As the concept of "going to flow" began to be recognized, the word "old play bone" became popular. Many times, the "old drama bone content" of a drama seems to determine the quality of a drama.
For example, in the recent CCTV broadcast "The World", many viewers decided to follow the drama as soon as they saw the names of Sharina, Song Chunli and Ding Yongdai.
It is naturally gratifying and encouraging that the old opera bones with both business ability and industry qualification can gain more market share, but a new question has arisen: what kind of people can be called old opera bones?
The audience would like to call it "old play bone". In addition to being old, it is more important to have "drama" (that is, characters or works that are deeply rooted in people's hearts) and "bone" (that is, the quality and character of virtue and art). All three should be indispensable.
But the fact is that "old play bones" also eat whole grains. Originally, in order to cook a decent meal, it is reasonable to bend over even for five measures of rice. Unfortunately, some "old play bones" have eaten and eaten, and the lower limit has been constantly refreshed again and again. The first one lost the "play" and the second one lost the "bone". Finally, it is said that the old actor is reluctant.
Even if some people used to be old opera bones, if they lose their "style and character" in the process of just cooking a meal, how can they support the three weighty words of old opera bones with one old word?
It is a long way to become an old opera bone, but it is easy to "destroy" an old opera bone and let it fall into the "altar". In this slightly impetuous environment, there should not be too many bad dramas, and the live broadcast can't stop. These three ways are the simplest and most direct.
The most important thing is not to delay the "old play bones" to "earn money to support the family"!
There is a magical "metaphysics" in entertainment circle. Once a "explosive drama" appears, I always hear the actors say, "When I saw this script and the production team, I knew I would take it."
However, no one expected that an actor who had an eye for a good script lost his insight when he encountered a "bad film".
Is it really because good dramas are "Monday morning quarterback" and bad movies can only be seen after they are finished?
When filming "in the name of people" in those days, it was said that after reading this book, Lao Xigu Chen recommended himself to play the role of Hou Liangping. At that time, the crew didn't even have the investment in place. It can be seen that an actor with a sense of spectrum, especially an old actor, naturally has his own ruler in his heart.
Of course, later, due to Chen's inappropriate age, he still missed in the name of people, which is another story.
When liu ling, an actor, was asked how to choose between a good script and a high salary in an interview, he simply said: When I am not short of money, of course, I give priority to a good script. When I am short of money, if the other party gives me enough money, why don't I take it? All I can do is try my best to complete the role.
Who is not an ordinary person who wants to eat whole grains? After all, the bad movies are there. If you don't pick it up, someone else will. Why bother to pay when facing the reality?
In fact, it is understandable to pick up a "bad film", but the bottom line for each actor to dock a "bad film" is different.
It's just that it's much easier for "old drama bones" to pick up bad dramas than ordinary actors: online movies that sell feelings and consume IP are springing up like mushrooms after rain because they make money fast enough.
The most common mode of these online movies is to invest a lot of money in an actor who can name, and then save other places.
This undoubtedly provides "fertile soil" for old actors to pick up bad films. Compared with young actors, they have both classic role IP and box office appeal. To some extent, both sides can win quickly: you want my money, I want your fame!
Over time, there are not a few "old drama bones" who are addicted to bad films, and there are more "old drama bones" on this road.
Gong Hanlin, who used to be a frequent visitor to the Spring Festival Gala, has greatly reduced his chances of attending the Spring Festival Gala since Mr. Zhao left. Although he is a national first-class actor, the audience knows that he is a sketch actor. In the ordinary film and television environment, he is basically in a position without market.
At this time, there is an online drama throwing an olive branch. How to refuse?
On 20 19, Gong Hanlin starred in a terrible drama "Like a Play, Like a Home", and never left Douban. This drama is a tribute to this drama through the internet, but it is actually so bad that people don't see it.
Only sold 38,000 in 5 days!
As the only selling point of the drama, Gong Hanlin's statement that he took over the bad drama to make money immediately spread all over the Internet.
So, Gong Hanlin, who was under the spell, went on to play all-in-one online dramas, such as the promotion of a female village official. Something happened in the village, and China saved 36 days. As for the standard of the film, I advise you not to ask, you just don't know. After all, these films are clearly shown, but they never seem to appear.
So, look!
