Only in this way can we better highlight its artistic beauty and give people an elegant feeling.
However, practicing calligraphy can't be generalized. The formation of personal calligraphy requires countless days and nights of hard work and persistence. This paper studies the stroke arrangement of each font and the overall cultural sublimation.
This is not the case with cursive exercises. It focuses on the state of mind and learns freely. The practice of signing can be described, put forward and rubbed.
According to the designed font, use white paper to describe it. After reaching a certain level of proficiency, get rid of the way of description, and then take another white paper from the side to write, and finally achieve the purpose of imitating the font.
As the saying goes, everything is difficult at the beginning, and the focus of practice is also on the first word. Find the horizontal line of the first word and run freely through the whole font.
3. In the process of practice, we should practice against the decomposition diagram and transcript provided. An exploded view is the decomposition of lines, from the beginning to the last stroke.
You can see it clearly. Copying is for copying. Using these two tools can achieve twice the result with half the effort.
It is very important to keep a clear head and a happy mood in the process of practicing Chinese characters, because it is necessary to practice Chinese characters.
5. Be familiar with it first, then master it. When you are familiar with your signature, don't think you have succeeded. You should skillfully apply it to your future work and life, and finally achieve fluency.
First, the balance method refers to the balance of the overall size of the signature, making it basically equal.
In more solemn occasions, practicing with balance method can create a harmonious atmosphere.
Two, the size method, refers to the composition of the name of the text size is different, generally the same size, showing a natural beauty. Generally suitable for names with large font gap between strokes.
Three, strewn at random method, refers to the composition of the font left and right or up and down, showing a natural beauty, showing a tacit understanding between strokes.
Usually suitable for styles with coherent lines, such as pens and cursive bookmarks.