China ceramic design artist, national arts and crafts series higher vocational judge

Yi Wu, national arts and crafts higher vocational judge and China ceramic design artist, became the third national master in Hunan ceramics category to win the honorary title of national master in the Great Hall of the People. China Arts and Crafts Museum has collected Yi Wu's Lotus; The National Library of China has collected the Collection of Yi Wu Ceramic Art; Master Xing Yun, President of the World General Assembly of the International Buddha's Light Society, has collected Yi Wu's Lotus Rhyme and Dutch Fun. Yi Wu has been engaged in artistic porcelain creation for more than 2 years, and his works have been exhibited in Hongkong, Japan, Singapore, South Africa and Taiwan Province for many times, which are widely collected by collectors at home and abroad, national libraries and national art galleries.

1: In 1992, the bottle of Thirty-six Plans participated in the China Modern Ceramic Art Exhibition hosted by the Central Academy of Arts and Crafts.

2: In 1993, the bottle of "A Hundred Years of Relief" represented the arts and crafts of Hunan Province in the Japanese exhibition;

3: In 1994, the bottles of Seven Stars Accompanied by the Moon and Relief for a Hundred Years participated in the Singapore Ceramic Art Exhibition;

4: In 1996, the Japanese municipal government collected the bottle of "Relief Hundred Years";

5: In 1997, "Calla Lily" participated in the exhibition of China contemporary famous special ceramics hosted by the Central Academy of Arts and Crafts in Hongkong;

6: In 21, the bottle of "Mountain Fruit" was awarded the "Certificate of Honor" by Mr. Han Meilin, director of the Ceramic Art Committee of China Artists Association in the first national ceramic art and design exhibition sponsored by China Artists Association, and was included in the "China Ceramic Art Collection";

7: The achievements of Yi Wu ceramic art in 21 were published in the third issue of the second cover of Ceramic Engineering in 21;

8: In 22, Yi Wu's paper "Decoration of High Temperature Under-glaze Art Porcelain" was published in the national special issue "Ceramic Science and Art";

9: In 23, three porcelain vases, Thirty-six Plans, Inheritance and Pattern, won the award-winning certificate signed by Han Meilin of China Artists Association in the National Ceramic Art and Design Exhibition held by China Artists Association;

1: In 25, he was awarded the Master of Ceramic Art in Hunan Province;

11: The artistic achievements of Yi Wu ceramics in 25 were introduced in the second special edition of Collection published at home and abroad;

12: In 25, Hunan Fine Arts Publishing House published the Collection of Yi Wu Ceramic Art, which has been numbered as the permanent collection by the National Library of China, won the honorary certificate of the permanent collection by the National Library of China, and was exhibited by the China Art Museum in the same year;

13: In 26, three pieces of underglaze colored porcelain, More than a Year, Vitality and Narcissus, participated in the China Craft Treasures Exhibition hosted by the State Council Information Office.

14: In 26, China Federation of Literary and Art Circles and UNESCO International Art Organization awarded Yi Wu the Gold Award of Chinese Fine Arts;

15: In 26, he was awarded the honorary title of Yi Wu International Arts and Crafts by UNESCO International Art Organization;

16: In 27, underglaze colored porcelain works "Dragon Bottle" and "Vitality" participated in the "Harmonious Beauty China underglaze colored porcelain exhibition" of China Art Museum;

17: In 28, Yun Series won the academic exchange award at the 43rd International Ceramic Art Conference;

18: In 28, "Yi Wu Ceramic Art Museum" was awarded the qualification of "National Geographical Indication" by AQSIQ for the first time;

19: In 28, the 15th edition of "China News" published by China News Agency of Xinhua News Agency and "Album of Contemporary Liling's Famous Works of Under-glaze Multicolored Porcelain" introduced Yi Wu's representative works "Thirteen Articles of Under-glaze Art Porcelain";

2: In 28, the underglaze color work "He" was permanently collected by China Arts and Crafts Museum, and a collection certificate was awarded;

21: In 28, I applied for the national expert judge of senior arts and crafts artists;

22: In 29, the world president of the International Buddha's Light Society, the internationally renowned Master Xingyun, collected Lotus Rhyme and Dutch Fun.

23: In 21, Yi Wu's porcelain vases "Dragon" and "The Art of War" were included in Liling Porcelain published by Hunan Fine Arts Publishing House.

24: In 21, he was awarded the title of Master of Arts and Crafts in Hunan Province.