Do you think these actors will be more cautious about taking scripts next time after being scolded for making bad films, and even avoid the word "cyber-big"? No, no, no. I finally found a new continent where I can make money quickly and easily. How can I put it down easily?
One by one, the play is terrible, and I can't stop!
In addition to Gong Hanlin, Hong Kong films are rich in "familiar faces" in supporting roles, and they are also frequent visitors to various small-budget online dramas. These actors are particularly dedicated, and some can even be said to have taken root in Hengdian all the year round, moving between the cast of major online dramas.
Among them, Huang Yishan, Ng Man Tat and Xu Shaoqiang supported the green leaves, and they also began to join the new forces of the leading actor Ouyang Xiu.
This year, Bobby Ouyang Xiu starred in the film "Record of Grievances". What is the concept of Douban score of 4.3? Simply put, it is about equal to: the ceiling of online drama score.
Note that it's just a graded ceiling, and it has no more merits than other bad films in quality. The biggest selling point of the whole drama is that Bobby Au-Yeung plays Song Ci again after many years.
Thanks to the feelings of TVB's "Love and Hatred" series and Ouyang Xiu's hard cry, the film has achieved such results. In fact, it is said that this film was shot only 16 days.
Therefore, this movie probably fully shows the "traffic password" of bad online movies once again: the quality of the work itself does not matter, but mainly depends on the face of the "old actor" hanging in the newspaper.
I wonder if Bobby Au-Yeung, who earned several times or even dozens of times the salary of TVB in 16 days, has re-recognized his commercial value through this film.
Although the embrace of online drama is not warm, it is also enough gold.
After all, in the ocean of bad movies, one role is really enough for an old actor to eat for a lifetime. For example, Lu Shuming, who plays Guan Yu in Romance of the Three Kingdoms, has basically never missed any performance opportunities of bad films in recent years. There is really no play, and it is ok to endorse a game.
Ironically, these classic characters limited the career and performance opportunities of some old actors to a certain extent, but also opened up new business opportunities for them, so another strange circle was born: the audience was willing to pay for it out of goodwill, but on the other hand, they were disappointed under the alternation of expectation and disappointment.
Feelings are priceless, and if we have to price them, it is not far from exhaustion.
Apart from the bad movies on the internet, where can feelings play the greatest role? There is a very fashionable emerging industry, that is: live broadcast with goods!
Pan Changjiang, as one of the parties to the idiom "Pan Jiabian" and a leader in the live broadcast field, naturally has to mention that he also advised "Gazi" Xie Mengwei never to bring goods. The water here is too deep, but in the blink of an eye, he threw himself into the live broadcast army, and his persistent posture could not be pulled back.
Ever since, the former Spring Festival Evening regulars and comedians have vomited in the barrage of abuse and ridicule, and have successfully become one of the best online salespeople in alcohol on a certain platform.
Although the live water is deep, there is more money here. What pit fees, commissions and gifts add up to 788, and don't make a lot of money?
As for being scolded? That's not true, respectable. They are using their fame and face to benefit their fans and think about them. It is very common to make money at a loss and even take some subsidies or gifts.
How can fans not appreciate such a boxing heart?
Although in the live broadcast industry, it seems that old players are not as comfortable as young people, and even there are many restrictions on the categories of goods they bring. Do you think this limits their play? No, their magic weapon of bringing goods is the same as picking up bad movies: emotional IP acting!
For example, Li Guolin, a Hong Kong-born actor who plays Nine Mo Zhi in "Dragon", often appears in the live broadcast room in a classic style.
Cang Jinsheng, the actor who plays Lu in Water Margin, sells very "preferential and affordable" drinks all the year round as a "flower monk". Don't say, the picture is weird, but after watching it too much, he actually gives people a sudden and harmonious feeling.
Some people say that the live broadcast of the old opera bones is because they can't get the play. After all, the popularity of many old opera bones in the live broadcast room is very bleak, and it is actually quite sad to watch.
However, it seems that no old actor is willing to admit his poor performance in the live broadcast room. Their generosity in "generous subsidies" seems to be really painful for us who are still worried about three meals.
Moreover, in the live broadcast room where performance talent is badly needed, these old actors actually have a lot of room to play, which greatly makes up for their lack of explanation of products and their strangeness to this emerging industry.
