In the long years when people planted and watched roses, roses gradually gained spirituality because they were endowed with various images. For thousands of years, she has become a charming, lively and lovely girl in the hearts of China people.
Since the Song Dynasty, roses have been anthropomorphic-Zhang Yi, a poet in the Song Dynasty, once wrote The Classic of Flowers, giving her the title of "official position in the flower world" with "seven qualities and three lives".
In the Ming Dynasty, Yuan Hongdao said in The History of the Bottle that "Peony takes roses, roses and woody plants as maids", and the female image of roses became more and more specific.
From the late Ming Dynasty to the late Ming Dynasty, roses were in charge of the flowering period in March as flower messengers.
In the novel "Flowers in the Mirror" in the Qing Dynasty, the rose simply turned into a rose fairy.
In the extended data "Dream of Red Mansions", Cao Xueqin named Jia Qiang in this way, which also hinted that the rose symbolizes the deep meaning of love.
Under the lush foliage of Bai Yutang, a girl named Ling Guan, with "frowns in the spring mountains, frowning eyes in autumn waters, slim figure with a thin waist and a great figure of Lin Daiyu", paddled on the ground with golden hairpin, silently thinking of her sweetheart, and tried to write down hundreds of his names-"Qiang".
The love represented by roses is pure and stubborn. Lingguan dared to reject Baoyu, the highest-ranking official in Jia's family, and chose to sing for Jia Qiang, who also released his favorite canary in order not to let Lingguan feel hurt. Although the ending is unknown, the beginning is good enough.
"Roses are blooming all over the city, and they are blooming the deepest." Always gentle, always gorgeous, always tough. In spring, go to see roses in full bloom, which is endless beauty and eternal warm youth.