Calligraphy is a traditional art form of the Chinese nation. The rich shapes of lines are organized together to provide people with a delicate, vivid, tortuous and wonderful art world. What I bring to you below are various calligraphy fonts of Haizi. I hope you like them. Appreciation of various calligraphy fonts for the word 海
Calligraphy fonts for the word hai 1
Calligraphy fonts for the word hai 2
Calligraphy fonts of Haizi 4
Calligraphy fonts of Haizi 5
On the culture and artistry of Chinese calligraphy
Calligraphy, a traditional cultural and artistic style, has always had dual characteristics from its birth to the present, that is, the cultural and artistic nature of calligraphy. With the development of the times, the proportion between culture and artistry is constantly changing and replacing. The general trend is that as the times develop and people's understanding deepens, the artistic life of Binyu's cultural style will become more abundant. Here we mainly analyze and explain it from the perspective of the tomb function of calligraphy.
Culture is a kind of spiritual existence that travels far and wide and encompasses a vast and integrated whole. In ancient China, culture was generally regarded as a tool for the ruler’s political speech and was closely related to “martial arts” and “military power”. The general term for the opposite "civilization" and "education", including a whole set of man-made ideological systems involving etiquette and laws. According to the original meaning of Chinese characters, "wen" is to make marks and leave traces on something, or it is called "engraving" or "painting" to make something have "textures", "patterns", "patterns" or "marks" on something. The original meaning of pattern?etc.Khua?
is to change, generate, and create, which refers to the change of the form or nature of things. Therefore, culture is actually understood as a process action, involving people's activities of consciously affecting the natural world, as well as the process of artificially transforming natural objects into cultural objects and natural order into cultural order. Today, culture is a very fashionable word. It is a broad language concept that is highly used in oral and written expressions. It is also a subject area that people engaged in sociological research generally pay attention to. In short, culture is a social phenomenon and the basis for the development and prosperity of human society.
Among many cultural phenomena, calligraphy is the core of Chinese traditional culture. In the long corridor of Chinese culture, calligraphy has never been separated from its original function of spreading culture and promoting social civilization. Among many cultural styles, calligraphy has always played an important role. To a certain extent, calligraphy has become synonymous with culture. The main reason is that Chinese calligraphy is accompanied by the entire process of the creation, development, and change of Chinese characters. Chinese calligraphy is a The art of writing Chinese characters cannot exist independently from Chinese characters. In ancient times, Chinese people often regarded the ability to read and write Chinese characters as a yardstick to measure a person's cultural content and self-cultivation and taste, and as one of the yardsticks to measure the prosperity and development of society and the progress of civilization. Therefore, it is precisely because of this powerful cultural function and characteristics that calligraphy has shown its brilliance in the long history of human history and cultural development, and has become the object of cultural pursuit. Looking at the scrolls of Chinese culture and history, it can be said that the Chinese people have used the cultural function of calligraphy to compose a spectacular historical scroll of the progress, prosperity and development of the Chinese nation.
Art is a kind of creation, a kind of creation that follows the laws of English? It is a social ideology that the author reflects social life and expresses thoughts and emotions by shaping images. Is calligraphy an art? The answer is yes. It is a unique art in China. It is an ancient and new art category rooted in the land of China, relying on the shape and writing of Chinese characters, and full of pursuit and creation of beauty. Its antiquity is mainly reflected in its reliance on the carrier of Chinese characters with a long history, while its newness is mainly reflected in the new concepts that modern people have given it and their passionate and persistent pursuit of it.
The great ancestors of the Han nation, with their infinite wisdom, created the magical Chinese characters and the special expression tool called the brush, and left behind a precious legacy of calligraphy art. However, modern society has given calligraphy, a traditional cultural art, a new sense of the times, and pushed it to the level of understanding of a complete calligraphy art category comparable to other modern arts, giving the artistic status of calligraphy a historic boost. show.
Zhang Huainan, a famous calligraphy theorist in the Tang Dynasty, has long made this discussion on the function of calligraphy: "For articles to be useful, they must be like books; for books to be symbols, they must be in line with the Tao." Therefore, those who can express themselves in articles are better than books.? The general idea is that the function of words must be exerted by writing. The reason why writing is trusted must be in line with the Dao. Therefore, there is nothing close to writing that can exert the function of words. This is one of the functions, that is, the literal function of calligraphy. ?If you have thought about sages for thousands of years, read their traces in handover slips, planned to take a break from Yao, worked in a concentrated manner, and spoken deeply about your thoughts, so that there will be no hidden things for a hundred generations, this is admirable. If. The general idea is that I miss the wise and courageous people thousands of years ago, and look at the writings left behind in the books. The strategies are revealed, the things are done clearly, the words express the heart, and there is nothing hidden for generations. This is worthy of boasting. This is the second function, that is, the classic function of calligraphy and sutra transmission. ?My husband is in the same place, his feelings are thousands of miles away, he is ambitious, he is a spirit in front of me, and he is so happy to meet him, and he is so happy. The carelessness means that he is in the same place, his feelings are thousands of miles away, he should promote his ambition and spirit, and he is gorgeous. Ci Yan and spirit, unpacking and seeing the writing. It is as happy as meeting each other, which is a happy thing. This is the third function. It is the expressive function of calligraphy. The grass and trees are all angry, and they do not bury themselves. How about animals? How about human relations? Wild beasts and birds of prey have different colors, and this is how calligraphy works. In Dayi, the plants and trees are all dedicated to growing and growing, not burying themselves, not to mention the animals? Not to mention the people? The beasts, birds, charm, grace, and breeding are all different, and the way of calligraphy follows this. This is the fourth function, the aesthetic function of calligraphy. Calligraphy takes charm and style as the aesthetic standard, that is, "the one with the wind, spirit and strength is at the top, and the one with the beauty and function is at the bottom". Zhang Huaiguan discussed the four functions of calligraphy, which can be summarized into two major functions: practical and aesthetic, namely the cultural nature of calligraphy and the artistic nature of calligraphy.
Generally speaking, the ancients regarded calligraphy as roughly the same as writing. Practicality and appreciation have always been mixed, but they valued the cultural nature of calligraphy more. In today's society, with the fission and establishment of various disciplines and various art categories, while recognizing the cultural nature of calligraphy, more emphasis is placed on the artistry of calligraphy. This is the key to the development of the discipline of calligraphy and the inevitable development of the art of calligraphy. What needs to be emphasized here is that the artistic characteristics of calligraphy are revealed in the times and have strong historical and cultural inheritance. The calligraphy treatises of past dynasties and the research results of modern calligraphy have become an important theoretical basis for the establishment of today's calligraphy discipline. While emphasizing the artistic characteristics of calligraphy, we must not neglect the study of the cultural characteristics of calligraphy, otherwise the essence and connotation of traditional Chinese calligraphy culture and art will be lost.