Zhang Chenguang, who "cried" in the hot search in the live broadcast room, is one of the representatives of the old actors with strong adaptability. The audience is still distressed that he, as an old actor, stands in the live broadcast room to put up with all kinds of gossip in order to complete the work arrangement, but he himself has laughed and said: Learn more from the role models of Jerry, Zhu Zixiao and other industries.
Even Zhang Chenguang's acting skills have become the secret weapon to drain his live studio.
There are always some fans who are willing to take out their wallets for this sincere and natural acting.
In the live broadcast army, there are many old actors like Zhang Chenguang and Zheng Xiaoning, and there are also many excellent roles in hit dramas.
Therefore, they may really be learning a brand-new industry with a never-say-die attitude.
After all, like Angie Chiu, there are only a few people who need to be a goddess with an elegant smile during most of the live broadcast.
Therefore, now the hard-working and desperate old actors in the live broadcast room, watching the fans gradually begin to distrust the barrage and weighing the money they threw into their wallets, can only weigh it themselves.
The next thing that will make the "old play bones" fall into the mortal world, although it is a little less smelly and more human than the first two, it also makes the audience suffer a little more.
Because there is a more controversial word than "old play bone", that is "Star II".
In fact, whether you want to inherit your father's career or rely on your parents' relationship to take the "back door", although it is not so "justified", it seems reasonable. Many people have done this.
It's not good, but it's not good. In the entertainment circle, the money is easy to earn, but the rice bowl is not good. If you want to mix here, you have to take the same talent and face value. After all, there are really a few competitive second generations like Guo Qilin, Nicholas Tse and Lawrence Wang.
This is really not just talk. Far away, there is one nearby. Originally, Liu Yitong, the son of actor Liu Yijun, was regarded as high flyers in Star II because of his looks and acting skills, but his front foot announced his love affair, and his back foot seemed to be taken off by fans because he was suspected of being "Neptune".
This matter, the most frequently commented in the comment area has nothing to do with him, and everyone is busy shouting: the disaster is worse than dad.
It is not unreasonable for the audience to have such concerns. After all, most of the familiar second-generation stars packaged by their parents are generally like this:
Pan Changjiang's daughter, Pan Yang, although her face value is slightly stronger than her father's, is not enough in the entertainment circle, and she has not inherited Pan Zi's acting talent in performance. In order to support her daughter from acting to singing, Pan Zi did her best, but she had no success and had to give up.
There are not too many bad dramas, the live broadcast can't stop, the children are packed, and Pan Zi seems to have made a whole set unconsciously.
Zhang Sile, the daughter of Zhang Guangbei and Alice Chan, has neither inherited her parents' face value nor her parents' acting skills, but she is bent on eating this bowl of rice as an actor. What can parents do?
Brush your face for resources!
In the end, Zhang Sile finally became famous by virtue of the beautiful woman writer in "The Patrol Procuratorate" in World War I, but this way of becoming famous must be very different from what Zhang Sile thought.
With Zhang Sile's face value, she can always get roles such as Bai Yueguang and Beauty. If it has nothing to do with her parents, the credibility is really not high.
As for some second-generation stars, they have become "unspeakable secrets" in the entertainment circle, which seems to be another story. Like Zhang Guoli's son.
Yan Ni's daughter Zou Yuanqing, Yue Hong's daughter Yi'en Yue, and many second-generation stars are still crowded on this wooden bridge, with their parents teaching hand in hand and feeding mouth to mouth.
As for whether the parents' "old play bone" signboard was smashed first, or whether the second generation of Xing can fight for breath without steaming steamed bread, it is necessary to take a chance, but for the sake of children, parents should be willing.
In fact, in the early years, there was another thing that ruined the reputation of the old opera bone: endorsement was casually accepted! Zu Lijian of Zhang Kaili and the excavator of Tang Guoqiang have been talked about so far.
In recent years, with the strictness of advertising endorsement and the change of market trend to commercial value, this phenomenon has only slightly improved. But new ways to make the old bones fall off the altar will appear again.
No matter what kind, some old opera bones can only be called old actors, and it is even more regrettable to be an audience or a fan.
After all, whether it's taking a bad drama, bringing goods or forcing children, the reason why it has a bad influence is, to put it bluntly, the reputation and audience relations that the old actors have worked hard to recover.
Old play bones "old" is never the point. Playing with bones is the key. There is nothing wrong with just eating, and you can't lose your character.