From the short message sent by the literary friend, I learned that Shi Yanwei met the readers of the prose collection Tesbiha in Linxia, so he made a special trip to see him, just like a long-lost friend.

At the Linxia readers' meeting where Ma Ruji, Ma Zhiyong, Amai, Ma, Hammer, Ma Jinjun, Wang Famao and other writers and poets gathered, the writer Zhong Xiang smiled and said, "Happiness is your hardcore fan." I said, "Teacher Zhong Xiang is right. Please sign two copies for me." And I really want to tell Shi Yanwei personally that when I read his collection of essays "Facing Living Water" a few years ago, we just met in words. When I came back from Xi 'an during the Spring Festival holiday that winter, I was in a good mood when I saw a collection of essays he sent from Beijing in several newly arrived mail-order books.

After reading Mo Yan's six novels and reading the backlog of books for a while, time passed in a hurry. By the time I read Shi Yanwei's collection of essays "Facing Living Water", it was already a hot summer, and I felt I was in debt. I need to read through his literary works in advance before he takes part in the trip of Linxia, a national multi-ethnic writer. Usually, when an article is halfway through, my eyes will stop. If I want to catch up with the feeling behind, I must slow down. Although there are 300,000 words in the prose collection, I feel heavy aftertaste, and I clearly read it with tears. The end of each essay reads better than I expected.

Shi Yanwei's literary creation is deeply influenced by writer Zhang Chengzhi. Not only Mr. Zhang Chengzhi wrote the topic "Facing Living Water", but also Shi Yanwei's wise thinking and tenacious writing style in his prose all show that the writer's personality is straightforward and frank, and there is no artificial attitude. For example, works such as prose "Pusher Climbs Over the Head" and micro-film "Pear Blossoms Blossom in One Night" are deeply touching by their subtle grasp and vivid portrayal of the depths of human nature. Write about the life and people you are familiar with, write about your tenacity and cowardice, and write about your flesh and blood, just like dissecting your own soul. In this regard, he does not hide. When the food culture is sweet in the south and spicy in the north, it becomes a kind of culture in life, people's personality can be easily distinguished from the crowd at a glance. In the collection of essays, I spent a lot of time writing about diet. My parents and grandmother, who were born in a Hui family in Harbin, lived a delicious life, full of love and melted into delicious food.

The quiet and graceful words in the prose collection Facing Living Water are deeply influenced by China's modern literature. Andante, which is as smooth as a song, melts into the deep feelings between the lines, and reveals a subtle and meaningful charm through a relaxed rhythm. I like his sketches, with thoughtful aftertaste and feeling the transmission of aesthetic feeling in words. The first is his own personal experience. In his persistent personality, it seems that he is born stubborn. It is somewhat similar to the experience of his favorite writer.

"Seeking knowledge among people and mountains and rivers." -On the title page of the collection of essays "Tesbiha" signed by readers, Shi Yanwei wrote. His talent, his true feelings, remind people of innocence, pure as white paper, open-minded, smiling without dust, just like the sunshine boy next door, immediately narrowed the distance between hearts. In contrast, he wrote that many of his peers disapprove of literature, and he won't be forced, but often hits it off with those readers. I feel ashamed after reading his words. I can't see the author's true feelings, and I don't know what it means to cherish ink like gold.

The level of literary talent and literary talent is actually difficult to compare literally, or can be compared. The difference between a writer and a writer lies in his sincerity, his boldness, whether he dares to face himself, and whether he can give his heart to readers. Racking your brains for literary creation will only make you feel more and more terrible that the bottom of your pen is dry, lyrical and far from literature, losing your true writing style and refusing to listen to your own voice. Being in a situation of doing as the Romans do and sticking to moral beliefs comes from my moral integrity. A person's persistence in cultural roots and spiritual return is a legend in itself.

Walking on the road of literature seeking roots for many years, Shi Yanwei is a lonely singer, trudging on the road of seeking knowledge. In Facing Living Water written from 2009 to 20 12, there are a series of "vagrancy"-he went from Harbin to Botou, Hebei Province, cleaned up the migration footprint of his ancestors, and outlined a migration picture of the source of the Grand Canal. We can find the original meaning of prose. He inherited the humanistic flavor of the "hometown of prose" complex-poetic homecoming. In the pure texture of thought and humorous style, there are jokes that make people laugh. His initial thoughts may not be clear. With the help of literary imagination, he looked at the past lives of his hometown and embarked on a cultural journey home.

Shi Yanwei walked and wrote, recording his travel experience, awakening similar experiences in everyone's heart and evoking readers' long memories. His cultural prose is unique. His dream hometown stems from a well-developed identity, rooted in the return of hometown humanities, and resolutely persisted, during which he paid hardships that ordinary people did not have. I read Shi Yanwei's blog intermittently until he turned his daily mood diary into a collection of paper essays, savoring the ups and downs of growing up and having a different taste in his heart. I was just curious. An author in his early twenties has such a profound grasp and understanding of life, a cold meditation and a sense of hardship. After reading his book, I feel that Shi Yanwei has turned his devotion and enthusiasm for literature into a lonely watch all the year round, and devoted himself to his literary creation activities, endowing him with literary inspiration and talent, and brimming with the spirit of taking pleasure in suffering, which makes his works different from ordinary works. There is no sentimental feeling, no narcissism, but nostalgia for the past, full of humanistic feelings and loftiness of dignified literature.

For a writer whose temperament determines him, he is neither naive nor straightforward. He wrote: "How many words can we talk when we meet?" As the ancients said, "Tao is harmonious but different", I quite agree with what he once said: "It is easy to produce several outstanding people in one place; They should come back from the cultural level and do more things. " Several years later, when I saw him again, he still had the original intention of loving literature. I said to Shi Yanwei: A writer is a cultural card of a place, and literature is a national medal.

"Enter life bravely and honestly." This is almost Shi Yanwei's creative experience and his literary creation. Tesbiha is a collection of Shi Yanwei's essays published by the Writers' Publishing House, which includes his works written since 20 14 and published in literature journals such as Ethnic Literature, Northern Literature and Hui Literature, such as Milk White Sheep Soup, White Bones Crossing the Water, Tomb of Abandoned Fujibashi, etc., with more skillful words and more feelings.

I believe that the hidden experience in everyone's temperament and the gas field in his bones are different. When I saw Shi Yanwei again, I felt that he was as cordial and enthusiastic as before, and exchanged creative experiences and feelings with readers face to face, laughing and laughing. His collection of essays, Tesbiha, still sincerely gives his heart to readers. Shi Yanwei's profound singing skills and true feelings have added ideological weight to his prose.