Evil, Self-portrait, Song of the Earth, Baby, Zero Life and more than a dozen long poems.
During this period, Cang Kejia's poems were short, but they were quite general. In addition to consciously learning the structural methods of classical poetry, he formed a dignified, concentrated and refined style, and deliberately pursued novelty, originality and visualization of words, but at the same time he was plain, clear and colloquial.
After the founding of People's Republic of China (PRC), Cang Kejia wrote many political lyric poems, among which Some People is his masterpiece. This poem was written to commemorate the third anniversary of Lu Xun's death/kloc-0. Its uniqueness lies in its philosophical theme: man lives for the better of most people. In fact, this theme has gone beyond the scope of praising Lu Xun's spirit and introduced readers into deeper thinking about life. Simple language, strong contrast and vivid image are the artistic characteristics of this poem.
In addition to continuing to write short and meaningful poems, Cang Kejia also wrote a biographical poem "Li Dazhao". This long poem shows the great and ordinary personality of a revolutionary pioneer from many angles such as fighting and family.
Lu Xun
1905. 10.08~2004.02.05
touch control
1905, Cang Kejia was born in Zangjiazhuang, Zhucheng, Shandong. Zhucheng is in Jiaodong Peninsula. Which county does Gulang belong to? Two thousand years ago, Qin Shihuang carved stones there during his eastern tour, and there is still a very famous post there? Carve stones. Zangjiazhuang is in the southwest of the city 18 miles. Is it lonely highland? Sitting on a hill, there are two green hills beside the village, one is Changshan Mountain and the other is Ma 'er Mountain. When Su Dongpo was in Mizhou, he went hunting in Changshan Mountain, leaving a poem "Try to sweep the North Taiwan to see horses".
Cang Kejia was born in a small and medium-sized landlord family. This is a feudal family, but the cultural atmosphere is very strong. His ancestors
My father and great-grandfather both had a modest "fame" in the Qing Dynasty, and his father graduated from the School of Law and Politics. At the age of 8, his biological mother died, and his father suffered from lung disease and hemoptysis all the year round, and only lived to be 34 years old.
Due to the misfortune of his family, the poet had the opportunity to play with the children of poor families before entering private schools, thus gaining a deep understanding of the miserable and painful life of farmers. Because of the strong cultural atmosphere at home, he was interested in literature and art since he was a child. When the poet was second old, he could clearly remember some songs he heard as a child, such as:
Laoshan, with a long tail, married his daughter-in-law and forgot his mother. She carried her mother to the ravine, and her daughter-in-law carried her to the kang. She missed her mother when she went out to eat noodle soup. Her mother became an archer and touched the south wall and the north wall. 「HT」
Cang Kejia's grandfather and father both like poetry. Grandpa is serious and silent, which makes people afraid to approach, but as soon as he is happy to recite poems, his voice is full of emotion, and he enters the realm of poetry and becomes another person. When he was a child, his grandfather taught him to read ancient poems. Although Cang Kejia didn't know them at that time, he could recite them. What "drive away the oriole"; "Congjun"; "The foot of my bed is shining so brightly"; "A strong man is not yan dan"; What do you mean, "a teenager ran away from home, boss?" Back off "...? Grandpa writes well, too. Every year near the Spring Festival, Grandpa always writes his own Spring Festival couplets, and young Cang Kejia is responsible for pressing the paper. The couplets in the class change year after year, mostly for the old saying. Like "flowers are sincere and troublesome, but stones can't be the most pleasant"; Water is my friend, bamboo is my humble teacher "thousands of books is suitable for children, ten years of wood and wind smoke" and so on.