25: In 21, I applied for the national expert judge of senior arts and crafts artists;

26: In 211, "Chrysanthemum" and "Dunhuang Bodhisattva" participated in the spring auction of China contemporary art works in 211 by Beijing Poly International Auction Co., Ltd.;

27: In 211, "More than a Year" participated in the autumn auction of China contemporary art works in 211 by Beijing Poly International Auction Co., Ltd.;

28: In 211, he was awarded in the Great Hall of the People: China ceramic design artist;

29: In 211, CCTV, xiaoxiang morning herald, Zhuzhou Daily and Jingdezhen Cidu Evening News reported many times that Yi Wu and others won the honorary title of China ceramic design artist in the Great Hall of the People.

3: On October 23rd, 211, CCTV TV guide channel "Art Sea" reported that Yi Wu and others won the China ceramic design master in the Great Hall of the People.

31: In 212, I applied for the national expert judge of senior arts and crafts artists;

32: In 212, Wen participated in the spring auction of China contemporary art works in 212 by Beijing Poly International Auction Co., Ltd.;

33: In 213, the collection exhibition hall of Yi Wu Ceramic Art Museum was established.

Tracing back to the source-China ceramic design artist Yi Wu

and Yi Wu have known each other for nearly 3 years. When I learned that Yi Wu was awarded the honorary title of China ceramic design artist in the Great Hall of the People on October 13th, as a lifelong professional like Yi Wu, I was sincerely happy and congratulated, which was a full affirmation and commendation for Yi Wu's persistent ceramic art creation for more than ten years.

When the "85 Art Tide" happened in China, I met Yi Wu, and both of us chose to engage in art as our belonging. We were both born in Porcelain City, Hunan Province, and were influenced and edified by art since childhood, and even received traditional professional training. I chose painting as my lifelong pursuit, and Yi Wu chose ceramic art, an art that perfectly combined soil and fire, as his field of struggle. I have always believed in the inner spirit of China's ink painting and ceramic art. For an artist in China, China's ceramic art tradition is the crystallization of human wisdom, the carrier of philosophy and the spiritual footprint, which is profound and has a long history.

Art is interlinked. During my study in Russian Repin Academy of Fine Arts, I studied the painting foundation of western art in detail, and felt that western art also pays great attention to massiness and simplicity, which coincides with China's traditional art, but we are in an era that is too anxious and utilitarian. Under such an environment, Master Yi Wu can not go with the flow, adhere to traditional training and innovation, form his own unique pen and ink language, and form himself. Yi Wu is the creator of ceramic art that I admire very much, and I have always admired his ceramic works. His works all show the close and harmonious relationship between man and nature, which is full of philosophy and poetry. Yi Wu's works all reflect a sense of simplicity of "elegance and dullness, which is related to the gods". The so-called "dullness" means being natural, not far-fetched, not carved, gentle and peaceful, from light and quiet, from static to mysterious.

When you watch Master Yi's works, you can feel his pen dripping freely on the porcelain tire, and his brushwork is lively and full of vitality. While creating the rhythm of the picture, it also highlights the emotional bearing capacity. Yi Wu's works have established an interesting and life-oriented creative consciousness to some extent, which has injected a brand-new aesthetic factor into modern ceramic design and art, emphasizing people's adaptability to nature, and going deep into life and appreciating life. All works are inherited.

China has always been positive and elegant in his artistic behavior for thousands of years, and he forgot about things and me with the spirit of nature, reaching the realm of harmony between heaven and earth, while Master Yi Wu is a successful master who expresses the concept of literati in modern ceramic design and art. He is not only a practitioner of ceramic design and art, but also good at learning and thinking, constantly improving and innovating the traditional ceramic making methods in China. In order to gradually form its own unique style, it is not superficial, regards inheritance and development as the foundation of ceramic design, art and creation, and has always maintained a calm heart and sincerely invested in the practice of modern ceramic design and artistic creation.

Yi Wu's ceramic art works are full of humanistic spirit and breath, calm, rich and heavy on tradition, elegant, graceful and innovative, bold and vigorous, with a muddy atmosphere and flying spirit.

Xunzi said, "Those who know are not as good as those who are good, and those who are good are not as good as those who are happy." Works of art reflect people's thoughts from "mature youth" and "life". In this way, Yi Wu continued the pursuit of his favorite ceramic art in "being good" and "being happy", constantly absorbed traditional nutrition in "being familiar" and explored the development of personality in "being alive". Yi Wu's creative spirit also enriched my understanding of art in many aspects. We hope that the brilliance of Master Yi's ceramic art attainments will illuminate more people's eyes for art.

(Zeng Wenyue, an artist studying in the Soviet Union)