Qiao Feng or Xiao Feng, two people are the same person, and they are used to being called Qiao Feng, so they are called Qiao Feng here.

In the original Eight Dragons, Duan Yu, Qiao Feng and Xu Zhu each wrote a chapter, and finally there was a conference-this is very similar to the writing of Water Margin. The old Hong Kong version also follows this pattern. When it comes to the new version of the Hong Kong edition, Qiao Feng was mentioned earlier, and its position is also above that of Duan Yu and Xu Zhu-this change naturally has its advantages and is more concentrated. As for the mainland version, there are too many adaptations. Originally, Qiao Feng's life story and Mu Rongfu's life story were both vital secrets in the original work, but Zhang Jizhong advanced them, and the story was no suspense, let alone wonderful.

Regarding these three versions of Dragon, I personally think that the performances of the three protagonists in the three versions have a lot of remarkable places in character modeling. But from the overall shape, the old Hong Kong version is the best. In the supporting role, take Duan as an example, and the romantic second paragraph is also played by such talents; The next two versions, the two people who play the second paragraph, are very "romantic" in their early years, but the more serious they get, the completely different. Take Mu Rongfu as an example. The old Hong Kong version is played by Shi Xiu, a heroic Murong childe. The Hong Kong version of Mu Rongfu is not only obviously old-fashioned, but also full of cowardice; As for the mainland version, Xiu Qing version, like his previous interpretation of Ouyang Ke, has become a pure playboy. In addition, if the star is an old fairy, since he is a descendant of a bard, it will definitely look good. At first glance, the image in the old version of the Hong Kong version is on cloud nine, but if you look at it again, you will find that it is a bit cunning and fierce, which is really in line with the original; In the other two versions, the old fairy among the stars is completely a bad old man and really disgusting.

As for the revision of the original, there are too many versions. I don't want to go into details here.

The three versions of Qiao Feng and Liang Jiaren highlight the tragic color of Qiao Feng-in the old version of Hong Kong, which chapter of Qiao Feng is called Tears of Heroes; The Felix Wong Yat Wa version highlights Qiao Feng's heroic qualities, and the sentence "I am Qiao Feng leaving, who dares to stop me" is still regarded as a signature; Hu Jun's version is more boring than sad. There are few scenes where Hu appears, especially when he is alone, and he feels bored and depressed. Personally, I like Felix Wong Yat Wa's version of Qiao Feng best. The other two versions of Qiao Feng are pitiful, but Felix Wong Yat Wa's performance is respectable.

Jin Yong wrote about Qiao Feng because of his thoughts on national justice. Although in the conscious mind, Jin Yong wants to tell readers that Han and Liao are the same kind of people; But subconsciously, I still regard Liao people as barbarians. In the inn, Arjun, who was seriously injured, asked Qiao Feng to tell stories, and Qiao Feng told the story of killing people in his childhood. As a result, Arju's first reaction was: "Why is this child so cruel and looks like a Khitan?" Qiao Feng is also frightened to disgrace after hearing this, and suddenly becomes impulsive. In addition, such as Xiao Yuanshan's madness after being ambushed, Qiao Feng's unbearable fisticuffs in Juxian Village can be said to be inevitable, but it also exaggerates the brutality of the Khitans.

Therefore, Jin Yong's Qiao Feng is often like a wolf raised by people. Wang Lao Wang, on the one hand, cultivated his successor, on the other hand, left a suicide note that restricted Qiao Feng-and this suicide note just became a tool for Kang Min to frame Qiao Feng. After Qiao Feng's life story was revealed, a series of murders in the Jianghu were all under the name of Qiao Feng, for the simple reason that Qiao Feng was a Khitan. Although readers who are insiders know that Qiao Feng has been wronged, the uninformed people, even if they are as merciful and tolerant as Master Xuan Ku, will inevitably have doubts.

Qiao Feng is broad-minded, chivalrous and fearless, and at the same time lacks enough endurance. As long as he feels wronged, it is easy to do something drastic. When I was a child, the murder case was like this, and so was the murder case of Juxianzhuang. Although it seems to others that he is really wronged and worthy of sympathy. But, for example, what about the party?

Joe Bee is happy again, because he met two people, one is Duan Yu and the other is Zhu.

