65438+February 0935
The west wind is strong, and the geese in the sky are called frost morning moon.
First frost morning, horseshoe broken, horn swallowed.
Xiongguan road is as iron as iron, and now it is still one step away from the beginning.
From the beginning, Cangshan was like the sea and the sunset was like blood.
Mao Zedong is a great man who changed the historical destiny of the Chinese nation, and he is the pride of the times. Mao Zedong, cultivated by thousands of years of Chinese civilization and modern revolutionary thought and practice, is not only a rare politician, military theorist and military commander of the Chinese nation since ancient times; Philosophers, economists, historians and educators; Moreover, in literature and art, he is the founder of China's literary theory; He is a rare master in the history of China civilization. His poems and essays can be compared with any poet, immortal, writer and master in the history of China literature. At the same time, he is also a rare master of calligraphy art in history. His achievements in calligraphy art in cursive script, such as restraining Wang Xizhi's cursive script from the right and surpassing Zhang Xu's cursive script from the left, are natural if Mao Zedong's cursive script, Wang Xizhi's cursive script and Zhang Xu's cursive script are listed as the three wonders of China's calligraphy art, but this historical fact has not aroused widespread concern and attention. This is because Mao Zedong's achievements in politics, military affairs and philosophy are too great and his prestige is too high, so that his achievements in calligraphy art have not been paid due attention.
Jiang loves Chairman Mao. (Actually, to be honest, the Cultural Revolution initiated by Chairman Mao delayed my studies, leaving me with only primary school graduation and Grade One. I can also study Chinese in Beijing Radio and TV University and continue my undergraduate education in administration. But I don't have any resentment in my heart-it's really strange) I love Chairman Mao's poems, and I love Chairman Mao's calligraphy art even more. Say something that may be considered extreme-there are countless heroes and great men at all times and in all countries, but I admire Chairman Mao the most; I only love Chairman Mao's calligraphy. I have imitated Chairman Mao's calligraphy for n years, and my signature-"Jiang" is in the poetic column of my blog. Unfortunately, I can't get its charm. I have also seen many works by talented people who imitate Chairman Mao's calligraphy on the Internet and in books and periodicals, but I feel that I still lack the essence, spirit and verve of Chairman Mao's calligraphy after all. People, Beijing and Universities: I have read Chairman Mao's several writings: People's Daily, Palace of Working People's Culture, Monument to People's Heroes, Serving the People, People's Literature and Beijing Railway Station, Beijing Daily, Beijing Work, Peking University, former Beijing TV Station and. ! I have always had a habit-whenever I go anywhere, or read newspapers, I often shine at the moment: this is Chairman Mao's words! So I pay close attention to it ... it's different from other people's handwriting, how beautiful it is! Beautiful! Reward! But if someone asks me: How beautiful is Chairman Mao's calligraphy? I'm afraid not only I, but also most people may not be able to tell a set of truth. I remember reading Chen You, a publication run by the democratic parties, in which an article praised the democratic parties for naming shops, institutions and schools. Naturally, I am exhausted in Beijing. I felt sorry when I read this article at that time. Why didn't I mention Chairman Mao's calligraphy art? ! But at the end of the article, I wrote: Finally, I can't help but mention the word "Xinhua Bookstore" mentioned by a great man-this is a through train! Hey, carefree!
There is a book in my hand, Mao Zedong, a cursive writer, written by Wang Hebin. You see what people say about Chairman Mao's calligraphy. Now take Chairman Mao's "Recalling Qin E Lou Shan Guan" as an example-
Mao Zedong's book Remembering the Loushanguan in Qin and Hubei shows that when the calligrapher was writing, poetry brought his artistic conception back to the Long March. Its brilliance can be seen, which is not enough to express the accomplishments of this work. For example, as described in Sun Shu Pu, the amazing flying thunder and falling rocks, the frightened posture of flying beasts, the posture of dancing snakes and dragons, the tendency of falling off a cliff, the shape of being in danger, or the collapse of clouds or the lightness of cicadas, are spring notes, and food comes to the mouth. Letters can be described as ingenious, excellent, calm and smooth, honest and lively, and there must be a reason. Between the two strokes, Feng Yu's change fluctuated slightly. Within a little, it is its word that it is extremely frustrated in the milli-awn, and the clouds accumulate its stippling ... Where the pen is the body, the ink is the success ... "There is also Cheng Gongsui's description:" Or if the dragon swims around, it will wander over the porch. " Or if the bird of prey will strike and suppress anger, the horse will soar, the road will be unrestrained, and if you look up, Yu Ruoxiao will ascend to heaven and travel in the smoke; Looking down, like a breeze, it was written. Wang Xizhi said in "Fu with a Pen": "If the clouds in the sky lie on the edge of a scattered valley and gush eastward, the new mountain will be temporarily blocked, and the birds will be shot skillfully, and the long snake will be pulled hard, even flying like a flower, dancing in the air and stopping ... It is not noble to see through the loosening.
Mao Zedong's works are magnificent, handsome, powerful and full of vigor and vitality. The brushwork of this painting is a combination of lightning, snake and dragon, and its point is like a bird walking out of the forest. It is both rigid and flexible, full of vitality and unrestrained, such as the collapse of waterfalls and the backflow of the sea, which is unstoppable. With a round pen in the center, hiding the head and protecting the tail, there are almost no sharp points, and Fang Bi is not seen in the circle. The bones and muscles are deep, the steel bars are bent and iron, and there are no traces of deliberate carving. Natural, beautiful, round and solid, it is a rare boutique.
This painting can really be described as "if you are surprised, if you are graceful, if you are in Youlong, if you are on cloud nine, if the wind returns to snow", or as "if you are familiar with it, you can fly without flying". The whole picture is so integrated that it is difficult to analyze word by word. The pen and ink are smooth, and there is nothing unsatisfactory.
The author Wang Hebin worked beside Chairman Mao for many years. It is natural to show a preference for Chairman Mao's calligraphy, but the author is objective and his evaluation is true and convincing.
In the book, the author denies the relationship between Chairman Mao and ancient calligraphers (not excluding learning to absorb the essence), and clearly states that Mao Zedong's calligraphy is Mao Zedong's calligraphy. I have heard that Chairman Mao's calligraphy was influenced by Huai Su, a monk in the Tang Dynasty, but I don't think so. I have discovered and appreciated Huai Su's calligraphy-it is a kind of weed, and most people simply can't recognize what it is written; And I can't see how beautiful it is-maybe it's because of my poor aesthetic ability?
The author is probably familiar with various wars between Chairman Mao and China. When evaluating each of Chairman Mao's works, he introduced many historical backgrounds, which is very powerful for readers to understand the artistic achievements of Chairman Mao's calligraphy. Because of this, Chairman Mao's calligraphy is not as learned as most people understand. On the contrary, it is revolutionary practice that has created this contemporary cursive master. After comparing Chairman Mao's calligraphy with that of many calligraphers, the author draws the conclusion that Chairman Mao is a "cursive writer Mao Zedong". Although this evaluation is the opinion of one family, I think it is deserved and trustworthy! -Jiang at 3: 07 am on June 22, 2007 +65438.