Don't worry about the situation, each has its own modality. I tasted a nuclear ship and covered the red cliff cloud of Dasu.
The length of the ship is about eight minutes and the height can be two meters. The porch in the middle is a hut, and the canopy covers it.
There are small windows on the side, four on the left, four on the right and eight on the * *. When you open the window, the carved columns are opposite.
If it is closed, it will be engraved on the right with "the mountain is high and the moon is small, and the water comes out" and on the left with "the breeze is Xu Lai, and the water waves are stagnant", which is the same as the stone. There are three people sitting in the bow. Dongpo is the one with the highest crown and the most beards. Fo Yin is on the right and Lu Zhi is on the left.
Sue and Huang have read books. Dongpo's right hand is holding a curly tail, and his left hand caresses Lu Zhi's back.
Lu Zhi held the end of the book in his left hand and the book in his right hand, saying something. Dongpo's right foot and Lu Zhi's left foot are slightly different. Compared with the knees, they are all hidden in the folds of the bottom clothes.
Is a unique Maitreya Buddha, topless, holding her head high, her expression does not belong to Su and Huang. Lie flat on your right knee, hold the boat on your right arm, stand on your left knee, and lean on it with your left arm missing the beads-the beads can be counted vividly.
The stern is horizontal, and there is a boat on each side. The man who lives on the right has a spine bun on his back, his left hand leans against a balance beam, and his right hand climbs his right toe, which makes him scream.
The person who lives on the left holds a banana fan in his right hand and touches the stove in his left hand. There is a pot on the stove, and their eyes are silent. If they listen to the sound of tea. When the back of the ship was slightly reduced, it was engraved with an inscription, saying, "It's the beginning of autumn, and the book of King Yushan is carved far away." As thin as a mosquito's foot, it is painted with a hook and the color is ink.
He also used a seal chapter, which read "Chupingshan people" and its color Dan. Row a boat for five; Window 8; Make a tent, a pot, a stove, a pot, a hand roll and a rosary; Couplets, titles and seal scripts are * * * with thirty characters and four characters.
It's not long enough. Cover the peach pit and trim it.
Alas, the skills are also strange.
2. Briefly describe the artistic features of Han Yu's ancient prose creation. Han Yu has many excellent works. According to the classification of modern people, his argumentative essays, narrative essays, lyric essays, biographies, essays and fables are all well written. His Epitaph of Tian Heng, Letter to Meng Dongye, Preface to Meng Dongye, Teacher's Notes, Answer to Li Yishu, Book of Twelve Lang, Xue Jie, Biography of Zhang Zhongcheng, Epitaph of Liu Zihou, Miscellaneous Notes, etc. They are all masterpieces of the ages.
First, Han Wen is fluent and unconventional, but he has regular methods, is good at expressing emotions, and is good at choosing typical plots. The characters and events he wrote have a three-dimensional sense. He was brave and innovative in writing and became another family.
Second, Koreans are full of vigor, elegance, health and integrity. At the same time, the truth is magnificent, the viewpoint is lofty, and the pen is within reach.
Third, Korean language skills are extremely deep, advocating "only say what you want to say." It is a master of creating new words. Many idioms commonly used by modern people, such as learning from a painful experience, obeisance, unbreakable, hit the floor, riddled with holes, etc., were all initiated by him or evolved from his articles, but they added a lot of color to the articles.
Fourth, Korean pays attention to the layout and tailoring of articles. Proper layout and novel tailoring. It won't give people the same and repetitive feeling.
3. What are the artistic techniques in ancient poetry? Poetry is the oldest literature and art in China, and it is one of the most vivid expression carriers of our national thoughts and feelings. It is a wonderful flower in China national culture and art garden. The Book of Songs is the earliest masterpiece with a unique artistic form. From the Western Han Dynasty (206 BC) to the Eastern Han Dynasty (25-220 AD), it gradually developed into art forms such as Chuci, Yuefu, Antique and so on. It also rose from the Tang Dynasty (AD 6 18-907) and developed into a style. It has established its position in the whole history of literature. It has been nurtured, changed and developed for thousands of years, and today, it can be described as timeless and dazzling. Poetry needs to be created through ingenious artistic techniques in order to achieve perfect artistic expression. Looking at Chinese ancient poetry and modern poetry, the artistic techniques used generally include: the description of narrative scenery, the rhetorical method of metaphor and the rendering method of contrast atmosphere. Simply put, it is three artistic techniques: Fu, Bi and Xing. Fu is a technique of direct narration or line drawing, that is, simply describing the reality of creation to express the author's thoughts and feelings, and it is also the most commonly used lyric method in poetry creation. This is a metaphor or analogy technique. It is the most widely used artistic thinking method in poetry creation. Xing is to cause association or imagination through the trigger of objective scenery. The starting point or opportunity of imagination is Xing, Fu, Bi and Xing, which are not antagonistic or isolated. In the process of artistic creation, the two permeate and use each other. First, the typification process is a shortcut to grasp the essence of things. The methods of giving are mainly direct narration and line drawing. In order to make line drawing and direct narration more infectious, we must choose the most realistic, valuable and typical things to describe, so as to prop up the emotional building and create an attractive and intriguing artistic realm. Poetry can reflect rich and colorful social life. However, it is impossible to cram everything seen and heard in society into poetry. It is necessary to take and subtract, and to hide the dew. From the perspective of literary theory, it is the process of typification. In the process of