Duan Yu is lucky, and so is Xu Zhu. They also have some common characteristics: kindness, stubbornness, etc ... Because of Duan Yu, there will be three sworn relationships before the Shaolin Temple War, and there will be joint efforts to resist the enemy. This story is so wonderful that I want to watch it again and again, both in words and on TV. Its brilliance is not inferior to Taoyuan Sanjieyi and Sanying vs. Lyu3 bu4. I remember that this passage was selected when I was reading after class in high school. Therefore, some people commented that the national hatred and the dispute between Han and Liao reflected in "Eight Dragons" can be expressed in this passage? After reading it, I couldn't help laughing, thinking, Who told you what Tian Ba Long Cloth wrote? I think Qiao Feng must be very happy to get cold feet when he swore to Yu Shao and Xu Zhu-because he really chose the right person and got two more good brothers.

As a result of becoming sworn friends, Qiao Feng and Yeluhongji had an extra layer of relationship between monarch and minister. Yeluhongji is a lean man, but at the same time he is the king of a country. Therefore, it is difficult to be honest with Qiao Feng, and it is necessary to use political means to bite the hand that feeds you. Yeluhongji saw that Qiao Feng committed suicide and immediately returned to Ma Chong, but he stopped within a few steps. This detail describes the fierce nature of Yeluhongji well. Although there are not many words, it is in place.

As for Arjun, he is basically the same person as Qiao Feng. In Xinglin, Qiao Feng has suffered for generations. By the time the dagger was added, Arjun was heartbroken. Later, Tan Gong, Tan Po and Qian Sun Zhao appeared, and Ah Zhu suddenly changed his voice and molested them. His purpose must not be to kill boredom, but to protect Qiao Feng's reputation and attract Qiao Feng's attention out of indignation. It was because of this that Qiao Feng recognized at a glance that it was Mu Rongfu's maid-in-waiting, Arju. Later, Ah Zhu took out the stolen Yijinjing and gave it to Qiao Feng. Qiao Feng refused to give it to Mu Rongfu, but Aju said, "I stole the book and I will give it to whoever I like!" It can be seen that Arjun and Qiao Feng are so aloof.

Let's analyze the causes of death of Arjun and Qiao Feng. Many people think Jin Yong is too cruel. How did these two people die? In fact, these two people have to die.

Let me start with Zhu. Helpless all my life, I finally met a Qiao Feng. Of course, I did everything for him. But when his enemy Duan was found to be his real father, how could he bear the inner contradictions? She can't go to Joseph, because once Joseph, her intention is likely to be exposed; She can't tell Qiao Feng that Duan Er is his biological father. Even so, Qiao Feng may give up revenge, but Qiao Feng is doomed to be unhappy all his life. More importantly, she can't let Qiao Feng kill Duaner, on the one hand, because Duaner is his father, on the other hand, she doesn't want Qiao Feng to set up a strong enemy-Duaner is Chu Jun of Dali, and killing Duaner is undoubtedly the enemy of Dali! Although the fact is that Duan Er is not Qiao Feng's enemy, this is only one part of a big conspiracy, but Arjun, who didn't know the truth at that time, could only choose to die.

In dealing with the plot of Zhu's death, the old and new versions of the Hong Kong edition handled it well; Because the new version of the story has been predicted, there is not much shock; The mainland version is not handled well. After Arjun was hit, he gradually fell off the bridge and the mask was blown away by the wind. If this work is independent, it will be quite good to enjoy it as an art film. But the fact is that it is not an independent art film, but a plot in Eight Dragons. After this setting, beauty is beautiful, but the tragic color has been diluted. I think Zhang Jizhong has an atypical aesthetic view, and it is hard to understand why he wants Mei Chaofeng to be as beautiful as Li Mochou. Recently, the protagonist of Duke Lushan was named Huang Xiaoming on the grounds that "I want to create the most beautiful Wei Xiaobao", which is obviously caused by his atypical aesthetics. In my opinion, it doesn't matter whether Wei Xiaobao is beautiful. The key is to be a hooligan, a hooligan. ...

As for Qiao Feng, after the Second World War, he was bound to be tolerated by the Khitans. At the same time, how could he be tolerated by the Han people? After his death, Yeluhongji immediately understood Qiao Feng's mind and regretted it; But the discussion of Han people shows that they don't know anything about Qiao Feng. If Qiao Feng dies, they still won't accept Qiao Feng.

Hey ~ hero tears!