When Cang Kejia was about eight or nine years old, he went to a private school. When he was 12 years old, he went to a primary school in his village. During his years in a private school, he was able to remember more than 60 ancient texts. Longer ones such as Preface to Wang Tengting, Hanging the Ancient Battlefield, and Li Ling Answering Su Wude; Shorter ones, such as Humble Room Inscription and Reading Meng Changjun Biography. He later recalled: "After nearly 70 years, I can still recite it. When I was licking my bones, I began to understand the taste today and benefited a lot. "
In the first two years of junior high school, Mr. Sun Mengxing often spoke out: We are a great China with thousands of years of glorious history, but we are bullied by a small Japanese! And the authorities blindly forbear, making the country perish, and 40 million Chinese people will become conquered people! Cang Kejia listened with sadness and intense feelings. His young mind sowed the seeds of hatred of imperialism, which also inspired his strong patriotism.
19 19, the vigorous May 4th Movement broke out. This year, Cang Kejia 14 years old was admitted to the "No.1 Higher Primary School" in the county. On the occasion of summer and autumn, the Beijing Student Movement Organization sent Qiu, a local college student, back to his hometown to do propaganda and agitation work. Cang Kejia and his classmates followed him to the streets to publicize with flags, and went to the store to check Japanese goods, register them, seal them up and confiscate them.
Zhucheng county has two historic sites, one is the post station of Qin Shihuang. Monument, the other is Su Dongpo's "transcendental platform". The "transcendental platform" is the place that Cang Kejia often boarded. After thousands of years, life and death are separated from each other, and he seems to have something in common with Su Shi. Every time I visit this place, Cang Kejia has a bird's eye view of Weihe River in the north, "Ma 'er" in the south, Lushan Mountain in the east and Muling Mountain in the west, singing "The River of No Return", which makes me feel heroic. He often meditates: how good it is to be a poet; For thousands of years, many emperors and generals have been washed away by the flowing water from the east, but the poet's poems are immortal and touching.
After studying in "senior high school" for three years, Cang Kejia was influenced by new ideas, which broadened his horizons and mind. "High school" graduated in three years, among which Cang Kejia was delayed by one year because his father dropped out of school.
1923, Cang Kejia went to Jinan and was promoted to the first normal school in Shandong. Mr. Wang Zhuchen, the headmaster of this school, graduated from the Normal University. He is determined to devote himself to education all his life, and his thoughts are progressive and open-minded. He often invites celebrities to give lectures at school to enlighten students' horizons and hearts. Dewey, Zhou Zuoren, Yang Hui and others all gave lectures in the First Normal School.
In the whole class, Cang Kejia is among the best in Chinese, and his compositions are always well received by teachers. At that time, he began to write vernacular poems. On one occasion, he contributed to Sri Lanka, and Zhou Zuoren wrote back. Soon, Julius published his article, which was the first time that Cang Kejia published his works in a big journal. Then, he submitted three articles to the Tales of Xu Wenchang edited by Lan Lin, which were adopted again. He was really "happy" to see his name printed on the book.
At that time, Shandong No.1 Normal School was regarded as an enlightenment school in Jinan, and it was also the position for the spread of the May 4th new ideological trend and new culture. At school, Cang Kejia devoured many newly published books. At that time, in order to encourage students to study, the school also set up a "book and newspaper introduction society", with Deng Guangming as the person in charge.
1in the autumn of 926, the rule of Zhang Zongchang, a warlord of Feng Dynasty, was very dark and suffocating. At this moment, Guo Moruo's Revolution and Literature touched him greatly: "Under the current system, we cannot pursue complete personal freedom." He and his classmates went to Wuhan. At that time, the revolutionary government was established in Wuhan, and the "Southern Army" resounded throughout the country, and many young people yearned for it.
/kloc-at the beginning of 0/927, Cang Kejia was admitted to Wuhan Central Military and Political School, and joined the army in the crusade against Yang Sen and Xia Douyin. His collection of poems, Portrait of Freedom, describes the life of Wuhan Revolution. After the failure of the Great Revolution, he returned to his hometown. Soon, due to the persecution of the Kuomintang reactionaries, Cang Kejia fled to the northeast. The poet recorded his life in the northeast with poems.