typification, poets often adopt the methods of "less is more" and "seeing the big from the small". Liu Xie said in Wen Xin Diao Long Seeking the Place that this is beyond pen and ink. For example, "Xiao He only has sharp horns, and a dragonfly has long stood on his head." Only by grasping the dynamic description of Xiao He and Dragonfly can this poem highlight the vitality of early spring. "Seeing the big from the small" means seeing the whole from the part, seeing the whole from the limited and seeing the infinite from the limited. Through typical small scenes and life details, it shows great social content and symbolizes great ideological content. It can also achieve the effect of "seeing the big from the small". For example, in Nie Gannu's poem "Weeding", "The new seedlings are not one foot high, and the weeds have been mowed three times." The author's description of the little matter of weeding actually reflected the major social problem of "breaking the old and establishing the new" at that time. Judging from the poetry creation, it has produced a good artistic effect. If less is always more is an important means of typification, it is better to be modest. Nai Shi said, "Since the beginning of heaven and earth, everyone has a beautiful appearance and is impressed by his words. As a positive rhetorical method, exaggeration has existed since ancient times. The so-called exaggeration is to consciously enlarge or narrow the description of objective things for the purpose of expressing meaning, thus arousing people's rich associations and highlighting the characteristics of things. For example, Nie Gannu's "One Bear" in "Carrying Water" in "Seven Laws" impressed people deeply and made readers feel emotional. However, exaggeration must be based on a certain reality, that is, we should grasp the local situation at that time to reflect its true things, but not too close to the facts, otherwise it will easily lead to misunderstanding by readers. This should be like what is said in literary creation, which comes from reality and is higher than reality. So exaggeration and exaggeration are different. The purpose of exaggeration is to make people feel subjective feelings and attitudes. Fan Wen's "Eye of Poetry" said: "The meaning of likeness benefits from the poet's endowment." For example, in Li Bai's "Flying Down Three thousands of feet", it is suspected that the Milky Way has set for nine days. "This is an exaggeration of the quantity and dynamics of things, which can better show the spectacular and beautiful scenes of nature. Third, compare the combination of static and dynamic technology with the use of talent. In the process of using endowment, it is mainly a sense of interaction between object and subject. "Hugh Theory" is also a rhetorical method that turns static into dynamic and writes static with dynamic. In specific applications, personification and imitation can be used. For example, in Song Linbu's "Xiao Mei in the Mountain Garden", the poem "Frost birds steal their eyes before they want to go down, and butterflies know each other and lose their souls" skillfully depicts the "stealing eyes" and "losing their souls" of birds in the frost wind by anthropomorphic techniques. Weijingshan Pavilion is characterized by personification of still life, which makes the immobile move and makes the immobile sentient. Another example is Lin Bu's "Xiao Mei" in the Song Dynasty, "The shadows are shallow and the fragrance floats at dusk", and another example is Wang Ji's "Silence in the Woods". The poem "Yin Gong Shan Jing Jing" sets off "Lin Jing Jing" and "Shan Jing Jing" with dynamic "cicada singing" and "bird singing", thus creating a "quiet" realm. This technique is to write a quiet environment with sounds that arouse people's special feelings. This technique is often used in combination. For example, Wang Wei's "people are idle, osmanthus flowers fall, the night is quiet, the moon is clear." "It is described by observing and selecting the most typical sounds and actions in various static situations. Poetry expresses feelings through scenery, and all scenery writing is to write feelings. Whether static is dynamic or dynamic is static, it is to achieve the artistic realm of "infinite harmony". Fourth, the use of positive and negative contrast is an important way to highlight the theme. Song Zhuxi said, "If you want to compare it, compare it with another thing. "Compare things with meaning, compare things with things, compare things with meaning, and so on. The so-called positive and negative contrast is a common technique in metaphor. It refers to comparing two opposing things or reasons with each other to make a certain aspect of poetry unique.
4. Pu Zhongqian's Sculpture China's Classical Works: Pu Zhongqian's Sculpture Creation Year: Late Ming and Early Qing Literary Genre: Prose Author: Zhang Dai, Nanjing Pu Zhongqian, with ancient appearance and ancient heart. If porridge is incompetent, however, his skills are ingenious, and he uses nature. His bamboo wares, a broom, a brush, a bamboo spike, and a few knives are outlined, and the price is calculated at two. However, complacent people will certainly do so. It's really puzzling. Zhong Qian is famous and won one of them. Zhong Qian has dozens of people who moisten Sanshan Street, but Zhong Qian is also extremely poor. When he saw a beautiful bamboo and a beautiful rhinoceros among his friends, he needed to do his own thing. He didn't mean it. Although he robbed it, he couldn't get it in the end. Pu Zhongqian of Nanjing has a simple appearance. It's amazing. He carved bamboo utensils with brooms and brushes, and the bamboo pieces were no more than square inches, but the value immediately doubled. However, what he likes best is that instead of using a knife, he must use intertwined bamboo to chop the axe, because it is incredible to pay a high price after a little scraping by himself. Pu Zhongqian is famous and can get his paintings and calligraphy works. The price of this item will soar immediately. There are dozens of people in Sanshan Street who benefited from Zhong Qian's inscription. However, Zhong Qian himself is as poor as ever. When he saw a beautiful bamboo and a beautiful rhinoceros among his friends, he would immediately carve it himself. However, if he doesn't agree with him, even if he oppresses the people by force and tempts them with advantages, he will not get his works after all.